Sentences with phrase «among other cultural groups»

Among other cultural groups, the school has more authority than the parents, and families have come to Punyon to ask the school to tell children that they can not watch television or play video games.

Not exact matches

Simultaneously the white, Anglo - Saxon, Protestants among these «mainline» groups were suffering cultural and economic eclipse on other fronts as «minority» Protestants, Roman Catholics, Jews, and persons of no religious affiliation improved their relative positions in the society.

Governor Samuel Ortom had thanked President Buhari for visiting and listening patiently to the representatives of socio - cultural groups, farmers, herdsmen, national and state legislators, former leaders and elder statesmen, among others, described him as «a father known for his integrity and fight for justice.»

Besides establishing another layer of cultural barriers among students, the other major detriment of grouping is the differential nature of instruction accorded to different ability groups (see Allington, 1983).

In a pluralistic society, and at a time of increasing interaction among cultural and ethnic groups, students need to know about and understand the cultural heritages of others.

Its clients include animal welfare organizations, cultural institutions, foundations, and human service groups, among others.

Lee has had solo exhibitions at Artpace (San Antonio, TX), Pitzer College Art Galleries, Pitzer College (Claremont, CA), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and group exhibitions at Weatherspoon Art Museum at UNCG (NC), Centro Cultural Metropolitano (Quito, Ecuador), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.

Kang has had solo exhibitions at Pitzer College Art Galleries, Pitzer College (Claremont, CA), ArtPACE (San Antonio, TX), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and group exhibitions at Weatherspoon Art Museum at UNCG (NC), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.

Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.

Her work has been included in group shows internationally in Germany, Great Britain, Argentina and the United Arab Emirates, as well as at the Queens Museum of Art, Bronx Museum of the Arts, Smack Mellon, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, CUE Art Foundation, MASS MoCA, the Urban Institute of Contemporary Art, Grand Rapids, and the City of San Antonio International Center, among others.

Finishing a master in fine arts degree at the University of Albany in 1983, Braun participated in the Democracy: Cultural Participation exhibition with the renowned collaborative artistic team Group Material, composed of Julie Ault and Felix Gonzales - Torres among others.

Kang has had solo exhibitions at Commonwealth and Council (Los Angeles, CA); Pitzer College Art Galleries (Claremont, CA); Los Angeles Contemporary Archive (Los Angeles, CA); Centro Cultural Border (Mexico City); and group exhibitions at LAXART (Los Angeles, CA); Weatherspoon Art Museum at UNCG (NC); SOMArts (San Francisco, CA); Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.

She has also participated in numerous group exhibitions including Perez Art Museum, Miami, Little Haiti Cultural Complex, Miami, Musée International des Arts Modestes in Sete, France, Museo Arte Contemporáneo de Puerto Rico, San Juan, NSU Art Museum, Fort Lauderdale, White Box, New York, Inman Gallery, Houston, TX, National Museum of Women in the Arts, Washington, D. C., among others.

Photographs by Robert Mapplethorpe, Peter Hujar, and Deana Lawson, among others, unabashedly question cultural assumptions about gender, race, beauty, and power, giving voice to groups and individuals often marginalized by both the traditions of portraiture and mainstream American culture.

Outside of the Reina Sofía she has curated a large number of exhibitions, including solo shows by Valie Export and Lotty Rosenfeld, and group exhibitions in institutions such as the former Whitney Museum (Connecticut), CIFO (Miami), ArtPace (San Antonio), Museo Vostell (Carceres), Argos (Brussels), Centro Atlántico de Arte Moderno (Canary Islands), Centro Andaluz de Arte Contemporaneo (Seville), Itau Cultural (São Paulo), and New York University 80WES, among many others.

His work has been included in group exhibitions at the Museum of Modern Art, the Brooklyn Museum of Art, The Smithsonian Institute, and Centro Cultural Borges in Buenos Aires, among other institutions.

General Public is an independent project space run by a group of cultural workers (visual artists, curators, among others) based in Berlin.

Notable participants include: choreographer and dancer Kyle Abraham; poet Elizabeth Alexander; performer Eric Berryman; performance and installation artist Tania Bruguera; urban revitalization strategist Majora Carter; innovator James Burling Chase; actress and playwright Eisa Davis; architect Elizabeth Diller; The Met's Kimberly Drew; photographer John Edmonds; juvenile justice reformer Adam Foss; writer and performance artist Malik Gaines; social practice artist Theaster Gates; filmmaker Tony Gerber; FLEXN dance pioneer Reggie (Regg Roc) Gray; trombonist, painter, and composer Dick Griffin; dancer and choreographer Francesca Harper; trombonist Craig Harris; vocalist Nona Hendryx; playwright Branden Jacobs - Jenkins; cinematographer Arthur Jafa; artist and cultural worker Shani Jamila; trumpeter JAWWAAD; gaming pioneers Navid and Vassiliki Khonsari; NYU Professor and musician Jason King; philosopher Gregg Lambert; composer and Bang on the Can co-founder David Lang; novelist, filmmaker, and curator Ernie Larsen; Wooster Group founding member and director Liz LeCompte; Harvard Professor Sarah Lewis; journalist Seamus McGraw; poet Aja Monet; jazz pianist and composer Jason Moran; performance studies professor Fred Moten; visual artist Shirin Neshat; playwright Lynn Nottage; professor of contemporary rhetorical theory Kendall Phillips; doctor Jeremy Richman; poet Carl Hancock Rux; performance artist Alexandro Segade; writer and activist Tanya Selvaratnam; guitarist and composer Marvin Sewell; playwright and actress Anna Deavere Smith; conceptual artist Hank Willis Thomas; performance artist Carmelita Tropicana; puppeteer Basil Twist; theater director Roberta Uno; vocalist and composer Imani Uzuri; and Wooster Group founding member and actress Kate Valk, among others.

His work has been in group shows at the Oakland Art Gallery, the San Francisco Arts Commission Gallery, Falkirk Cultural Center in Marin, and the San Francisco Art Institute, among many others.

Kang has had solo exhibitions at Commonwealth and Council (Los Angeles, CA), PitzerCollege Art Galleries (Claremont, CA), Los Angeles Contemporary Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and group exhibitions at LAXART (Los Angeles, CA), Weatherspoon Art Museum at UNCG (NC), SOMArts (San Francisco, CA), Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.

Rey has had several solo and group shows in Europe and the Americas, including Concord Sylvania Gallery, London, Sam Collins, London, Huntington Project Space, London, Miniloft Gallery, Sao Paulo, Brazil, Xenado Gallerie, Berlin, Germany, Matilha Cultural, Sao Paulo, Brazil, and Mezzanine Gallery, Sao Paulo, Brazil, among others.

In the late 1960s, a group of artists, including Robert Smithson, Walter De Maria, Michael Heizer, and Dennis Oppenheim, among others, came up with the revolutionary idea to consider land itself as a medium, inherently laden as it is with cultural and historical significance.

As the director and curator of Carnegie Mellon's Miller Gallery she curated Keep It Slick: Infiltrating Capitalism with The Yes Men, the first solo exhibition of the internationally renowned culture - jamming group; Whatever It Takes: Steelers Fan Collections, Rituals, and Obsessions, which explored sports fanaticism as a significant form of cultural production; and Alien She, a traveling exhibition on the lasting impact of the global punk feminist movement Riot Grrrl, among other exhibitions.