Sentences with phrase «american white churches»

Not exact matches

That's the upshot of a new study that finds the decline in church attendance since the 1970s among white Americans without college degrees is twice as high as for those with college degrees.

What do you see as the major problems the Church needs to address regarding the division between African - American and white Christians?

Both of them were African American, but the church they attended that day was all white, and right in the heart of segregated America.

Bryan T. Calvin on why his African American family intentionally attends a white church, even when he misses his upbringing in black churches.

The Asian American Christian church is extremely diverse, vibrant, multigenerational, and cutting edge with all the struggles and concerns of the historically White Church - evangelical and maichurch is extremely diverse, vibrant, multigenerational, and cutting edge with all the struggles and concerns of the historically White Church - evangelical and maiChurch - evangelical and mainline.

We don't have to abandon Jesus to abandon the unholy marriage between Donald Trump and the white American Church.

I'd love to see more conversations about the cost of asking English - speaking second generation Asian Americans to leave their comfortable, homogenous Asian American churches without offering up a similar call to the White church.

I am a white minister having spent the last 8 years in an African - American mega church.

«But a lot of white Americans don't hear that because they never sat in those churches and heard it over and over again.

For once, I'd like to read a CNN article about the White church, maybe even the Hispanic American church.

Meanwhile, black churches that have succeeded in white - dominated society tend to neglect aspects of black theology that preserve and celebrate African - American culture.

Not every «Christian» believes that God is a white man, has a beard, wears a tunic, lives on a cloud, speaks American English, and digs rock - n - roll churches.

A church in Mississippi refused to marry a couple this week — because they were African Americans in a «white» Baptist church.

Ninety percent of white American Christians worship in all - white churches.

None of these demonstrators hid their faces like their white - supremacist American forebears, and many of them were in their churches Sunday and showed up for work on Monday morning.

The only difference between hispanic churches and that of white and african americans is that hispanics are only segregated by language not color.

I think most of the Americans are in lost... as most of them do not know who their father is and it is very unfortunate... even if they know who their father is, the mom has children from diff men outside of marriage... and while a child is being raised, watching what his / her parents do to enjoy their life... so things become normal when they grow up... like if you go back early nineteen century, women were not allowed to go to beach without being covered... and now it totally opposite... if you do not have a boyfriend or girlfriend before 15, the parents worries that their teenage has some problem... and lot more can be listed... And then you go to Church, what our children learn from there... they see in front of the Church an old man's statue with long beard standing with extending of both hand... some of the status are blank, white, Spanish and so on... so they are being taught God as an old dude... then you learn from Catholic that you pray to Jesus, Mother Marry, Saints, Death spirit and all these... the poll shows a huge number of young American turns to Atheism or believing there is no God and so on... Its hard to assume where these nations are going with the name of modernization... nothing wrong having scientists discovered the cure of aids or the pics from mars but... we should all think and learn from our previous generations and correct ourselves... also ppl are becoming so much slave of material things...

For several centuries the gatherings of the dominant class in American society, white Anglo - Saxon churches have tended to assume that they themselves have no cultural particularity and therefore no reason to investigate their own ethos, tradition, and world view.

I've sat through church services or conferences or workplaces or public arenas where the only women who are visible are the ones who are extremely thin, who are white, who are blonde, who are American, who are fashionably dressed and professionally done - up, who are able - bodied, who are bright without being intimidating, who are pretty without being sexy, who are unthreatening to our status quo of appropriate, who are ticking every box for what our culture tells us is acceptable about womanhood.

They railed against the white and feminized images of Jesus in the American church.

As far as I know, President Obama is still a member of the United Church of Christ — a progressive, mostly white, mainline Protestant Christian denomination with a rich American history that includes, among many others, the Pilgrims and Congregationalists of New England and many African - American churches, schools and colleges established in the south after the Civil War.

You says thw white people are keeping the African - American church back?!

However, it's much less common to talk about the role that white and majority churches played in and profited from American forms of slavery.

We typically don't say white or Caucasian churches so why do we say black or Afro - American churches?

American Christianity still has plenty of Millennials — they're just not necessarily in white churches.

Surveys show that African - Americans attend church in higher numbers than white Americans do, and Democratic politicians have long made a habit of speaking from black pulpits in the leadup to Election Day.

In a much - quoted study, University of Arizona searcher Mark Chaves found that African - American churches are five times as likely as white churches to say they would apply for public funding if it were available.

That may be because black Americans are more likely to frequently attend church than white Americans.

Most Americans, 60 %, know that presumptive Republican presidential nominee Mitt Romney is a Mormon; he would be the first member of the Church of Jesus Christ of Latter - day Saints elected to the White House.

The sharp, black - and - white divisions between church and government which some of the sixteenth - century Anabaptists experienced is going to be different from the experience of most North American Christians in the twentieth century.

Trump literally split the American Church, with the majority of White Evangelicals endorsing someone that was the opposite of Jesus.

In 1782 the entire American Episcopal Church was stirred by an article from the pen of Dr. William White, of Philadelphia.

White, black, and Asian - American leaders of evangelical churches, networks, and ministries considered the implications of three spiritual truths:

Senator Andrea Stewart - Cousins will hosted the rally in partnership with other elected officials and community groups throughout Westchester County including the Immigration Justice Clinic at the Elisabeth Haub School of Law at Pace University, the Lower Hudson Valley Chapter of the New York Civil Liberties Union, Cabrini Immigrant Services, Community Voices Heard, the Yonkers Islamic Center, the Muslim American Society of Upper New York, St. Catherine AME Zion Church, Calvary Baptist Church, the Minister's Fellowship Council of White Plains and Vicinity, the Westchester Black Women's Political Caucus, and Temple Beth Shalom in Hastings - on - Hudson.

Mr. de Blasio regularly attends church services with his wife at African - American and protestant churches, which political observers privately argue has done little to boost his brand in white, Catholic enclaves — where, according to at least one report, residents feel neglected by the mayor.

Just like that, director David Mackenzie establishes, first, the idea that the men in that blue Camaro are up to no good; second, the current of economic desperation driving screenwriter Taylor Sheridan's story; and third, the religious posturing that offers an alternative to existential despair, with roadside churches, TV evangelists, and Christian radio offering a relentless white - noise stream of piety on demand to an American underclass with nowhere left to turn.

Easter Around The World 1 Ethiopia - Easter meal, Easter services, White Clothing Germany - Decorating trees and branches, Passion Play, Easter Rabbit, Oberammergau Passion Play Greece - Red eggs, Osterfeuer - the lighting of bonfires Italy - Pope's Easter Mass in Saint Peter's Square Cyprus - Easter services, decorated candles, fires and bonfires Israel - The Via Dolorosa, the Palm Sunday procession, lighting of the «Holy Fire» in the Church of the Holy Sepulchre Easter Around The World 2 Brazil - The Mardi Gras, Easter symbol - macela flower Mexico - «Pascua», woven plams, bonfires, passion plays - Iztapalapa Spain - «Dance of Death» in Gerona, tronos, the nazareno, «La Mona» cake, torrijas Sardinia - Procession of Sorrowful Mysteries Sweden - The Easter Wizard USA - The Whitehouse egg roll, the Easter Bonnet Parades Easter Around The World 3 France - «Cloche Volant» (Flying Bells), chocolate fish, «Poisson d'Avril» «Osterlammele» (lamb shaped biscuits) Lithuania - spring cleaning,» verbos», the «Easter Granny» (Velykų Senelė), sharing of hard boiled egg custom, egg rolling game Norway - Korsvandring (Cross Wandering), the «Riddu Riđđu» Sami culture festival Bermuda - Kite Flying Australia - the «Easter Bilby», festivals in Australia - Sydney Royal Easter Show, National Folk Festival, East Coast Blues and Roots Music Festival, Gospel Music Festival South American egg game - «Cascarones» These are ideal assemblies at any time during the Easter period.

Moving between their worlds, Christian and Jewish, African - American and white, impoverished and well - to - do, Albom observes how these very different men employ faith similarly in fighting for survival: the older, suburban rabbi embracing it as death approaches; the younger, inner - city pastor relying on it to keep himself and his church afloat.

Thomas Paul Burgess White Church, Black Mountain James Lawless American Doll Pam Lecky The Bowes Inheritance Neil Rochford The Blue Ridge Project Orna Ross Her Secret Rose

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenChurch State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenchurch pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

In some instances, she blots out the Confederate sculpture, as if attempting to erase the history that underpins it; in others, she makes it a more explicit site for white supremacist fantasies by adding giant burning crosses, racist slogans and a memorial to Dylann Roof (the alleged murderer of nine African - Americans in a South Carolina church in June).

It is also perfectly choreographed so that the poor black cotton pickers of Thomas Hart Benton appear in direct contrast to Grant Wood's cheerful white sharecroppers, say, and the gothic windows in Paul Sample's Church Supper speak straight to the window in Wood's American Gothic.