Wide ranging in approach, his work is unified by his regular use of
American vernacular culture — including books, posters, newspapers and magazines, records, old films, and other vintage items — which he draws from his vast collections source material.
Not exact matches
Danny DeVito and Richard Dreyfuss starred as feuding aluminum siding salesman in 1963 Baltimore, and once again Levinson demonstrated his flair for capturing the
vernacular of a particular species of
American male, effusive about work, food and pop
culture, clueless about the women around them.
Individual collections include: examples of British
vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the
American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
As a descendent of Marcel Duchamp and Andy Warhol, and after Pop art had magnified critical interest in consumerist
culture, Prince's «rephotographs» could be seen as a cynical representation of reality, and as a piercing inquiry into the ethos of the
American vernacular.
With his unique perspective, Hammons fuses the power of street
vernacular with African
American culture.
Individual collections include: African art and samurai armour owned by Arman; examples of British
vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the
American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
Deploying posters, books, postcards and even a café and hotel, his projects have consistently had at their center a focus on the
American vernacular — its music, popular imagery and ephemera — mining the nuances of
culture through its unsung conventions.
An English and Spanish word that broadly describes images and objects produced in the Americas and typical of
American cultures, here it is specifically intended to evoke both North
American vernacular art collecting traditions and a unique hemispheric perspective that reaches across national borders.
«Conceived as a complete retrospective of Evans» work, this exhibition highlights the photographer's fascination with
American popular
culture, or
vernacular,» explains Clément Chéroux, senior curator of photography at SFMOMA.
The origins of the blues lie in the
vernacular culture of African
Americans living in the Mississippi Delta and New Orleans around the turn of the twentieth century — people for whom slavery was a recent memory and basic civil rights were far in the future.
By juxtaposing their works, A New
American Sculpture reveals the confluences of sources — from archaism and European avant - garde art to
vernacular traditions and
American popular
culture — that informed these artists» novel contributions to the history of sculpture.
As the catalogue explains, Diebenkorn forged strong allegiances to sources in
American art and popular
culture before fully responding to Matisse's influence; the teacher who introduced him to Sarah Stein was in fact a disciple of Edward Hopper, and it was the example of Hopper's hard - won,
vernacular images that guided Diebenkorn's early engagement with the harsh literalism of the
American scene, which was often hostile to modernism.
These include his relationship with education, his links with modernist architecture, his view of the tradition of painting and of
American literature, and his approach to the
vernacular, popular
culture, youthful initiatory rites and styles of musical subcultures.
An unsung pioneer of
vernacular photography since the Fifties, Weinberger captured a young generation of rebels, who were greatly influenced by
American culture.
MG As much as your work engages with non-Western traditions, it is also very much rooted in
American culture, where there is a long legacy of sculptures built out of found objects — not only in «high art,» but even more so in
vernacular expressions, of which your work seems keenly aware.
We both have the same love for the visual
vernacular of
American culture and its individualism.
The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia Society, New York (2013); Spectacular of the
Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of Iranian Artists, House of World
Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual
American Exhibition, Art Institute of Chicago, IL (1982); Biennial of
American Art; Whitney Museum of
American Art, New York (1981); 39th Venice Biennale,
American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.
Together with Claes Oldenburg, Edward Ruscha and the late Andy Warhol, Lichtenstein ranked among the most important
American artists to explore the
vernacular culture of mass - produced consumer goods and popular urban life.
Among the black community, the slur nigger is sometimes rendered as nigga, a pronunciation emphasizing the unique intra-racial dialect of black people, a self - referential pronoun in African -
American Vernacular English usage popularized by the rap and hip - hop music
cultures.