Public Enemies, for instance, takes the public conflict between Dillinger and Purvis — archetypes of
American popular imagination — and connects it to the rise of surveillance, telecommunications, modern banking, and fascism, producing something that often feels like a creation myth for the latter part of the 20th century.
Not exact matches
in the day, s that jesus our lord was on the earth (jesus) there was many people named jesus, just as among hispanic and central
american peoples, it was a common
popular name of many people, if you want to prove to your self that jesus was not married, look up what the apostle said,» i saw standing upon mount zion with the lamb 144,000, these are they that have washed thier robes and were not defilled with women, for they are virgins, jesus emphasised in parts the need and values of a husband and wife in a home, the two mary, s and the women that followed him and ministered unto him tells us the great importance of women, and women in the home, he wanted all married men to have thier own wife, in those days of so many years ago there was false prophets, storytellers, wild
imaginations, he told us not to believe them, whether you are catholic, christian, islamic or any other, we can all take pride in the fact what the prohets, jesus and the apostles told us all fits jointly to gether, they were a work of love, to understand the christian bible correctly, islamic people are not rejected, but rather they are a equal, the angel told hagar to return to her mistress, he also told her he would make ishmael a blessing and his seed a great nation, regards
Looking sad eyed and put upon by fools, Paul Giamatti breaths life into one of the more shadowy founders of the
American republic in the
popular imagination.
Few family rituals have as fixed a place in the
American household, and in the
popular imagination, as board games, those impromptu or regularly scheduled contests played by parents and children on kitchen tables and living room floors.
Exploring the visualization of African -
American identity and white femininity within the same eras, Thomas removes slogans and product names from historical and contemporary advertisements, asking us to confront the impact of images on the
popular imagination.
The
popular inaugural show, Coney Island: Visions of an
American Dreamland, 1861 — 2008, is the first exhibition to look at the site not only as a strip of sand in Brooklyn but also as a seminal place in the
American imagination — a muse for artists for more than one hundred and fifty years.
Later on, his iconic images would help define the
American West in the
popular imagination.
This section of the show includes straightforward depictions as well as works that deal in a more oblique way with aspects related to the
American territory, for instance questioning the way it is understood and represented in the
popular imagination, or by presenting it as a beautiful and privileged spectacle ripe for plundering (by the movie industry and others).
«New Paradigms» confronts the varying narratives surrounding African
American culture in the
popular imagination.