Sentences with phrase «american photography show»

The American photography show is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.

The American photography show at PACE Gallery is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.

Not exact matches

1984 Group Show, Sonnabend Gallery, New York, NY 1983 Whitney Biennial, Whitney Museum of American Art, New York, NY 1982 Color as Form, International Museum of Photography, George Eastman House, Rochester, NY Beyond Photography, The Fabricated Image, Delahunty Gallery, New York.

Sophia Contemporary is proud to present Shifting Landscapes, a group show of contemporary American artists exploring abstraction through painting, photography and sculpture.

In addition to several spectacular abstract and neo-modernist works by artists including Louise Bourgeois, Ellsworth Kelly, Robert Irwin, Richard Serra and Olafur Eliasson, the exhibition will feature Selvaag's outstanding collection of pioneer works within American and Japanese figurative photography which seldom or never have been shown in Norway, by American Walker Evans, Diane Arbus, Lee Friedlander and William Eggleston, and Japanese Shomei Tomatsu, Daido Moriyama and Nobuyoshi Araki.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

2003 African American Artists in Los Angeles — A Survey Exhibition: Fade (1990 - 2003), Luckman Gallery, California State University Los Angeles, Los Angeles, CA The Alumni Show, Zilkha Gallery, Wesleyan University, Middletown, CT American Tableaux: Many Voices, Many Stories, Miami Art Museum, Miami, FL Love Supreme, La Criée Centre d'Art Contemporain, Rennes, France Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, NY (catalogue), traveled to Seattle Art Museum, Seattle, WA; Museum of Photographic Arts, San Diego, CA; San Diego Museum of Art, San Diego, CA The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN

He has had solo shows at MOMA, MAM — Museu de arte Moderna do Rio de Janeiro, the Whitney Museum of American Art, The International Center of Photography, Paco Imperial in Rio, and MACRO in Rome, among others.

Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.

«The Civil War and American Art» and «Photography and the American Civil War» show painters like Winslow Homer and photographers like Mathew Brady caught up in events more than they ever knew — and Hale Woodruff in his murals evoked them for the next century.

LRF: I realized the potential for using the camera as a weapon as described by Gordon Parks in his autobiography A Choice of Weapons [1966] when I first saw his photograph American Gothic [1942] in my photography class in 2000 when we were given an assignment to show a photograph with what Roland Barthes called a punctum (the thing that pricks you) and a studium (the subject) in a photograph.

She has exhibited throughout the United States, including group shows at the FLAG Art Foundation, New York (2014) and Diane Rosenstein, Los Angeles (2015), and solo exhibitions at The Cabin, Los Angeles (2015); the California African American Museum, Los Angeles (2016); Shulamit Nazarian, Los Angeles (2015, 2017); and the Houston Center for Photography (September 2017).

This body of work — a significant addition to the legacy of American subculture photography forged by the likes of Peter Hujar, David Wojnarwicz, Philip - Lorca diCorcia and Nan Goldin — is characterized by McGinley's idiosyncratic admixture of hopefulness and self - awareness, as well as his unembarrassed disclosure of the melodrama of youth, its inextricably intertwined joy and heartbreak: the artist shows us his debauched, frequently naked friends, laughing and weeping, taking drugs and having sex, tagging walls and pissing off roofs.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Art in General's new commission by 2014 artist Basim Magdy was on view in Oceans of Images: New Photography 2015 at the Museum of Modern Art; 2013 New Commissions Artist Meriç Algün Ringborg was featured in the 14th Istanbul Biennial; 2012 New Commissions Artist Mounira Al Solh participated in the 56th Venice Biennale; Performa Magazine called 2015 New Commissions Artist Lior Shvil's performance «powerful and dizzying»; Artnet News highlighted 2015 International Collaborations Artist, Donna Huanca as «One of the 50 Most Exciting European Artists Today»; and The Guardian named the exhibition by New Commissions Artist Marwa Arsanios as «one of the best American art shows of 2015.»

His works have been shown in exhibitions at the Museum of Contemporary Art Los Angeles, The Getty Museum Los Angeles, at the International Centre for Photography, recently at the Whitney Museum of American Art as part of the exhibition «Inside Out», as well as in «Mapping The City» in 2007, at Stedelijk Museum in Amsterdam, an exhibition which focuses on the artists» view on the city between 1960 and 2007.

One example is a collaboration between Peter Fetterman, a California dealer in classic Twentieth Century photography, and Jonathan Boos, a New York dealer in Twentieth Century American paintings and sculpture, according to the Winter Antiques Show.

Asked to curate a show at the National Arts Club in 1902, he called it «an exhibition of American photography arranged by Photo - Secession.»

Kasten's work has been exhibited extensively since the 1970s, with shows at institutions such as the Museum of Modern Art, the Smithsonian American Art Museum, Los Angeles County Museum of Art, the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Walker Art Center, and the International Center of Photography, among many others.

His work has been shown globally, including in such prestigious institutions as the California Museum of Photography (CA), Scottsdale Museum of Contemporary Art (AZ), Portland Art Museum (OR), Fotografie Forum International (Frankfurt), American Academy (Rome), Musee des Beaux Artes (Bordeaux), and Seoul Arts Center (Seoul) among many other venues.

2006 Whitney Museum of American Art, New York, Picasso and American Art, exhibition traveled to the Walker Art Center, Minneapolis, MN Hanart TZ Gallery, Hong Kong, Dusseldorf School of Photography and Contemporary Western Masters Boca Raton Museum of Art, Boca Raton, FL, Life as a Legend; Marilyn Monroe Galerie Julius Hummel, Vienna, Das Öffnen und Schliessen des Mundes Chelsea Art Museum, New York, The Food Show; The Hungry Eye La Maison Rouge, Paris, busy going crazy, The Sylvio Perlstein Collection WP Editions, Philadelphia, PA, Mixographia; Works on Paper, Inc..

Commercial galleries in London have also been dipping a toe in the market, with Lisson's show of work by Brazilian sculptor Sergio Camargo (1930 — 90) and Michael Hoppen's survey of Latin American photography taking place last year, while Pinta London offers an annual showcase of Latin American galleries.

The show is curated by Leanne Mella, a contemporary art curator, specializing in American artist's work in film, video, performance, photography and new media.

In 2013, the Top Honors winner awarded a solo show was Stephanie Brody Lederman, selected by Awards Juror Elisabeth Sussman, Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art.

Frank's photography and films have been the subject of exhibitions worldwide since Edward Steichen first included Frank's photographs in the 1950 group show 51 American Photographers at the Museum of Modern Art, New York.

Since graduating from the Historical and Contemporary Photography MA at Sotheby's Institute of Art, London, he has developed exhibition programmes with national and international artists, more recently Essence of Place, a group show of three generations of Latin American artists working with photography, identity and place, for Mummery + Schnelle GalleryPhotography MA at Sotheby's Institute of Art, London, he has developed exhibition programmes with national and international artists, more recently Essence of Place, a group show of three generations of Latin American artists working with photography, identity and place, for Mummery + Schnelle Galleryphotography, identity and place, for Mummery + Schnelle Gallery in London.

These graphic works challenge the image of nature as free and uncontaminated, as projected in nineteenth - century American painting and photography, and show that man and beast are in reality forced to live side - by - side.

These exhibitions encompass historical surveys, retrospectives of significant modern and contemporary American artists, and group shows of unknown or emerging artists, exhibitions of architecture, film and video art, multi-media installation and fine art photography, and other new media.

, Elizabeth Foundation for the Arts, NYC 2017 Notas al Futuro, Galeria Breve, Mexico City, MX 2017 Known Unknowns, 86 Orchard St, NYC 2017 Beach Sessions Fundraiser, Black and White Gallery, Brooklyn 2016 High Summer, Foley Gallery, NYC 2015 Camera Club of New York's Annual Benefit Auction, Affirmation Arts Gallery, NYC 2015 Annual Juried Competition and Exhibition, Baxter St. at the Camera Club of NY, NYC 2015 We Got Divorced, 156 Freeman Street, Brooklyn 2015 Advanced Master Remix, Baxter St. at the Camera Club of NY, NYC 2015 CKTV, Red Bull Studios, NYC 2015 This One's For You, International Center of Photography, NYC 2014 New Wight Biennial, UCLA New Wight Gallery, Los Angeles 2014 Camera Club of New York's Annual Benefit Auction, Affirmation Arts Gallery, NYC 2014 New York Art Book Fair, MoMA PS1, Long Island City 2014 BRIC Biennial, BRIC Arts Media, Brooklyn 2014 Call + Response + Response, Photoville, Brooklyn 2014 The American South, Morris Museum of Art, Augusta, Georgia 2014 Living Los Sures, Ildiko Butler Gallery, Fordham University, NYC 2014 Feast Day, ICP - Bard MFA Studios, Long Island City 2014 9/50 Summit, Atlanta Contemporary Arts Center, Atlanta, Georgia 2014 We Got Married, 145 Sackett Street, Brooklyn 2014 Inaugural, 321 Gallery, Brooklyn 2013 Fishing in the Dark, Violet's Café, Brooklyn 2013 Table Dive, Side Effects Gallery, Brooklyn 2013 Looking In / Looking Out, Bronx Art Space, Bronx 2013 Rising Waters: Photographs of Sandy, Museum of the City of New York, NYC 2012 Flat Out, Art Currents Institute, NYC 2012 Shadowline, 321 Gallery, Brooklyn 2011 Summer Salon, Rabbithole Gallery, Brooklyn 2011 Almost Down, Gallery Tayuta, Tokyo 2011 UnionDocs Collaborative Group Show, Brooklyn

Photography is synonymous with the modern area, and most solo shows at the Getty originate in its encyclopedic department of European and American photographs.

Opening for David Seymour and Roman Vishniac: «Affirmation» at Howard Greenberg Gallery, 41 East 57th Street, 14th Floor, 10 a.m. — 6 p.m. Starting Friday, the International Center of Photography's sprawling show of work by Magnum photojournalist David Seymour — who went by the pseudonym Chim (pronounced «shim»)-- and Russian - American photographer Roman Vishniac will be supplemented by «Affirmation,» a more intimate gathering of their work at Harold Greenberg Gallery, offering a second chance to become acquainted with the heady careers of these daring photographic icons.

His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US).

Jonathan Walz, director of curatorial affairs and curator of American art at The Columbus Museum, and Seth Feman, curator of exhibitions and curator of photography at the Chrysler Museum are co-curating the show.

She is currently the research associate of American Art at the Newark Museum, New Jersey, and has worked on a number of shows, including «Romare Bearden: Selections from the Newark Museum's Collection» and has recently curated a photography show: «In Her Eyes: Women in Front and Behind the Camera.»

Ben Brown Fine Arts shows important 20th Century international art, including British, Italian and American art and German photography.

The show, at James Barron Art in Kent, Connecticut is just one of a number of exhibitions across the globe marking a resurgence in Parks's impact, not just on the African - American community, but also on photography.

Lipp's work can currently also be seen at Art in General and in the group show «Under Construction - New Positions in American Photography» at Pioneer Works in Brooklyn.

The two - floor exhibition features painting, photography, and sculpture from twenty - one contemporary Chinese artists, many of whom Guess visited in their studios during recent trips to Beijing and Shanghai with Chinese art expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.»

Apart from the continual development and expansion of the collection in the areas of contemporary as well as historical photography, she has realized a large number of solo exhibitions on such artists as Karl Blossfeldt, Moi Ver, Bernhard Wicki, William Eggleston Wolfgang Tillmans, Fiona Tan, Eva Leitolf, Zoe Leonard, David Claerbout and Pippilotti Rist, as well as comprehensive surveys of German and American photography and thematic shows such as «Female Trouble» (2008).

Her work has also been included in numerous group shows, including Motion and Document — Sequence and Time: Eadweard Muybridge and Contemporary American Photography, which toured the U.S. for two years.

His 1938 Museum of Modern Art exhibition, American Photographs, was seen by more photographers than probably any other photography show of its day.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

★ Luigi Ghirri: «Kodachrome» (closes on Saturday) The photographs of Luigi Ghirri (1943 - 92), as seen in this show of selections from his 1978 book, «Kodachrome,» sometimes bring to mind American color photography by William Eggleston and Joel Sternfeld but have a dreamier quality and a more persistent sense of artifice.

1955 New York (The Family of Man) group show 1956 Cologne (photokina - 1963, 1980) group show 1960 Washington DC (Smithsonian American Art Museum - 1964) 1986 Paris (Centre national de la photographie) 1995 Berlin (Deutsches Historisches Museum) group show 1997 Bonn (Rheinisches Landesmuseum) group show 2001 Lausanne (Musee de l'Elysee) 2007 New York (International Center of Photography) 2008 Vienna (WestLicht) group show

What the new Whitney's opening show ably demonstrated was that the previous building had been unable to show more than a fraction of its holdings of 20th - and 21st - century American painting, sculpture, photography, drawing and artefacts.

The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album.

Neshat, whose work critiques the cultural construction of difference, fully turns her attention to American culture for the first time in this show and depicts the ambiguity of feeling for an outsider through enigmatic images, haunting encounters and mystified points of view in her film and photography.

The approach in Bethnal Green has just opened an elegantly staged new show by American artist Sara VanDerBeek, whose practice explores the relationship between photography and sculpture.

Group - shows in major museums include: «Optical Illusions, Contemporary Still Life ``, C / O Berlin, Berlin, Germany (2017), «Good Dreams, Bad Dreams - American Mythologies ``, Aïshti Foundation, Beirut, Lebanon (2016), «Ordinary Pictures ``, Walker Art Center, Minneapolis, MN USA (2016), «Image Support ``, Bergen Kunsthall, Bergen, Norway (2016), «Ocean of Images: New Photography 2015, Museum of Modern Art ``, New York, NY USA (2015), «Perfect Likeness: Photography and Composition ``, Hammer Museum, Los Angeles, CA USA (2015), «Reconstructions: Recent Photographs and Video from the Met Collection ``, Metropolitan Museum of Art, New York, NY USA (2015), «Rites of Spring ``, Contemporary Arts Museum Houston, Houston, TX USA (2014).

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003