Sentences with phrase «american public feels»

Not exact matches

She continued: «They just up and announced that I was prohibited from speaking anyway... I feel like the Constitution is important and that taxpayer - supported universities should not be using public funds to violate American citizens» Constitutional rights.»

Right from its opening sentence («One of the most salient features of our culture is that there is so much bullshit,») the book's message resonated with a public outraged by a rash of corporate scandals and feeling deceived by the failure of American forces to find weapons of mass destruction in Iraq.

Results of the Monmouth University Poll also indicate there are potential hurdles for selling this proposal to the American public since most feel the middle class has not been seeing any benefits from Pres. Donald Trump's policies so far.

In the last few months, the American public has begun to take accounts of sexual misconduct more seriously, and some survivors have felt safe going public about their experiences for the first time, knowing that their reports, now, may actually be heard.

HOWEVER, if this person was running for public office, instead of the «feel - good» story here, the media would vilianize this church for some inane belief that they would take wildly out of context and present it to the American public as the most fundamentalist extreme church ever to lay it's foundation on our shores.

«Our family chose not to attend the ceremony this evening because we did not feel welcome at the event and we even feared for our safety in light of how hostile some of the public comments have been,» the family said in a statement released by the group Americans United for the Separation of Church and State.

In calling for this emphasis on the individual's duty, Nixon is in tune with deep and widespread feelings in the American public.

«We... feel obligated to go on record with the facts regarding Pollard in order to dispel the myths that have arisen from this clever public relations campaign... aimed at transforming Pollard from greedy, arrogant betrayer of the American national trust in to Pollard, committed Israeli patriot

Instead of lamenting the fact that Americans seemed to be more intent on individual happiness than upon public good, some began to argue that just such a principle was the basis of the new American system The new Constitution, it was felt, harnessed individual acquisitiveness to public order.

If we call ourselves Americans as well as Christians, we may feel a strong civic sense that what our government did in our name was the embodiment of public justice.

One minute they are villified for taking a stand in the public arena and now that they make no comment concerning what many American people feel is lousy legislation -(Not condemning it, just not getting behind it) they are criticized for not participating more.

At BRERA, Chef Auriana has taken traditional recipes from his heritage and makes them accessible to the American public — something he feels is his responsibility.

But mostly, we associate fully exposed breasts with pornography and this is why uncovering our breasts in public is not something most North American women feel comfortable doing.

Given everything that's happened of late, the Senate rejecting gun safety legislation appears to make so sense whatsoever — unless, of course, we consider the continuing and maddening congressional deadlock, the sinful lobbying powers of the National Rifle Association (NRA), and the deeply - felt belief among many in the American public that more guns — not fewer guns — will keep us all safe.

The American Public Broadcasting Corporation's (PBS) new installment of The American Experience: the Presidents is a biography of the 42nd President, William Jefferson Clinton, that feels more like a drama than history.

Sen. Jim Risch (R - Idaho) said he is not concerned that Tillerson could feel torn between his old company and the American public.

It is possible that greater public awareness of altruistic atheists may help alleviate some of the distrust that many Americans feel towards nonbelievers.

Religious Browns: Eight percent of the American public, are highly religious, and feel the most separated from nature of any group.

Years later, with dreams of starring in films, he attempted to pitch an act to Hollywood executives, but he was rejected on the spot because they felt the act itself was far too ridiculous to sell to the American public.

After watching a film like Pulse, I feel a bit insulted that movie executives think so little about the intelligence of the American movie - going public that the vast majority of the attempts at popular entertainment are completely stripped of anything remotely resembling a thought - provoking element, eschewing those in favor of noise, special effects and music stimuli to try to induce a subconscious reaction in the audience.

If «The Other Side of Hope» packed fresh urgency in an era of heightened xenophobia worldwide, then Frederick Wiseman's «Ex Libris — The New York Public Library,» a masterful study of an invaluable American institution, felt like nothing short of an attack on the anti-intellectualism of the Trump administration.

Public Enemies, for instance, takes the public conflict between Dillinger and Purvis — archetypes of American popular imagination — and connects it to the rise of surveillance, telecommunications, modern banking, and fascism, producing something that often feels like a creation myth for the latter part of the 20th cePublic Enemies, for instance, takes the public conflict between Dillinger and Purvis — archetypes of American popular imagination — and connects it to the rise of surveillance, telecommunications, modern banking, and fascism, producing something that often feels like a creation myth for the latter part of the 20th cepublic conflict between Dillinger and Purvis — archetypes of American popular imagination — and connects it to the rise of surveillance, telecommunications, modern banking, and fascism, producing something that often feels like a creation myth for the latter part of the 20th century.

Americans who feel underrepresented or mistreated have made it clear in recent months that they will call out perceived injustices in every aspect of public life.

There is piquancy in the fact — central, somehow, to the feel of Rafelson's film, and part of its curiously suggestive symbolism — that the different districts of Atlantic City, including Marvin Gardens, are known to the American public as squares in the game of Monopoly.

Regardless of final destination, the detrimental effects felt by the American public at seeing either building hit would have been devastating to our psyche, although it's hard to imagine feeling more horror than in seeing the both towers fall.

Broad swaths of Americans feel disconnected from public institutions and are convinced that policy makers don't understand or much care about them.

They feel the burden of societal disrespect, of distrust, of being blamed by the public for all that ails American education.

Second, I felt an immense sense of gratitude to the much - maligned American public education system, where no one has to win a lottery to gain admission.

In 1973, 58 percent of Americans felt confident about the public schools, but by 2012 their approval rating had dropped to only 29 percent (which still was higher than public confidence in banks and big business, which stood at 21 percent, or Congress at 13 percent).

With the mounting changes in the education landscape, Public Schools Week creates a platform for Americans to express their feelings toward public school systems and why their success is a key determinant when it comes to our country's future.&Public Schools Week creates a platform for Americans to express their feelings toward public school systems and why their success is a key determinant when it comes to our country's future.&public school systems and why their success is a key determinant when it comes to our country's future.»

Antonucci goes back to 1997 when National Education Association president Bob Chase made a feel - good speech in which he acknowledged the existence of the «vast majority of Americans who support public education, but are clearly dissatisfied.

No wonder Americans are feeling ready to riot over their distrust for «public servants.»

The American Association of School Administrators (AASA) had also just released the results of a national survey of its members, «Cliff Hanger: How America's Public Schools Continue to Feel the Impact of the Economic Downturn.»

«Teaching on a Native American reservation with a population that has historically felt disenfranchised from public schools, we have found that bringing the tribes» traditional art into all subjects has made school more compelling for our students,» Meeks explains.

In the same way, DeVos's denunciations of the federal government and her refusal to make even a tepid call - out to the value of the public education system, can't help but have an effect on the way some Americans feel about their neighborhood public schools, which educate the vast majority of the country's schoolchildren.

«The effort to upend American public education and replace it with something that was market - based began to feel too radical for me.»

But after its tremendous reception by the public and media at last month's North American International Auto Show in Detroit, Piech is swelling with pride and feeling a bit relieved.

«The 2008 North American International Auto Show was a clear indicator that vehicle manufacturers — domestic and import — feel the general public is deeply concerned about fuel economy and vehicle emissions,» said Nerad, the Kelley Blue Book analyst.

37 % of Americans feel that public libraries contribute «a lot» when deciding what information they can trust, a 13 - point increase from a survey conducted at a similar point in 2015.

The fallout from such politically craven decisions is now being felt not only by the thousands of families whose lives have been upended by this callous calculation but also by Americans at large whose sense of insecurity and vulnerability has been exacerbated by the widely reported instances of mentally ill individuals committing acts of violence in schools, workplaces, and public spaces.

Her wide - ranging interests in American art and visual culture are reflected in the breadth of her publications, including Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism (1991, which received the Charles C. Eldredge Prize), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities (1995), Elvis Culture: Fans, Faith, and Image (1999), Looking at Life Magazine (editor, 2001), Twentieth - Century American Art (2002), The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008), Memorial Mania: Public Feeling in America (2010), and American Art of the 20th - 21st Centuries (2017).

The Phillips was among the first American museums to acquire Sean Scully's work, in 1986, so we feel it is especially appropriate that we are the first to bring this extraordinary series to the American public.»

Marking Parasol unit's 50th exhibition is the first London showing of Martin Puryear, a giant of American contemporary art who Ardalan feels has been widely overlooked — playing perfectly into the philosophy of pushing a remit that is focused on the public instead of commercial concerns that tend to dominate the two other facets of the art world: galleries and collectors.

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

But its «public», «open» quality did not appeal to him, and though he could admire their work, he felt no desire to imitate the Americans.

However, I also feel that the conference and particularly the grand after - conference plans may have a significant impact on public perceptions (reinforcing Americans» uniqueness in terms of climate change beliefs and opinions) and that in turn can provide political cover for politicians reluctant to support tough measures.

Multiple indicators show less concern, more feelings that global warming is exaggerated By Frank Newport Gallup's annual update on Americans» attitudes toward the environment shows a public that over the last two years has become less worried about the threat of global warming, less convinced that its effects are already happening, and more likely to -LSB-...]

The report includes many other interesting results, including measures of public feelings of anger, fear and hope about global warming and the frames by which Americans conceptualize the issue (e.g., as an environmental, scientific, political, moral, or religious issue).

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Below, Calatrava talks about his feelings on the design process in American cities, the difference between public and private projects and what he hopes to achieve in his buildings.