Sentences with phrase «among numerous group exhibitions»

Among numerous group exhibitions, they participated in documenta 13, Kassel, Germany (2012); the 29th São Paulo Biennial (2010) and Performance 9 at the Museum of Modern Art, New York (2011).

Among numerous group exhibitions in national and international gallery and museum venues, Sánchez had solo exhibitions at BRIC Arts / Media House, P.S. 1 / MoMA Contemporary Art Center, El Museo del Barrio, Exit Art, Bronx Museum of the Arts, the 5th Havana Biennale, and El Museo de Historia, Antropologia y Arte, Universidad de Puerto Rico.

Among numerous group exhibitions, Riley participated in the 1968 Venice Biennial — where she won the international prize — and the 1986 Venice Biennial, as well as Documenta 4 in 1968 and Documenta 6 in 1977.

Not exact matches

Taylor has been included in numerous group exhibitions at various galleries among them CTRL Gallery, Houston, Texas; 106 Greene, Brooklyn, New York; Bakalar and Paine Galleries, Massachusetts College of Art, Boston, and Fred [London], Leipzig.

Recent group shows include the Cintas exhibition at Miami Dade College Museum of Art + Design; Self - Proliferation curated by Micaela Giovannotti at the Girls» Club, Ft. Lauderdale; and If You Leave Me, Can I Come Too, at Hunter College, NY among numerous others.

Mark Lewis (b. 1957; Canada) has had solo exhibitions at the Hamburger Kunstverein; MUDAM, Luxembourg; Kunsthalle Bern; Columbia University, New York; The National Gallery of Canada, Ottawa; Patrick Painter, Los Angeles; Triple Candie, New York; among many others, and has participated in numerous group exhibitions.

Her art has appeared in numerous solo and group exhibitions (including traveling exhibitions) throughout the United States: California; New York; Chicago, IL; Cincinnati, OH; Baltimore, MD; Washington DC; Boston; Louisville, KY; and Virginia, among others.

Sugimoto's work has been presented in numerous international solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie International (1991).

Since 2005, he has had twelve solo exhibition in the United States and Europe and numerous group exhibitions at venues that include, among others: MoMA PS1, New York, NY; Nevada Museum of Art, Reno, NV; de Cordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio, New York, NY; The Drawing Center, New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Federico Luger, Milan, Italy; Sue Scott, New York, NY.

Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.

Juarez's work has been in numerous group and solo exhibitions and he has received awards from the Guggenheim Fellowship, The National Academy of Art, and The American Academy of Arts and Letters, among others.

Graham's work has been the subject of numerous solo exhibitions at venues such as Kingston Gallery in Boston, MA, where she is represented, and has been included in group exhibitions at Ruth Bachofner Gallery in Los Angeles, CA and Frederick Taylor Gallery in New York, NY, among others.

He was included in the 2013 Armory Focus: USA Centennial, curated by Eric Shiner, Director of the Andy Warhol Museum, and has had solo and group exhibitions at numerous institutions, including MoMA PS1; Museum of Contemporary Art, Chicago; Museum of Art and Design, New York; Cincinnati Art Museum; Bass Museum; and Contemporary Arts Center, Cincinnati and New Orleans; among others.

Apart from having his work included in esteemed group exhibitions like the 2008 Whitney Biennial and the Museum of Modern Art's «New Photography» series in 2009, Beshty has also numerous solo shows at MoMA PS1 (2004), the Hammer Museum of Art in Los Angeles (2006), and the Hirshhorn Museum (2009), among others.

His work has appeared in numerous solo and group exhibitions at such venues as the Whitney Museum of American Art, the Studio Museum in Harlem, the Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

His works have been exhibited in numerous solo and group exhibitions, among them, the 2007 retrospective at the Rubell Family Collection, Miami, FL, which presented a decade of the artist's work and traveled to the Brooklyn Museum of Art in February 2008; and Bas's inclusion in the Nordic Pavilion at the 53rd Venice Biennale, curated by Elmgreen & Dragset.

Axell's work was shown in numerous solo and group exhibitions, among others at Centre Pompidou (Paris, France, in 2009), at Kunsthalle (Vienna, Austria, in 2010), at Kunstverein (Hamburg, Germany, in 2011), at Tate Liverpool (UK, in 2013), at Schirn Kunsthalle (Frankfurt, Germany, in 2013), at LENTOS Kunstmuseum (Linz, Austria, in 2013), at the Barbican Art Gallery (London, UK, in 2013), at the Dallas Museum of Modern Art (USA, in 2015), at Walker Art Center (Minneapolis, USA, in 2015), at the Philadelphia Museum of Art (USA, in 2016), at Tate Modern (London, UK), at the Warsaw Museum of Modern Art (Poland, in 2017) and at KIOSK Art Center (Ghent, Belgium, in 2017).

He has had solo exhibitions at museums and galleries throughout the US, and has been included in numerous group exhibitions throughout the US and in Africa, and is in collections including the Baltimore Museum of Art; Corcoran Museum of Art; Experimental Printmaking Institute, Lafayette College; Howard University Gallery of Art; National Gallery of Art; and The Studio Museum in Harlem, among many others.

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

Among numerous solo and group exhibitions in the United States and world - wide, Gaines» work was recently included in Blues for Smoke, organized by the Museum of Contemporary Art, Los Angeles, and seen at the Whitney Museum of American Art, New York; Under the Big Black Sun: California Art 1974 - 1981, at the Museum of Contemporary Art, Los Angeles; Human Nature, Los Angeles County Museum of Art, Los Angeles; both exhibitions All of This and Nothing and Now Dig This!

She has been featured in numerous solo and group exhibitions as a rising artist, including at EK Gallery (2017) and Seo Jin Art Space (2016), among others.

Musson has been featured in numerous group exhibitions at venues including Contemporary Arts Museum, Houston, TX; Grey Art Gallery, NYU, New York; Galerie Perrotin, Paris, France; Hyde Park Art Center, Chicago, IL; Yerba Buena Center for the Arts, San Francisco, CA; and Cincinnati Contemporary Art Center, OH, among others.

Tompkins's work has also been featured in numerous group exhibitions, including The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York (2014); Sunset and Pussy, Marianne Boesky Gallery, New York, NY (2013); Elles, Centre Pompidou, Paris -LRB-(2011); among others.

He has had numerous solo and group exhibitions, including among others: Artur Żmijewski, Kunsthal - le Basel, Switzerland (2005); Das unmögliche Theatre, Kunsthalle Wien, Austria (2005); Irreducible: Contemporary Short Form Video 1995 — 2005, CCA Wattis Institute for Contemporary Arts, San Francisco, (2005); Artur Żmijewski.

Since 2005, he has had sixteen solo exhibition in the United States and Europe and numerous group exhibitions at venues that include, among others: MoMA PS1, New York, NY; Nevada Museum of Art, Reno, NV; deCordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio, New York, NY; The Drawing Center, New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Montserrat College of Art, Beverly, MA; Federico Luger, Milan, Italy; Ameringer McEnery Yohe, New York, NY; Sue Scott, New York, NY.

Recent solo exhibitions by Erik van Lieshout at the South London Gallery (2017) and in Wiels, Contemporary Art Centre, Brussels (2016), participation in numerous group shows, among others, Kochi - Muziris Biennale, Fort Kochi, India (2016), Emscherkunst, Dortmund (2016), Manifesta 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia (2014).

In her lengthy career, she has had numerous solo and group exhibitions, seen her pieces in museum, corporate, and private collections, and been the recipient of numerous awards, among them Yaddo and Edward McDowell Fellowships.

Her works have been included in numerous group exhibitions, including Generations Female Artist in Dialogue, Sammlung Goetz, Berlin, Germany (2018); The Margulies Collection at the Warehouse, Miami, FL (2018); N. Dash Virginia Overton B. Wurtz (Form, Content, Place), Maisterravalbuena, Lisbon, Portugal (2017); Heartbreak Hotel, Invisible Exports, New York, NY (2017); among many others.

Her works have been included in numerous group exhibitions, including You Are Looking at Something That Never Occurred, Zubludowicz Collection, United Kingdom (2017); Gray Matters, Wexner Art Center, Columbus, OH (2017); MOMENTA / Biennale de L'image: Erin Shirreff — Concrete Buildings, Darling Foundry, Montreal, Canada (2017); L'image voiée, Fondazione Prada, Milan, Italy (2016); among many others.

From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group exhibitions, such as East Village USA and Living inside the Grid, and several individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.

Her works have been included in numerous group exhibitions, including Milwaukee Collects, Milwaukee Art Museum, Milwaukee, W1 (2017); Zombie Formalism, ca. 1970/2016, Mitchell Algus Gallery, New York, NY (2016); The Congregation, Jack Hanley Gallery, New York, NY (2016); among many others.

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

Since then, Miller has launched a career that has resulted in over twenty solo and numerous group exhibitions in the United States and internationally, and his paintings are currently among the most widely collected works between the East End of Long Island and New York City.

He has had solo exhibitions at the Kunstraum Innsbruck, Innsbruck, Austria (2012); the Kunsthaus Glarus, Glarus, Switzerland (2012); the Palais de Tokyo, Paris (2012); the New Museum, New York (2011); and White Box, New York (2008), among others, and has participated in numerous group exhibitions.

She has also participated in numerous group exhibitions including Perez Art Museum, Miami, Little Haiti Cultural Complex, Miami, Musée International des Arts Modestes in Sete, France, Museo Arte Contemporáneo de Puerto Rico, San Juan, NSU Art Museum, Fort Lauderdale, White Box, New York, Inman Gallery, Houston, TX, National Museum of Women in the Arts, Washington, D. C., among others.

A participant in numerous group exhibitions worldwide, including at the Istanbul Biennial (2011), Liverpool Biennial (2010), SITE Santa Fe, New Mexico (2010 and 2004), Venice Biennale (2007 and 1999), Whitney Biennial, Whitney Museum of American Art, New York (2004, 1997, 1993, and 1991), and documenta XI, Kassel, Germany (2002), his work is held in the permanent collections of, among others, the Centre Georges Pompidou, Paris, Hamburger Bahnhof — Museum für Gegenwart, Berlin, The Israel Museum, Jerusalem; San Francisco Museum of Modern Art; Tate Gallery, London; Whitney Museum of American Art, New York.

Since 1996 he participated in numerous group and solo exhibitions in museums and galleries, among which documenta 12 (2007), with Deep Play.

A pioneer of contemporary installation art, Jessica Stockholder has been the subject of solo exhibitions at Dia Art Foundation, MoMA PS 1 New York, and the Aldrich Contemporary Art Museum, among many other art institutions; and her work has been seen in numerous group exhibitons internationally.

Tompkins's work has also been featured in numerous group exhibitions, including The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York (2014); Sunset and Pussy, Marianne Boesky Gallery, New York, NY (2013); Elles, Centre Pompidou, Paris (2011); among others.

She has participated in numerous group exhibitions in museums, galleries and biennials across the US, Europe and the Middle East, including Kunsthall Stavanger (2017); Biennale of Moving Images, Miami (2017); CCS Bard, New York (2017); Villa Empain Boghassian Foundation, Brussels (2017); Museum of Contemporary Art, Chicago (2017); Sursock Museum, Beirut (2016); Villa Stück, Munich (2016); the New Museum Triennial, New York (2015); Serpentine Gallery, London (2014); ICA London (2014); and the 9th Gwanju Biennale (2012), among others.

With the support of an experienced team of curators, advisors and SITE's Board of Directors, Hofmann continues SITE's legacy of presenting first one - person museum exhibitions of numerous emerging and now internationally recognized artists in addition to significant group exhibitions, while garnering SITE an expanded profile among its national and international peer institutions as well as in its own community.

Her work also appeared in numerous group exhibitions including: Beyond the Border: Art by Recent Immigrants, Bronx Museum; Asia / America: Identities in Contemporary Asian American Art, Asia Society, New York; Olympiad of Art (in conjunction with the 24th Olympics), National Museum of Contemporary Art in Seoul, Korea; 2nd Asian Art Show, Fukuoka Art Museum, Japan; La Bienal de la Habana, Museo Nacional de Bellas Artes, Habana, Cuba; Art for Africa, traveling exhibition to Oslo, Cologne, Algiers, London and Rome; UNESCO: 40 Years, 40 Countries, 40 Artists, traveling exhibition to 15 museums around the world; Filipino Artists Abroad, Metropolitan Museum of Manila; and At Home and Abroad: 21 Contemporary Filipino Artists, traveling exhibition to the Asian Art Museum of San Francisco, the Contemporary Arts Museum, Houston and the Metropolitan Museum of Manila, among others.

He has presented his work in many solo exhibitions in the historical Athenian gallery «Nees Morphes» and his work has been included in numerous group shows, among which are the emblematic exhibition Apperto 93 in the XVL Venice Biennial in 1993 and the 2nd Athens Biennial Heaven (How Many Angels Can Dance On The Head Of A Pin, curated by Christopher Marinos) in 2009.

His work has also been included in numerous group exhibitions including First Among Equals at ICA Philadelphia (2012); Knight's Move at Sculpture Center, New York (2010); Reel to Real: Photographs from the Traina Collection at the de Young Museum, San Francisco (2012); and Greater New York at MoMA P.S. 1, New York (2000).

Wood's work has been exhibited in numerous solo and group exhibitions worldwide including shows at the Wexner Center for the Arts, Columbus, OH; The Hammer Museum, Los Angeles; The Museum of Contemporary Art Los Angeles; Gagosian Gallery, London, Hong Kong and Beverly Hills; and The Rema Hort Mann Foundation, NY among others.

Among his numerous awards are First Prize in the Lord Mayor's Art Award in 1966, a Prize Winner in the John Moores Exhibition, Liverpool in 1978, first prize in the Hunting Group Awards and the Critics Prize at Sparkasse Karlsruhe in 1985.

She has participated in a number of international group exhibitions, including the 53rd Venice Biennale (2009); Liverpool Biennial (2006); 26th São Paulo Biennial (2004); 1995 Whitney Biennial; among numerous others.

She has exhibited in over 20 solo exhibitions and participated in numerous group exhibitions worldwide, among them: Arte Laguna, Arsenal of Venice; Israel Museum, Jerusalem; Helena Rubinstein Pavilion, Tel Aviv Museum of Art; Herzliya Museum of Contemporary Art; Martin - Gropius - Bau, Berlin; Kunstlerhaus Bethanien, Berlin; Middle East Center for the Arts (MECA), Jersey City; Art in General, New York; and Goethe - Institut, St. Petersburg.

His work has been included in numerous group exhibitions including First Among Equals at ICA Philadelphia; Knight's Move at Sculpture Center in Long Island City, New York; Reel to Real: Photographs from the Traina Collection at the de Young Museum in San Francisco; and Greater New York at MoMA P.S. 1 Contemporary Art Center, Long Island City, NY.

She has participated in numerous group exhibitions including «Uncertain States of America,» which originated at the Astrup Fearnley Museum of Modern Art in Oslo and traveled internationally; in «Emblematic Display» at the ICA in London; and in the Beck's «Futures» show, also at the ICA, as well as in «The Moderns» at Castello di Rivoli in Turin, among many others.