Sentences with phrase «american painting of»

Buffalo, Albright - Know Art Gallery; Newport Beach, Newport Harbor Art Museum; Oakland Museum; Cincinnati Art Museum; Art Museum of South Texas Corpus Christi and Krannert Art Museum, University of Illinois, American Painting of the 1970's, décembre 1978 - novembre 1979.

Farnsworth Art Museum (Rockland) Concentrates on American painting of the 18th, 19th and 20th centuries (especially that involving Maine), with works by Gilbert Stuart, Thomas Sully, Thomas Eakins, Fitz Henry Lane, Eastman Johnson, Childe Hassam, Frank Benson, and Maurice Prendergast, as well as a number of pieces by the Russian - born American modernist sculptress Louise Nevelson.

It features Egyptian antiquities; Greek sculpture and pottery; African, Pre-Columbian, and Oceanic art; American painting of the 18th, 19th and 20th centuries; Renaissance, Baroque and 19th century European painting; and Jewish ceremonial objects.

Someone who had never looked closely at the best American painting of the»50s might call what he does abstract expressionism.

Trends in American Painting of Today.

NOVAK, 1969 Novak, Barbara, American Painting of the 19th Century: Realism, Idealism, and the American Experience, New York: Harper & Row, 1969, S. 281.

The two European branches of the Mind - Body Problem flow together into the completely American painting of Jake Berthot.

On the occasion of her new book, Voyages of The Self: Pairs, Parallels, and Patterns in American Art and Literature (part of the trilogy American Painting of the Nineteenth Century, Nature and Culture: Oxford University Press), Barbara Novak welcomes art historian Adrienne Baxter Bell and Brooklyn Rail Publisher Phong Bui to her home to talk about her life and work.

no. 19, p. 44 (illustrated) Buffalo, Albright - Knox Art Gallery; Newport Beach, Newport Harbor Art Museum; Oakland, The Oakland Museum; Cincinnati, Cincinnati Art Museum; Champaign, University of Illinois, Krannert Art Museum, American Painting of the 1970s, December 8, 1978 - January 2, 1980, p. 40 (illustrated) New Haven, Yale University Art Gallery, 20 Artists: Yale School of Art 1950 - 1979, January 29 - March 29, 1981, p. 50 (illustrated) Boston, Museum of Fine Arts, Connections: Brice Marden, March 23 - July 21, 1991, cat.

New York, American Federation of Art, European Circuit: American Painting of this Century, May 1 - August 13, 1956.

An active member of the New York School of painters, Sterne was also one of the artists known as the «Irascibles», who protested against the Metropolitan Museum of Art's policy on American painting of the 1940s and who was included in a now iconic photograph for Life magazine in 1951; Sterne, notably, is the only woman in the image.

Plus Gallery opens the Fall 2014 exhibition season with «The Golden Hour,» Jenny Morgan's 13th solo exhibition and the fifth to be hosted with us here in Denver, Colorado, where Morgan began one of the most singular careers in American painting of the last decade.

If the show intended to nod at the kinds of abstraction influenced by American painting of the 1960s (Morris Louis, Helen Frankenthaler and others painted on canvas with acrylics in a way that seemed to up the ante of the watercolour tradition), why not chose a late 60s John Hoyland, a 70s Bert Irvin or a recent John McLean rather than this dreary thing?

Albright - Knox Art Gallery, Buffalo, American Painting of the 1970s, Dec. 8, 1978 — Jan. 14, 1979.

Each of these painters interpreted the Matunuck landscape in a personal way, yet among them they encompass most of the major trends defining American painting of the late nineteenth and early twentieth centuries — the Barbizon School, Impressionism, Post-Impressionism, Tonalism and plein - air painting — as well as the creation of the era's predominant artistic institution: a summer school.

There is not much doubt that American painting of one or more kinds played a formative role in his development, but it would be oversimplifying to suggest that either one or the other kind was the exclusive source for his inspiration.

Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.

In the same year he was included in Dada and Surrealism Revisited at the Hayward Gallery, London, and in 1978 he showed in American Painting of the 1970s at the Albright - Knox Art Gallery, Buffalo.

During the late 1940s she became a member of The Irascible Eighteen, a group of abstract painters who protested the Metropolitan Museum of Art's policy towards American painting of the 1940s and who posed for a famous picture in 1950; members of the group besides Sterne included: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Richard Pousette - Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin, Theodoros Stamos, Barnett Newman, and Mark Rothko.

Their influence runs throughout European and American painting of the 1970s and»80s, starting with Sigmar Polke.

1993 Modernism and American Painting of the 1930's, Fine Arts Museum of the South, Mobile, AL An Uncommn Line, Schmidt Bingham Gallery, New York, NY Bird Song: The Avian Connection, Monmouth Museum, Lincroft, NJ; Hunterdon Art Center, Clinton, NJ 1993 Collectors Show, Arkansas Arts Center, Little Rock, AR Rolywholyover A Circus, John Cage, The Museum of Contemporary Art, Los Angeles, CA; The Menil Collection, Houston, TX; Solomon R. Guggenheim Museum, New York, NY; Art Tower Mito Contemporary Art Center, Tokyo, Japan; Philadelphia Museum of Art, Philadelphia, PA

Eakins» masterpiece, acclaimed as the greatest American painting of the nineteenth century, depicts the famed surgeon Samuel D. Gross as he paused to instruct students at Jefferson Medical College in Philadelphia.

1978 Perspective» 78: Works by Women, Freedman Gallery, Albright College, Reading, Pennsylvania (October 8 - November 15) American Painting of the 70s, Albright - Knox Art Gallery, Buffalo.

A stunning novel inspired by Andrew Wyeth's relationship with Christina Olson, his friend, his muse, and the subject of «Christina's World,» one of the best known American paintings of the twentieth century.

1979 Vice President Mondale Resident (Walter & Joan Mondale)(1979 - 1980) American Paintings of the 1970s, Albright - Knox Art Gallery, Buffalo, New York (December 8 — January 14) One Hundred Artists, One Hundred Years: Alumni of the School of the Art Institute of Chicago, Centennial Exhibition, The Art Institute of Chicago (November 23, 1979 — January 20, 1980) Americans in Paris: The 1950s, Fine Arts Gallery, California State University, Northridge (October 22 — November 30) Abstract Expressionism: A Tribute to Harold Rosenberg.

Andy Warhol — Marilyn Diptych, 1962 The Tate collection of modern art got hold of some of the best American paintings of the postwar age, including not only its famous Rothkos but this deathly masterpiece that is among Warhol's most serious works.

To put the murals in context, a short walk away the Met has hung a string of galleries with its American paintings of 1900 — 1940.

1979 Lithography, A Sense of Scale, Art Museum, The University of New Mexico, Albuquerque, USA Union Carbide Building, Inner City Scholarship Fund, New York, USA Art from Corporate Collections, Whitney Museum of American Art, New York, USA Decade in Review: Selections from the 1970's Permanent Collection, The New Museum, New York, USA The 1970's: New American Painting; (Traveled to Europe under the auspices of the International Communications Agency, Washington, USA) American Paintings of the 1970's, The Albright — Knox Art Gallery, Buffalo, New York, USA

Its history, in fact, began at the turn of the new millennium, when Robert Torchia, having served as the lead author for American Paintings of the Nineteenth Century, Part II, agreed to begin researching the Gallery's collection of early 20th - century American paintings.

The collection is divided into two large galleries, the first of which features American paintings of the formalist and expressionist schools.

The twenty - five works in «Elizabeth Murray: Painting in the «80s» made it absolutely clear why she became one of the leading American paintings of that decade, even though her work — no more neo-expressionist than neo-geo — didn't really fit in which anything else going on.

Social Concern and Urban Realism: American Paintings of the 1930s.

Instead, it feels overcrowded, claustrophobic, and a bit nightmarish, even more than American paintings of urban life during the Great Depression.

Not exact matches

In fact, Farage went to great paints to distance himself from an American style of gun ownership.

During the sentencing phase of Tsarnaev's trial in federal court in Boston, his lawyers have been trying to paint him as a mostly normal American kid who fell under the spell of his now - deceased older brother, ultimately joining him in the 2013 bombing of the Boston Marathon.

In the course of digging into this important issue, Desmond paints «a brilliant portrait of Americans living in poverty,» Gates claims.

The centerpiece of the sale is a painting by American muralist Thomas Hart Benton, entitled T.P. and Jake, depicting a young boy and his pet dog.

Painting the Keystone as something that would simply enable Canadian exports with no obvious economic benefit for Americans has a better chance of resonating with blue - collar Democrats than anything to do with green - house gas emissions.

He's amassed a fortune of more than $ 6 billion, the largest part of which is a nonpareil collection of postwar American paintings.

Nearly a year later, further reporting and testimony from current and former intelligence officials have painted a portrait of Russia's election interference as a multifaceted, well - planned, and coordinated campaign aimed at undermining the backbone of American democracy: free and fair elections.

While the documents released Friday paint a rosy picture of gains from Canada's most ambitious trade negotiation since the North American Free Trade Agreement of two decades ago, the European gains are also considerable.

American officials are still seeking to recoup $ 1 billion they say was ultimately spent in the United States on purchases like luxury homes in Manhattan and Los Angeles and expensive paintings by Picasso and Monet, and on financing for the Hollywood movie «The Wolf of Wall Street.»

Those funds went to American purchases like luxury homes in Manhattan and Los Angeles, to help finance the Hollywood movie «The Wolf of Wall Street» and to acquire paintings by Picasso and Monet, they said in a civil suit last year.

«It paints a target on the backs of senior Americans who are most likely to be targeted with abusive variable annuity sales practices,» she said.

Throughout his campaign for president, Donald Trump painted a gloomy picture of the American economy, scoffing at employment data that he said masked the truth.

He has helped paint our enemies with a big brush of hate and successfully helped lots of Americans to open their eyes to see how ugly and stupid their neighbors are.

And what historical evangelical theology is communicated by paintings of cottages printed on mousepads, and T - shirts that print Scripture pulled from context across an American flag or keychains, or romance novels minus the sex?

Nevertheless, even with this underlying bias the numbers generally tend to paint a believable portrait of American sexual attitudes, even if skewed a few points on the side of greater sexual activism.

The New York Times noted that the bishops have an «idea» that religious Americans are «the victims of government - backed persecution», while painting their decision to eliminate adoption services as slamming the door in the face of the loving members of the gay community.

Standing before a large landscape painting of the American West, the Gipper seemed to personify the heroic image of a winner.