THE DVD Bend It Like Beckham arrives on DVD from Fox at the tail end of its North
American theatrical run.
Not exact matches
European titles include La Grande Bouffe, Marco Ferrerri's most notorious film which unsurprisingly never received a
theatrical run in Ireland in 1973 (given that it's about four friends who gather together one weekend to eat themselves to death), and Catherine Deneuve in Les Desmoiselles de Rochefort, Jacques Demy's exuberant love letter to
American musicals.
Whatever the reasoning behind Valiant's quiet
theatrical run (and we might not ever know), the film wound up with a grand North
American box office total of just $ 19.5 million, making it handily the all - time lowest - grossing widely - released computer - animated film in the continent (by comparison, 2002's Jonah: A VeggieTales Movie earned $ 6 million more) and putting it just slightly ahead of the $ 18 million gross of DisneyToon Studios» modest off - season traditionally animated release Pooh's Heffalump Movie.
After 19 weeks in
theatrical release, Marvel's «Doctor Strange» has ended its North
American run with a $ 232.6 million domestic box office, and $ 677.6 million worldwide.
Only 10 of my 21 winners had even a reasonably - sized art house
run in
American theatres, a few have never even qualified for major critics awards, almost all of which tie their eligibility rules to week - long
theatrical runs in New York City.
But we've screened some important
American filmmakers whose subsequent films have gone on to longer
theatrical runs in Toronto, whether it's films like Krisha and Queen of Earth, or Eliza Hittman's first feature It Felt Like Love, which we co-presented with cléo.
Between the onslaught of comic adaptations, routine generic Hollywood
run - off, sequels, remakes, and the passive (yet somehow obtrusive) nature of the modern
American theatregoer, the entire «
theatrical experience,» left me broken and abysmally disappointed.