There are two more colour samples with their names painted on opposite walls: pantonecoolgrey 10 (2016) and tuttifrutti (2016), a sample given by
the American paint company Behr.
Not exact matches
From New York to its birthplace in California, the
company is
painting American towns orange - even Hawaii.
The first time Martha Lavey performed with the Steppenwolf Theatre
Company, she was naked in body
paint playing a South
American Indian.
The last
American -
painted Art Car, the 1999 V12 LMR prototype car crafted by Jenny Holzer, was also BMW's official foray at Le Mans and the
company's first and only overall win at Le Mans.
Exhibiting
Company: Goodguys Rod & Custom Association Phone: 925-838-9876 Fax: 925-226-7045 E-mail:
[email protected] Website: www.good-guys.com Booth Number: 22375 Vehicle Builder: RideTech Powertrain / Drivetrain Type and Modifications: LSA engine;
American Autowire harness; Rick's Tanks fuel tank; Tremec six - speed transmission; Moser rearend Chassis Type and Modifications: RideTech suspension; Baer brakes; Forgeline wheels; BF Goodrich tires Exterior Modifications: PPG
paint Interior Modifications: Hudson Rod & Custom interior; Vintage Air A / C; Dakota Digital gauges; Recaro seats
Bridget Riley tried to sue an
American company, without success, for using one of her
paintings as the basis of a fabric design.
2002 New Year New York New Work, Lennon, Weinberg, Inc., New York, NY The Most Difficult Journey: The Poindexter Collections of
American Modernist
Painting, Yellowstone Art Museum, Billings, MT Lois Orswell, David Smith, and Modern Art, Fogg Art Museum, Harvard University Art Museums, Harvard University, Cambridge, MA Lois Orswell, David Smith, and Friends: Works from The Lois Orswell Collection, Knoedler &
Company, New York, NY
In 1936, he spent the summer in Mexico studying mural
painting with Diego Rivera, and in 1948, Woodruff teamed with Charles Alston to work on the Golden State Mutual Life Insurance
company murals in California, illustrating the contribution of African -
Americans to the development of the state.
This collection of 53 works contains a group of illustrative
paintings made for a textbook series published by the
American Book
Company.
1976 Two Centuries of Black
American Art, Los Angeles County Museum of Art, Los Angeles, CA; Brooklyn Museum of Art, Brooklyn, NY The Hue and Far Cry of Color: Contemporary «Mural» Size
Paintings, Performing Arts Center, Fort Wayne, IN Communication in Black Culture,
American Telephone and Telegraph
Company, New York, NY
Ms. Yanow is in the collection of The Butler Institute of
American Art, The Chinese Government, a Pastel
Painting for the First Pastel Museum in China, Pastel Society of America, Newark Museum, NJ; Nwark Public Library, New Jersey Ballet, Prince Albert Museum, London, Rensselaer University, NY, Township of West Orange, NJ, Shering Pharmaceuticals, Warner Lambert
Company, Morris Plains and numerous private collections.
1991 Burgoyne Diller and
American Abstract Artists of the 1930s and 1940s, Meredith Long &
Company, Houston, TX Modern
American Painting, 1925 — 1950, Snyder Fine Art, New York, NY The Second Wave:
American Abstraction of the 1930s and 1940s, Selections from the Penny and Elton Yasuna Collection, Worcester Art Museum, Worcester, MA; Samuel P. Harn Museum, University of Florida, Gainesville, FL; Delaware Art Museum, Wilmington, DE The Williamsburg Murals: A Rediscovery, The Brooklyn Museum, Brooklyn, NY
2010 Order to see, Galerie Praz, Delavallade, Paris, France In the
Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave
Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave
Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel
Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek
Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested
Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of
American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent
Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended
Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?
Riley tried to sue an
American company, without success, for using one of her
paintings as the basis of a fabric design.
11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of
Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New
American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «
PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «
PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who
Paints with Torn Apart Houses», Fast
Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA
Painting Grads at Mixed Greens», New
American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New
American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA
Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!
0 0 24th ANNUAL TEXAS
PAINTING AND SCULPTURE EXHIBITION 1962 - 1963 Sponsored by the San Antonio Art League and Witte Memorial Museum Dallas Museum of Fine Arts Museum of Fine Arts, Houston EXHIBITION Witte Museum, San Antonio Corpus Christi Art Foundation, Centennial Museum Beaumont Art Museum Dallas Museum of Fine Arts JURY John Gordon, Curator, Whitney Museum of
American Art, New York PURCHASE PRIZES $ 1200 San Antonio Art League Purchase Prize for the permanent collection of the Art League $ 1000 State Fair of Texas Purchase Prize for the permanent collection of the Dallas Museum $ 750 Sears, Roebuck and
Company Purchase Prize for the permanent collection of the Dallas Museum $ 500 Museum of Fine Arts, Houston, Purchase Prize for the permanent collection of the Houston Museum CASH AWARDS $ 100 Beaumont Art Museum Award $ 100 Corpus Christi Art Foundation Award $ 100 Foley's of Houston Award $ 100 Museum of Fine Arts, Houston, Award * $ 100 Museum of Fine - Arts, Houston, Award * $ 100 Pollock Paper Corporation Award $ 100 Schlumberger Well Surveying Corporation Award additional awards may be announced later * donated by Humble Oil & Refining
Company of Houston ELIGIBILITY The artist must be a permanent resident of Texas, having lived at least six months in the state during the year preceding the competition.
Curated by Andrea Crane and Ealan Wingate and conceived in collaboration with the heirs of Kazimir Malevich, the show features six rare Malevich
paintings, in the
company of works by modern and contemporary
American artists, including Carle Andre, John Baldessari, Alexander Calder, Dan Flavin, Donald Judd, Ellsworth Kelly, Agnes Martin, Barnett Newman, Ad Reinhardt, Ed Ruscha, Robert Ryman, Richard Serra, Frank Stella, James Turrell, and Cy Twombly.
In this show, for example, a
painting of the Union Carbide logo — the
American company responsible the catastrophic 1984 Bhopal Gas Tragedy, widely considered the world's worst industrial disaster — continues over two shaped canvases, propped against one another so the subject and source are initially obscure.
Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray:
Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray:
Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber
Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,
American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts,
American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in
Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award,
American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT
The print was originally published by the
American Lithography
Company of New York City and was based on a 1912 oil
painting by Thomas Moran.
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American Paint Company's Smoke Signal.
I discovered their
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American manufacturer of milk
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You will have access to
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American Paint
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More layering — this time I START with Caromal's Textured Basecoat but top it with one of my all natural chalk clay
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