Sentences with phrase «american space and light»

As he prepares to mount an illusionistic new installation in Milan, the American space and light artist talks time, technology and theatricality.

Not exact matches

Entering the light - filled space that houses Breuckelen Distilling, a small - batch producer of artisanal gin and American whiskey, you may find owner Brad Estabrooke taste testing Mason jars of alcohol.

A team of British and American astronomers used data from several telescopes on the ground and in space — among them the NASA / ESA Hubble Space Telescope — to study the atmosphere of the hot, bloated, Saturn - mass exoplanet WASP - 39b, about 700 light - years from Espace — among them the NASA / ESA Hubble Space Telescope — to study the atmosphere of the hot, bloated, Saturn - mass exoplanet WASP - 39b, about 700 light - years from ESpace Telescope — to study the atmosphere of the hot, bloated, Saturn - mass exoplanet WASP - 39b, about 700 light - years from Earth.

But they also establish «The Insider» as a study in American light and space, a primarily visual ode to the essential strangeness and loneliness of American life.

(Leo McCarey, 1958) Reel 30b01 — Positano (Pierre Clémenti, 1969) Right Now, Wrong Then (Hong Sangsoo, 2015) Rio das Mortes (R. W. Fassbinder, 1971) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sag es mir Dienstag (Astrid Ofner, 2007) Shrimp Boat Log (2006 - 2010), So Sure of Nowhere Buying Times to Come (2010), David Gatten Schwitzkasten (John Cook, 1978) Shift (1972 - 1974), Still (1969 - 1971), Ernie Gehr Sisters (1973), Raising Cain (1992), Brian de Palma Smorgasbord (Jerry Lewis, 1983) Spain (Beryl Sokoloff, 1962) Spin (Hannes Schüpbach, 2001) Stella Dallas (King Vidor, 1937) Still Light (1970/2001), Sotiros (1976-1978/1996), Robert Beavers Suspicion (1941), Rope (1948), Alfred Hitchcock The Black Cat (Edgar G. Ulmer, 1934) The Effect of Gamma Rays on Man - in - the - Moon Marigolds (Paul Newman, 1972) Outer Space (2000), The Exquisite Corpus (2015), Peter Tscherkassky The Seventh Victim (Mark Robson, 1943) The Thoughts That Once We Had (Thom Andersen, 2015) The Throw 1 (2006), Eye Eclipse (2007), Fried Egg (2008), The Initiate (2008), Fruit Polyhedron (2009), Hand, Smaller than Hand (2009), The Soup (2009), Cassowary (2010), Pot Smaller than Pot (2010), Spaghetti Tornado (2010), Benguelino putting a spell on the camera (2011), Bread, Tea and Bao Game (2011), Donkey (2011), Dream of a Ray Fish (2011), Getting into bed (2011), The horse of the prophet (2011), The Unparticled Man (2011), Under a Car (2011), Wave (2011), Wheels (2011), Darwin's Apple, Newton's Monkey (2012), Placing the Fisheye (2012), Those animals that, at a distance, resemble flies (2012), Triangles and Squares (2013), Water Mill (2012), Proboscis (2013), João Maria Gusmão & Pedro Paiva Thorndon (1975), Napkins (1975), Aberhart's House (1976), Johana Margaret Paul Three Films from the Room (Peter Todd, 2015) Tortured Dust (Stan Brakhage, 1984) Trixi (Stephen Dwoskin, 1969) Twin Peaks (1990), Fire, Walk with Me (1992), David Lynch Viaggio in Italia (Roberto Rossellini, 1954) Vivir para vivir (Laida Lertxundi, 2015) Yolanda and the Thief (1945), An American in Paris (1951), The Bad and the Beautiful (1952), The Cobweb (1955), The Courtship of Eddie's Father (1963), The Sandpiper (1965), Vincente Minnelli Zanj Revolution (Tariq Teguia, 2013)

In this tale, first serialized in 1912 and set in the aftermath of the American Civil War, we meet the title character (played by the unfortunately named Taylor Kitsch of Friday Night Lights), a former Confederate captain whose search for a gold - filled cave has him leaping through time and space to the planet of Mars.

An incredibly timely and well - told story that serves as a nice counterpart to 1983's «The Right Stuff,» the film shines a light on the African - American women who helped put Glenn into space during a time when neither African - Americans nor women were given those kinds of opportunities.

Kelly, born in 1923, is a revered American painter and sculptor whose works utilize precise shapes and saturated colors to explore conditions of form, space, light, and presence.

Of those I visited, Art Miami reprised its welcome survey of Latin American artists; Untitled lit its beach tent with wide, carefully curated booths showing refreshingly unfamiliar material from all over the world; Pulse drew the young to accomplished work by mid-career artists who remain affordable; and the Design Fair played curated interiors of mid-century masters against the technological marvels of space - age lighting and the the largest - ever 3D printed work from sustainable materials — SHoP architects» outdoor pavilion digitised out of recycled bamboo whose combined airiness and tensile strength stand to revolutionise building.

It brought to prominence some of the most recognizable names in American art, from the accumulated weight of Donald Judd and Carl Andre (the one with that copy of the Declaration) to the «light and space» of Dan Flavin or such Californians as Larry Bell, James Turrell, Douglas Wheeler, Anne Truitt, and Mary Corse.

The rules might work in France for the light and moisture of a particular climate, but they left American Impressionism with hazy, indefinite spaces or Childe Hassam's drier impasto.

American sculptor Keith Sonnier (b. 1941) makes three - dimensional drawings with neon, bathing spaces and bodies in the radiance of coloured light.

, Patricia Low Contemporary, Gstaad, Switzerland Now New: New Works, New Space, Elgiz Museum of Contemporary Art, Istanbul Strip / Stripe, Emily Harvey Foundation, New York Quand la première ivresse des succès bruyants..., CAPC Musée d'art Contemporain, Bordeaux, France (catalogue) H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude Gallery, New Orleans, LA (catalogue) Fuentes, Galerie Thaddaeus Ropac, Salzburg, Austria Synthetics, Whitney Museum of American Art, New York Sensory Overload: Light, Motion, Sound and the Optical in Art Since 1945, Milwaukee Art Museum, WI Antes de ayer y pasado mañana; o lo que puede ser la Pintura hoy, Museo de Arte Contemporáneo Unión Fenosa, La Coruña, Spain Images and Representations: The Eighties Second Part, MAGASIN Centre National d'Art Contemporain de Grenoble, France (catalogue) With You I Want To Live: Gordon Locksley & George T. Shea Collection, Museum of Art Fort Lauderdale, FL Collect With Us, Armand Bartos Fine Art, New York Structures — Space, New Museum of Contemporary Art, New York

Nettrice Gaskins reviews the Yayoi Kusama retrospective at the Whitney Museum of American Art, and considers Kusama's work in light of immersive 3D worlds and «Augmented Spaces.»

Here light, color, and space combine with theatrical verve to declaim the tale of how American art became swaggeringly self - sufficient and remains so to this day (although the curators speak of a rather different inspiration: a drive to change art after the devastation of World War II).

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery slight, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery sLight and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery sSpace artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery slight that emanates from the large window in the fourth floor gallery spacespace.

Adams» works draw from the constructed realities of artists such as Thomas Demand and Hiroshi Sugimoto, the perceptual considerations of the Light and Space artists, as well as the paintings of the Dutch Golden Age and 19th century American Luminists.

Making three - dimensional drawings with neon, American artist Keith Sonnier (b. 1941) bathes spaces and bodies in the radiance of coloured light.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

Painting / Light / Space draws together nine large - scale atmospheric paintings, several drawings, and archival materials into a timely reconsideration of Pousette - Dart's contribution to American art and history.

The center has won countless awards, including the American Institute of Architects» Best Design of the Decade, and features internationally - acclaimed 20th century artwork on display throughout the light - filled space and amid the 1.4 - acre landscaped garden, CenterPark Garden.

Occupying a space between sculpture, cinema and drawing, his work's historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010 - 11).

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

The new gallery is on Grosvenor Hill in Mayfair and its double - height, day - lit spaces shows, from Saturday, the stirring paintings of Cy Twombly, an artist whose gestural abstraction — sometimes incorporating scribbles and scrawled text alongside powerful swirls of colour — has a singular place in post-war American art.

While American Minimalism is often identified with New York — Carl Andre's floor works, Dan Flavin's neon lights, the industrial objects of Donald Judd in his SoHo sanctuary — there is a rich vein of West Coast Minimalism less widely shown in the UK: the «Light and Space» movement, whose works emphasise an attention to the fall of light and changing perceptions of sLight and Space» movement, whose works emphasise an attention to the fall of light and changing perceptions of sSpace» movement, whose works emphasise an attention to the fall of light and changing perceptions of slight and changing perceptions of spacespace.

In addition to The Lunder Collection, the museum will present Spaces and Places: Chinese Art from the Lunder - Colville Collection and the Museum of Fine Arts, Boston; «A Thing Alive»: Modern Views from the Marin Collections; Nowhere But Here: Art From the Alex Katz Foundation; Alex Katz: A Matter of Light; American Weathervanes from a Distinguished Maine Collection; and Process & Place: Exploring the Design Evolution of the Alfond - Lunder Family Pavilion.

Michael Craig - Martin, one of the leading representatives of an art in which American and European traditions intermingle, has used painting, drawing, space, and light to create an overall work of art for his first solo show in Austria.

The paintings I most admired were done by artists from northern Europe: Scandinavia ---- Denmark, Norway, Sweden ---- Flanders, and Germany... The work seemed very close to American Luminist painting in its clarity of light and form, its classic layering of space, and its modest size.»

American artist Craig Kauffman (1932 — 2010) was one of the pioneering figures of the postwar Light and Space movement in Southern California.

New Yorker Rachel Rose's 2015 video work «Everything and More,» about astronauts and the cosmos, was shown at the Whitney Museum of American Art; Wakefield felt she'd take a mystical approach to Desert X. Images of Smith's LED - illuminated, mirrored shack in Joshua Tree, «Lucid Stead,» went viral in 2013, he'd likely create another colorful, Light and Space Movement - inspired work for Desert X. Aitken's immersive video installation «Diamond Sea,» which was presented at the Whitney Biennial in 1997, explores southwestern Africa's Namib Desert.

Doug (or Douglas) Wheeler is an American artist, pioneer of the so - called «Light and Space» movement that flourished in Southern California in the 1960s and 1970s, His body of work encompasses drawing, painting, and installations that are characterized by a singular experimentation with the perception and experience of space, volume, and lLight and Space» movement that flourished in Southern California in the 1960s and 1970s, His body of work encompasses drawing, painting, and installations that are characterized by a singular experimentation with the perception and experience of space, volume, and lSpace» movement that flourished in Southern California in the 1960s and 1970s, His body of work encompasses drawing, painting, and installations that are characterized by a singular experimentation with the perception and experience of space, volume, and lspace, volume, and lightlight.

Brenda Biondo is an American photographer whose constructed, abstract sky photographs explore the interplay of light, color, space, materiality and process.

Valentine's work has also been included in a number of important group exhibitions that served to introduce the Light and Space artists to a national audience, including Annual Sculpture Exhibition, Whitney Museum of American Art, New York (1966, 1968, 1970); Sculpture Of The 60's, Los Angeles County Museum of Art (1967); Plastic Presence, Jewish Museum, New York, Milwaukee Art Center, and San Francisco Art Museum (1969); The Industrial Edge, Walker Art Center, Minneapolis (1969); and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (201and Space artists to a national audience, including Annual Sculpture Exhibition, Whitney Museum of American Art, New York (1966, 1968, 1970); Sculpture Of The 60's, Los Angeles County Museum of Art (1967); Plastic Presence, Jewish Museum, New York, Milwaukee Art Center, and San Francisco Art Museum (1969); The Industrial Edge, Walker Art Center, Minneapolis (1969); and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (201and San Francisco Art Museum (1969); The Industrial Edge, Walker Art Center, Minneapolis (1969); and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (201and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (201And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (201and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (2011).

Robert Irwin, a postwar American artist and a pioneering figure of California Light and Space Art, is the subject of this book that traces his development and accomplishments in the 1960s.

The 1999 exhibition introduced Los Angeles audiences to the participatory art of Brazilian Neo-Concretists Lygia Clark and Hélio Oiticica, while the second built on the precedents of the first in establishing a Latin American foundation for the conceptual Light and Space movement that is generally associated with California artists like James Turrell and Robert Irwin.

This was an important preamble for Phenomenal: California Light and Space, which will be a major historical survey of a key period in American art and a singular moment in the development of art in Los Angeles and Southern California.

The format for the project will be, in a sense, a series of concentric «circles,» beginning with the core Light and Space artists, and extending out to the subsequent generations of American artists who were impacted by them.

In the press release, the curators point out that American Impressionists, Abstract Expressionists and artists through the 1980s migrated to Long Island's East End for inspiration from the unique light, environment and for studio space outside New York City.

The Tunnel 269 11th Avenue New York City October 26 - 29, 2017 Kiki Smith: Mortal Dallas Contemporary 161 Glass Street Dallas Texas 75207 September 29 - December 17, 2017 Nicole Eisenman: Dark Light Secession Friedrichstraße 12 1010 Vienna, Austria September 14 - November 5, 2017 Kiki Smith: From the Creek Thomas Cole National Historic Site 218 Spring Street Catskill, NY August 12 - October 29, 2017 Skulptur Projekte Münster 2017 Included Sketch for a Fountain [Skizze für einen Brunnen] by Nicole Eisenman Münster, Germany June 10 — October 1, 2017 Nicole Eisenman Faces: Painted Reliefs Anton Kern Gallery 16 East 55th Street New York City June 1 - July 7, 2017 Richard Artschwager Martin Kippenberger: Objects and Drawings David Nolan Gallery 527 West 29th Street New York City May 11 - June 17, 2017 AMERICAN INTERIOR included t, w, m, d, r, b, 2003 by Richard Artschwager, printed and published by Harlan & Weaver Carriage Trade 277 Grand Street, 2nd Fl New York City April 27 - June 3, 2017 Joanne Greenbaum: Everything is Perfect in All Ways VAN HORN Ackerstraße 99 Düsseldorf, Germany March 18 - May 12, 2017 Kiki Smith: Portraits, Celestial Bodies and Fairy Tales (Prints from 1990 through now) Mary Ryan Gallery 515 West 26th Street New York City February 23 - April 8, 2017 Steve DiBenedetto: Novelty Mapping Picnic Cherry and Martin, 2732 Space 2712 S. La Cienega Boulevard Los Angeles, CA January 24 - March 4, 2017 (Article) Thickly Layered Paintings that Glow with Their Own Light by Daniel Gerwin on Hyperallergic Bound by Paper Included hand - made books by Joanne Greenbaum LMAK Gallery 298 Grand Street New York City January 19 - March 5, 2017

Widely recognized as one of the greatest and most influential living American artists, Robert Irwin shapes light, shadow, and space into ephemeral and powerful works of art.

His work is a unique form of Minimal Art representing a dialogue between the practices of the American East and West Coasts, between the more conceptual Minimalism and Finish Fetish and Light and Space movement of the 1960s, its colours and textures bearing references to the Southern Californian environment and aspiring to an industrial sublime.

Natural light and space channel almost as much energy into Dia: Beacon as the outstanding works displayed there by American and European artists who matured in the»60s and»70s.

James Turrell (born in Los Angelese in 1943) is an American artist primarily concerned with light and space.

Whitney Museum of American Art presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery slight, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery sLight and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery sSpace artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery slight that emanates from the large window in the fourth floor gallery spacespace.

The first major monograph ever published on the career of Larry Bell, iconic American artist and one of the stars to have emerged from the Light and Space movement in California...

Richard Diebenkorn, one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide - open spaces of California, where he spent virtually his entire life, died yesterday at his home in Berkeley.

But its acute perceptual sophistication would set the stage for 1960s Light and Space art — for Robert Irwin, Doug Wheeler, Larry Bell and others whose sculptures and installations forged L.A.'s first distinctive contribution to American art.

Curator Alma Ruiz's «Suprasensorial» constitutes a valuable contribution to this regionalist project, attempting a double reorientation by locating precedents of Californian Light and Space art of the late 1960s in the work of Latin American artists such as Lucio Fontana, who made his first neon environment in 1951.

Preferred habitat: ditches, prairies, swales, depressions + + + + Foliage / winter appearance: dormant in winter + + + + Soil conditions: loam, clay, well drained + + + + Light conditions: partial shade to full sun + + + + Plant spacing: 3 to 4 feet apart + + + + Wildlife value: Seed enjoyed by deer and many species of birds; a nectar and larval food plant for butterflies; attracts these birds: Cardinal, Carolina Chickadee, American Goldfinch, House Finch, Purple Finch, Evening Grosbeak, Blue Jay, Nut Hatches, White - Throated Sparrow, Tufted Titmouse, Rufous - sided Towhee, House Sparrow, Dark - eyed Junco, Mourning Dove, Pine Siskin, Red - winged Black Bird, Scrub Jay, and Red - Bellied and Red - headed Woodpeckers; Silvery Checkerspots and Bordered Patch Butterfly larvae eat leaves.

Preferred habitat: wetlands, low woods + + + + Foliage / winter appearance: deciduous, red leaves in fall + + + + Soil conditions: loam, clay, tolerates poor drainage + + + + Light conditions: partial shade to full sun + + + + Plant spacing: 30 feet + + + + Wildlife value: Flowers are a source of bee food; foliage browsed by White - Tailed Deer; fruit attracts the following birds: Eastern Bluebird, Gray Catbird, Eastern Kingbird, Mockingbird, American Robin, Brown Thrasher, Summer Tanager, Cedar Waxwing, Red - bellied and Red - headed Woodpecker, Gray Cheeked Thrush, Blue Jay, Tufted Titmouse, Rose - breasted Grosbeak, Purple Finch, Wood Duck, wild turkey, flicker