Sentences with phrase «american urban artist»

For those with not so deep pockets, the auction provides the buyers an opportunity to purchase some more affordable pieces like Mel Bochner's Blah Blah Blah, a print by an American urban artist D * Face entitled American Depress, Providence by Damien Hirst, Jasper Johns» print After Holbein, Diana by Alex Katz, a piece by Willem de Kooning entitled Landing Place, and Robert Longo's Study for Ascension Album Cover.

Jorge Rodríguez - Gerada is a Cuban American urban artist and a founder of the New York Culture Jamming movement.

Not exact matches

Don Tapscott's warnings about the «peril and promise» of the Internet era go back to the 1990s, and urban theorist Richard Florida of the Martin Prosperity Institute at the University of Toronto argues the survival of every North American city depends on attracting a «creative class» of artists and thinkers.

You can find high - waisted hippie versions online at at places like Urban Outfitters, but American Eagle's Artist style jeans are easy to find, inexpensive, and super comfortable.

Filed Under: Beauty, Fashion, Hair, Jewelry, Shoes, What I Wore Tagged With: American Eagle, booties, denim, feathers, Free People, Hudson Jeans, jeans, JessaKae Photography, Jewelmint, Kimono, Mossimo, necklace, Nordstrom, ring, tank, Urban Outfitters, Vivian Makeup Artist

Melanie Thomas (Anna Margaret Hollyman) is an American artist who has become fascinated by an Irish urban legend.

CHICAGO — «It's a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition «The Minor Arts» opened there this month in Washington.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Ballroom Marfa is proud to announced its first group exhibition devoted to emerging artists whose work is informed by their experience of urban and suburban life in contemporary American culture.

, Minneapolis, MN 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artists.

For his first solo exhibition in Europe, Los Angeles - based artist Awol Erizku has charted a new direction away from photography toward new sculptures and paintings that incorporate historic iconography, political symbols, references to urban surrounds, including graffiti, and titles that pay homage Africa American literature and black sports heroes.

The American artist Rita McBride employs non-traditional industrial materials from mass production and urban landscapes in her monumental sculptures and installations.

I had mentioned in my response to Randy Tibbits's screed regarding too few Houston or Texas artists at the Museum of Fine Arts, Houston that I thought the museum's American art galleries had bigger issues to address, «starting with too few works by artists of color and / or works addressing race, a lack of work by Native Americans, relatively little work reflecting urban social issues and labor unrest, etc..»

In the 1980s, a decade when artists commonly appropriated styles or imagery from earlier art historical periods, Mark Innerst became known for beautifully crafted natural and urban landscape paintings that gave new life to the American tradition of the romantic sublime.

She is the author of EyeMinded: Living and Writing Contemporary Art; and Taming the Freeway and Other Acts of Urban HIP - notism: African American Artists in Los Angeles in the 1960s and 1970s.

1984 Underknown: 12 Artists Re-seen in 1984, Institute for Art and Urban Resources (P.S. 1), Long Island City, NY The Figure in 20th Century American Art: Selections from The Metropolitan Museum of Art, The Metropolitan Museum of Art, NY; The American Federation of Art, New York, NY

Hailing from the American West, Nelson's work involves a process of multiple transfer layers over a textural surface and presents both the literal and perceptual layering of the urban and natural environments, according to the artist's statement.

One of the most significant young artists today, Kehinde Wiley (American, b. 1977) is known for his vibrant, large - scale paintings of black urban men rendered in the self - confident, empowered poses typical of classical European portrait painting.

Smithson was to become a romantic of American nature, but he began as a very urban artist who pastiched porn and mocked Americana.

He has served as trustee of several local and national arts institutions including Americans For The Arts, the National Assembly Of Local Arts Agencies (NALAA), The Urban Arts Federation, and as a founding member of the National Association of Artists Organizations LA Works, and LA Shares (Materials for the Arts).

Size: 42x60x1 unframed From the series Pedestrians American, 1949 — 2015, Wisconsin, based in Callicoon, NY, United States Artist statement I paint the urban pedestrian from the aerial...

Tarek Abou El Fetouh (curator) John Akomfrah (artist and filmmaker) Rheim Alkadhi (artist) Noora Al Mualla (Curator of Modern Arab Art, Sharjah Art Foundation) Monira Al Qadiri (artist) Hoor Al Qasimi (Director, Sharjah Art Foundation) Saira Ansari (Researcher, Sharjah Art Foundation) Rasheed Araeen (artist) Marwa Arsanios (artist) Mohammad Ali Atassi (Director, Bidayyat) Sarnath Banerjee (artist, writer and graphic novelist) Daniel Blanga Gubbay (Researcher and Curator, Aleppo.eu) Yaminay Chaudhri (artist and Co-founder, Tentative Collective) Ali Cherri (artist) Manuel de Rivero (Co-founder, Supersudaca) Manthia Diawara (University Professor and Director, Institute of African American Affairs, New York University) Mona El Mousfy (Founder and Managing Director, SpaceContinuum) Shilpa Gupta (artist) Ayesha Hameed (artist and Lecturer, Visual Cultures, Goldsmiths College) Dale Harding (artist) Salah Hassan (Goldwin Smith Professor and Director, Institute for Comparative Modernities, Cornell University) Mohamed Ahmed Ibrahim (artist) Saba Innab (artist and architect) Eungie Joo (Curator of Contemporary Art, San Francisco Museum of Modern Art) Butheina Kazim (Co-founder, Cinema Akil) Maha Maamoun (artist) Ahmed Mater (artist) Almagul Menlibayeva (artist) Sally Mizrachi (Co-founder, lugar a dudas) Naeem Mohaiemen (artist) Paribartana Mohanty (artist) Aram Moshayedi (Curator, Hammer Museum) Hania Mroué (Founder and Director, Metropolis Art Cinema) Neo Muyanga (composer and musician) Zeynep Öz (curator) Claudia Pagès (artist) Sharmini Pereira (Founder and Director, Raking Leaves) Filipa Ramos (Co-curator, Vdrome) Uzma Rizvi (Associate Professor, Anthropology and Urban Studies, Pratt Institute) Abir Saksouk (Architect, Public Works) Larissa Sansour (artist) Mario Santanilla (artist) Zineb Sedira (artist) Wael Shawky (artist) Reem Shilleh (Co-founder, Subversive Film) Martine Syms (artist) Yoshiharu Tsukamoto (Co-founder, Atelier Bow - Wow) Alper Turan (Co-founder, DAS Art Project) Deepak Unnikrishnan (writer) Antonio Vega Macotela (artist) Hajra Waheed (artist) Ala Younis (artist and curator)

Eric Fischl, another prominent artist, is mounting a national program that will put distinguished artists with emerging artists in typical American places outside the urban downtowns — places where people live and shop and play.

The series stems from Providence College Galleries» interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other American and international urban contexts.

Beginning with the black and white lithographs that were popularized by the regionalists and urban realists, and continuing through the experimental intaglio prints of the 1940s and 1950s, the «Pop» explosion of screenprints in the 1960s, and the precision of super realism in the 1970s, printmaking has captured the imagination of countless American artists.

1980 Islamic Illusions, Alternative Museum, New York, NY Retour Aux Sources, Une Exposition en Afrique D'Artistes Afro - Americains 1980, Galerie D'Art Mitkal, Abidijan, Cote D'Ivoire Afro - American Abstraction: An Exhibition of Contemporary Painting and Sculpture by Nineteen Black American Artists, Institute for Art and Urban Resources - PS 1, Long Island City, NY; Everson Museum of Art, Syracuse, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; Oakland Museum of California, Oakland, CA; Memphis Brooks Museum of Art, Memphis, TN; Art Center, South Bend, IN; Bellevue Arts Museum, Bellevue, WA Dialects, Franklin Furnace, New York, NY Color and Surface, Touchstone Gallery, New York, NY The Nineteen Seventies: Prints and Drawings, Museum of the National Center of Afro - American Artists, Boston, MA 10 + 10: An Invitational, Miami - Dade Public Library, Miami, FL

Emphasizing the importance of African American migration, as well as Los Angeles» housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, Los Angeles» urban renewal, and restrictions on black mobility.

1965 - 1975» depicts the energy of the cultural environment of this American city as a center for figurative production, as well as the heterogeneity of the contributions of some artists known as Chicago Imagists (Roger Brown, Ed Flood, Art Green, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca and Karl Wirsum), who had identified the roots of their personal research in Surrealism and Art Brut, in a way that anticipated the new tendencies of the 80's and 90's, from Graffiti to Street Art, from wild cartoons to urban murals.

Madrid Abierto Public Sculpture Competition, Madrid, ES 2005 Go - Between, Magazin4 / Bregenzer Kunstverein, Curated by Dr. Wolfgang Fetz and Peter Lewis, Bregenz, AT 2005 Library, Librarie, Institute of Contemporary Art, Curated by IDEA London, UK 2005 New Economy, Columbia University Art Gallery, Curated by Eric Angles, New York, NY, US 2005 CAC TV, Contemporary Arts Center, Curated by Raimundas Malašauskas, Vilnius, LT 2004 Synesthesia, a Neuroaesthetics Exhibition, Institute of Contemporary Art, Curated by Chloe Vaitsou, London, UK 2004 Everything is Connected, He, He, He, Astrup Fearnley Museum of Modern Art, Curated by Gunnar Kvaran, Oslo, NO 2004 Silent: A State of Being, Madrid Abierto Public Sculpture Competition, Curated by Jorge Diaz, Madrid, ES 2003 Harlem Postcards, The Studio Museum in Harlem, Curated by Christine Kim, New York, NY, US 2003 Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Curated by Wilfried Dickoff, Potsdam, DE 2001 Bitstreams, Whitney Museum of American Art, Curated by Larry Rinder, New York, NY, US 2001 Urban Pornography: Project Room, Artists Space, Curated by Lauri Firstenberg, New York, NY, US 2001 Optical Verve, Ottawa Art Gallery, Curated by Sylvie Fortin, Ottawa, CA 1997 Making It Real, Aldrich Museum of Art, Curated by Vik Muniz, Ridgefield, Colorado, US.

Leonardo Benzant is a Dominican - American artist, with Haitian heritage, born and raised in Brooklyn, who at times, metaphorically, refers to his practice as Urban Shamanism inspired by a character he created called Kamarioka, The Chameleon.

He has published artists» books including Urban Programming 101 (2011) and Anti-Manifesto (2012), and has presented collaborative performances at the Whitney Museum of American Art and Los Angeles County Museum of Art.

1984 Seattle Urban League: Minority Artist Show, Seattle Center House, WA No Beads No Trinkets: An Exhibition of Contemporary American Indian Artists, Palais de Nations, Geneva, Switzerland Elizabeth Leach Gallery, Portland, OR Contemporary Native American Art, Touchstone Gallery, Spokane, WA Innovations: New Expression in Native American Painting, The Heard Museum, Phoenix, AZ

Over the past five decades, during which his explorations of race and urban experience have made him one of the most consistently provocative and influential of American artists, he's conducted only a handful of press interviews — this reticence of being merely one facet of a famed elusiveness that has reached almost mythic proportions.

Stallings has received awards and grants from Robert Rauschenberg Foundation, Creative Time, American Academy of Arts, Possible Futures Foundation, Bogliasco Foundation, Flux Projects (inaugural artist), Chicago Music & Dance Alliance, Emory Center for Creativity and Arts (inaugural artist), Atlanta Beltline Urban Development, and Artadia.

Red Grooms is an American multimedia artist best known for his colorful pop - art constructions depicting frenetic scenes of modern urban life.

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

Highlighting the deeply passionate and often biting social commentary of this influential artist, Bill Walker: Urban Griot is the first of many programs included in Art Design Chicago, an exploration of Chicago's art and design legacy, an initiative of the Terra Foundation for American Art with presenting partner The Richard H. Driehaus Foundation.

The original Black Mountain College functioned as an incubator for American artists such as John Cage, Merce Cunningham, Robert Creeley, Anni and Josef Albers and many others escaping Hitler in Nazi - occupied Europe, seeking refuge from mainstream educational institutions or the poverty of urban centers.

His expression of revolt and explosive, incendiary life in his everyday urban environment brings to mind artists from the great American tradition, Twombly perhaps in his casual - looking execution, and Dubuffet.

American artist Courtney Timmermans creates beautiful taxidermy - inspired animal sculptures using thousands of air rifle BBs, in this series entitled «Urban Herd».

The team led by the internationally acclaimed American light artist Leo Villarreal and renowned British architects and urban planners Lifschutz Davidson Sandilands has won the Illuminated River International Design Competition given by the Illuminated River Foundation.

2004 Is everybody comfortable, Market Photography Workshop exhibition, Fortoleza, Maputo, Mozambique — Bensusan Museum of Photography, Johannesburg, South Africa Urban Life: Beauty is in the Eye of the Beholder, Market Photography Workshop exhibition, Jahnitos, Maputo, Mozambique — Johannesburg Art Gallery, Johannesburg, South Africa Min (e) dfields, Kunsthaus Baselland, Muttenz / Basel, Switzerland Lo - mo - graphy, PhotoZA, Rosebank, Johannesburg, South Africa A Decade of Democracy: Witnessing South Africa, The Museum of the National Centre of Afro - American Artists, Boston, USA — KZNSA Gallery, Durban, South Africa

His solo exhibitions include «Potential Difference,» Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014) and recent group exhibitions include «Paracosm», Norte Maar, Brooklyn, NY (2016); «50 Years of RISD Glass: Material», Providence Art and Design Film Festival, RI (2016); SIKKA Art Fair, Dubai (2016); «Perched in the Eye of a Tornado,» Ying Space, Beijing (2015); «Art of the Fellowship,» Museum of American Glass at WheatonArts, NJ (2015); Pioneer Works Artist in Residence, Brooklyn, NY (2014); and «Come Together: Surviving Sandy,» Brooklyn, NY (2013).

1977 Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA Invitational American Drawing Exhibition, San Diego Museum of Art, San Diego, USA Drawings of the 70's, The Art Institute of Chicago, USA 1977 Biennial, Whitney Museum of American Art, New York, USA America Drawn and Matched, Museum of Modern Art, New York, USA New Print Acquisitions, Women in Art Working Papers, The Nelson — Atkins Museum of Art, Kansas City, USA New York State Women's Meeting, Albany, New York, USA A Painting Show, PS 1, Institute for Art and Urban Resources, New York, USA New In the Seventies, Archer M Huntington Gallery, University Art Museum, University of Texas at Austin, USA Projects / 4 Artists, The University Art Museum, CA State University, Long Beach, USA

Known for large, abstract, mixed - media paintings that often incorporate ephemera and discarded elements of urban life, the African - American artist received critical acclaim for his presentation, Tomorrow Is Another Day, in Venice, which will open at The Baltimore Museum of Art in September.

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

1989 Contemporary Masters, Bitter — Larkin Gallery, New York, USA American Artists: curated by Donald Kuspit, Kuznetsky Most Exhibition Hall, Moscow, Russia Celebrating 1980 — 89, The Contemporary Arts Center, Cincinnati, USA Les Cents Jours, Centre International d'art Contemporain, Montreal, Canada First Impressions Walker Art Center, Minneapolis, USA; traveled to Laguna Gloria Art Museum, Austin, TX; Baltimore Museum of Art, MD; Neuberger Museum, State University of New York, Purchase, NY, USA The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg, Austria Methods of Abstraction, Gallery Urban, New York, USA Pat Steir / Waves & Waterfalls and Joel Perlman / Recent Bronzes, The Silent Baroque, Gloria Luria Gallery, Bay Harbor, USA Art of Renewal Orchard Gallery, Derry, Ireland Collection Peinture, Fondation Cartier, Jouy - en - Josas, France Artspace, San Francisco, USA Neue Wasserfallbilder, Art Cologne, Germany

For Godzilla: Asian American Arts Network she organized «The Curio Shop, New World Order III» (Artist's Space), «Urban Encounters» (New Museum, NYC), and «Why Asia?»

This initiative began in 1931 with the opening of the university's landmark building at 66 West 12th Street, designed by Joseph Urban, and the commissioning of works by Mexican artist José Clemente Orozco, American artist Thomas Hart Benton, and Ecuadorian artist Camilo Egas.

Violet Dennison, born in 1989 in Bridgeport, Connecticut, is an American contemporary artist who creates sculptures using materials from her urban surroundings, including concrete and coffee cups.