1.66:1
Anamorphic Widescreen DTS 5.1 (English), Dolby Digital 5.1 (English) Subtitles: English Closed Captioned Release Date: June 15, 2004 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 White Keepcase
1.66:1
Anamorphic Widescreen DTS 5.1 (English), Dolby Digital 5.1 (English), Dolby Surround (French) Subtitles: English; Closed Captioned Release Date: October 18, 2005 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 Black Keepcase with Cardboard Slipcover
Running Time: 71 Minutes / Rating: G 1.78:1
Anamorphic Widescreen DTS 5.1 (English), Dolby Digital 5.1 (English, French) Subtitles: English; Closed Captioned DVD Release Date: June 14, 2005 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 Black Keepcase with Semi-Holographic Cardboard Slipcover
Not exact matches
Other Info:
Anamorphic Widescreen (1.85:1) Dolby 5.1 Digital Surround Sound
DTS 5.1 Surround Sound English, Spanish, and French Language English, Spanish, and French Subtitles Running Time: 3 Hours 16 Minutes
Video: It's
a very crisp and lovely
anamorphic widescreen (2.40:1) transfer.
The Video and Audio Presented in 2.39:1
anamorphic widescreen,
The Stanford Prison Experiment looks very strong on IFC's DVD release.
The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever se
The Quality
The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever se
The anamorphic widescreen transfer looks fantastic with
some bright, vivid color (especially in
the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever se
the jungle of Nool) and
some impressive detail, with
the opening shot being one of the most realistic pieces of computer animation I've ever se
the opening shot being one of
the most realistic pieces of computer animation I've ever se
the most realistic pieces of computer animation I've ever seen.
Video: With
an aspect ratio of 2.40:1
Anamorphic Widescreen,
the video quality of
the film is higher than
the time period of
the action allows it to appear.
The picture is 1.85:1 anamorphic widescreen, though I have to say that there is one momentwhich suggested to me that the image was still slightly cropp
The picture is 1.85:1
anamorphic widescreen, though I have to say that there is one momentwhich suggested to me that
the image was still slightly cropp
the image was still slightly cropped.
Another motif of Carpenter's is to shoot
the action entirely in
widescreen (or occasionally
anamorphic).
Kino Lorber's DVD edition of
The Strongest Man gives the film a good visual presentation in letterboxed 2.35:1 anamorphic widescre
The Strongest Man gives
the film a good visual presentation in letterboxed 2.35:1 anamorphic widescre
the film
a good visual presentation in letterboxed 2.35:1
anamorphic widescreen.
Still,
the 2.40:1
anamorphic widescreen picture is perfectly satisfactory for standard definition, as is
the basic but serviceable Dolby Digital 5.1 soundtrack.
It's presented in
anamorphic widescreen, 1.85:1, and comes with
a liberal selection of audio choices: 5.1 in English, French, and Spanish.
The cartoons are presented in 1.85
anamorphic widescreen and Dolby Digital 5.1 audio.
The final supplement on Disc 1 is a rather cool easter egg — the film's groundbreaking original Theatrical Trailer, presented in anamorphic widescre
The final supplement on Disc 1 is
a rather cool easter egg —
the film's groundbreaking original Theatrical Trailer, presented in anamorphic widescre
the film's groundbreaking original Theatrical Trailer, presented in
anamorphic widescreen.
The video is in 2.35:1
anamorphic widescreen.
Both
the theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentatio
the theatrical and unrated cuts of
The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentatio
The Hangover look pretty good in
the DVD's 2.40:1 anamorphic widescreen presentatio
the DVD's 2.40:1
anamorphic widescreen presentations.
Some minor grain is hardly noticeable in
the highly pleasing 2.35:1
anamorphic widescreen transfer and
the Dolby 5.1 soundtrack is aptly immersive throughout.
Video: With
an aspect ratio of 2.35:1
Anamorphic Widescreen,
the video is top notch.
Human Nature is presented in 1.85:1
anamorphic widescreen and fullscreen versions on
the same side of
a dual - layer disc; compositionally, it's
a toss - up between
the two transfers, since
the latter opens up
the bottom of
the frame whilst cropping
the vertical sides.
THE DVD by Bill Chambers Warner shepherds Happy Feet to DVD in
a 2.40:1
anamorphic widescreen transfer.
THE DVD Universal's DVD release features a sharp 1.85:1 anamorphic widescreen presentation of the film featuring a minimum of grain and edge enhancements and superior contra
THE DVD Universal's DVD release features
a sharp 1.85:1
anamorphic widescreen presentation of
the film featuring a minimum of grain and edge enhancements and superior contra
the film featuring
a minimum of grain and edge enhancements and superior contrast.
Sufficed to say I'm not going to assess
the 2.35:1
anamorphic widescreen transfer because I have
no idea what consumers are getting for their ill - spent cash, though I can confirm that
the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.
Presented windowboxed in 1.65
anamorphic widescreen *,
the film looks exactly like it did in theatres,
all but confirming that
the transfer was sourced from
the 35 mm blow - up (Vincent Gallo's viewing preference) rather than
the Super16 negative.
THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transf
THE DVD For all
the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transf
the weaknesses of
the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transf
the film, Warner DVD's beautiful 1.78:1
anamorphic widescreen presentation of American Outlaws is
a showcase piece for its audio / visual transfer.
Still, I've seen worse: while
the 2.42:1
anamorphic widescreen presentation is unnecessarily gritty and choppy, it's not
the sandpaper to
the eyes that Unaccompanied Minors was.
Laden with dull blacks and mild edge - enhancement,
the «all - new digital» 2.35:1
anamorphic widescreen transfer fails to show off
the capabilities of
the format while representing
a minor upgrade from
the previous DVD in terms of saturation and reproduction of flesh tones.
Vadim shoots it in earthy color and CinemaScope and
the disc preserves both in
an anamorphic widescreen transfer.
Those like me accustomed to seeing
the Indiana Jones films in
the wonder of degraded pan-and-scan videocassettes should rejoice at
the sight of
these DVDs, which offer higher resolution and preserve
the considerable frame width in
anamorphic widescreen transfers nearer to 2.35:1 than
the 2.20:1 aspect ratios widely cited.
The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the t
The DC distinguishes itself on
a technical level with
the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the t
the cleaner, more naturalistic 2.35:1
anamorphic widescreen transfer of
the t
the two.
Technical aspects: Blu - ray: 1080p high definition, 2.40:1
widescreen picture; English
DTS X Master Audio,
DTS headphone X, English 2.0 descriptive audio track and Spanish 5.1
DTS digital surround; English SDH, Spanish and French subtitles; DVD: 2.40:1
anamorphic widescreen picture; English 5.1 Dolby digital and Spanish 2.0
DTS digital surround; English SDH, Spanish and French subtitles.
For
an HD Remake, it smooths out
a lot of
the textures and graphics and
anamorphic widescreen for better sense of immersion and
no black bars from
the original.
2003 doesn't seem
that long ago to me, but
The Station Agent looks its age and then
some in Echo Bridge's unremarkable 1.85:1
anamorphic widescreen DVD presentation.
THE DVD Anchor Bay reissues Johnny Suede on DVD in
a 1.75:1
anamorphic widescreen transfer that frankly does Joe DeSalvo's cinematography
a disservice.
THE DVD Fox DVD's anamorphic widescreen (1.85:1) presentation of The Object of My Affection is crystal clear and vibra
THE DVD Fox DVD's
anamorphic widescreen (1.85:1) presentation of
The Object of My Affection is crystal clear and vibra
The Object of My Affection is crystal clear and vibrant.
I wish
the disc's 2.35:1
anamorphic widescreen transfer * better preserved all
this mise - en - scène minutiae:
the image is surprisingly soft, muted, and murky, if only mildly so on
each count.
The 1.78:1 anamorphic widescreen transfer is exactly as the makers would want it to
The 1.78:1
anamorphic widescreen transfer is exactly as
the makers would want it to
the makers would want it to be.
The Calling looks fine for standard definition, but the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 108
The Calling looks fine for standard definition, but
the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 108
the DVD's 2.40:1
anamorphic widescreen transfer is
a far cry from
the satisfying highs of 108
the satisfying highs of 1080p.
As it should,
the DVD presents
the new animation in 1.78:1
anamorphic widescreen (
the case mistakenly gives
a 1.66:1 aspect ratio) with perfectly satisfactory clarity and sharpness.
THE DVD One of six films that won the second round of Amazon's DVD Decision 2006, Looker debuts on the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of gra
THE DVD One of six films that won
the second round of Amazon's DVD Decision 2006, Looker debuts on the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of gra
the second round of Amazon's DVD Decision 2006, Looker debuts on
the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of gra
the format in
a handsome 2.37:1
anamorphic widescreen transfer that occasionally succumbs to pinholes and
a high density of grain.
Exterminators (and
the official title is just
that, not ExTerminators as
the packaging calls it nor Ex Terminators as
the menu does) appears in 1.85:1
anamorphic widescreen.
Miral looks nice in
the DVD's 2.35:1
anamorphic widescreen presentation.
The 1.85:1 anamorphic widescreen transfer is largely dark and murky — partially, I think, to help the little beasts believably blend into their surroundin
The 1.85:1
anamorphic widescreen transfer is largely dark and murky — partially, I think, to help
the little beasts believably blend into their surroundin
the little beasts believably blend into their surroundings.
THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the oth
THE DVD Fox checks in with
a spotty 1.85:1
anamorphic widescreen transfer of Dunston Checks In on one side of
a DVD and
a fullscreen pan-and-scan version on
the oth
the other.
THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
THE DVD
The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
The kids division of MGM presents It's
a Very Merry Muppet Christmas Movie in
a full - frame «Special Edition» presentation all
the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
the more puzzling for
the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 relea
the fact that
a 1.85:1
anamorphic widescreen transfer was prepared for
the film's R2 relea
the film's R2 relea
the film's R2 release.
As for Fox's Because of Winn - Dixie platter, it's
a DVD - 10 containing 1.85:1
anamorphic widescreen and flipside unmatted transfers.
Housed in
a regular plastic Amaray case, Through
a Dog's Eyes comes to DVD presented in
anamorphic widescreen, with
an English language stereo audio track.
The 2.40:1
anamorphic widescreen presentation shows that limited budget and lacks sharpness and focus somewhat consistently.
Even so,
the anamorphic widescreen transfer looked pretty good, with solid color.
Housed in
a regular Amray case, this production of A Room with a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters
a regular Amray case,
this production of
A Room with a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters
A Room with
a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters
a View is presented in 16 × 9
anamorphic widescreen, and divided into eight chapters.