Aquatint published by Parasol Press, New York, [edition of 40].
1989 Portfolio of four
aquatints published by Parasol Press, New York, [edition of 30].
Not exact matches
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, and hand coloring 25 x 19 inches edition of 30
published by Wingate Studio Purchase / Inquire
Violet Geodesic, 1995 etching and
aquatint 30 x 22.5 inches edition of 30
published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five hard ground and spit bite
aquatint 21 x 18 inches edition of 20
published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five spit bite, sugar lift
aquatint, and embossing 21 x 18 inches edition of 20
published by Wingate Studio Purchase / Inquire
Francis Bacon: Prints features lithographs, etchings and
aquatints, some of which were
published by Marlborough.
Sascha Braunig, Stays, 2016
aquatint etching, soft ground, sugar lift
aquatint, burnishing 39 x 28 inches edition of 25
published by Wingate Studio
Untitled, 2005 set of five soft ground, spit bite, and sugar lift
aquatint 21 x 18 inches edition of 20
published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 five plate color etching,
aquatint, spit bite
aquatint, and drypoint 25 x 19 inches edition of 30
published by Wingate Studio Purchase / Inquire
Blue Tumbler, 2010 three color soft ground etching and
aquatint sheet size 22.5 x 23 inches, plate size 18 x 18 inches edition of 20
published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, chine collé, and hand coloring 25 x 19 inches edition of 30
published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, and chine collé 25 x 19 inches edition of 30
published by Wingate Studio Purchase / Inquire
Shavasana, 2001 color etching and
aquatint 33.5 x 39 inches edition of 30
published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five soft ground and spit bite
aquatint 21 x 18 inches edition of 20
published by Wingate Studio Purchase / Inquire
Two Part Geodesic, 1995 etching and
aquatint 30 x 22.5 inches edition of 30
published by Wingate Studio SOLD OUT
Fortune, 1999 color etching and
aquatint 32 x 26.25 inches edition of 40
published by the artist, printed by Wingate Studio
Xylor Jane, Third Order Magic Square for Deep Sleep, 2014 three color
aquatint 24.5 x 21.75 inches edition of 22
published by Wingate Studio Purchase / Inquire Project and Artist Info
Barbara Takenaga, Falling (blue concentrate), 2017 five plate
aquatint etching with soap ground and hand painting by the artist 33.125 x 25.875 inches edition of 25
published by Wingate Studio
Orion Martin, H.E.D. (geim n gebult), 2016 five plate
aquatint etching, soft ground, burnishing 42 x 30.5 inches edition of 25
published by Wingate Studio
Sheet, 2011 etching,
aquatint, spit bite
aquatint, and drypoint plate size 18 x 14 inches, sheet size 17.875 x 13.875 inches edition of 20
published by Wingate Studio Purchase / Inquire
The French Singer, 1999 color etching and
aquatint 32 x 27.5 inches edition of 60
published by the artist, printed by Wingate Studio
John Cage, 75 Stones, 1989; Color spit bite
aquatint with sugar lift
aquatint on smoked paper; 54 x 41 inches;
published by Crown Point Press, San Francisco.
Roger White, Steamed Mirror, 2012 soft ground etching,
aquatint, and spit bite
aquatint 11.5 x 9.5 inches edition of 17
published by Wingate Studio Purchase / Inquire
Luna, 2005 six color hard ground etching,
aquatint, spit bite
aquatint, sugar lift, white ground, drypoint, and roulette 30 x 22.5 inches edition of 30
published by Wingate Studio.
Walton Ford, Limed Blossoms, 2007 six plate color etching and
aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches edition of 100
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, The Tale of Johnny Nutkin, 2001 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Chuck Webster, The Pilgrim, 2014
aquatint, water bite
aquatint, scraping, and dry point 16 x 13.875 inches edition of 15
published by Wingate Studio Purchase / Inquire
Way of Flying, 2003 Intaglio with
aquatint; 16 1/4 × 19 Collection of SMoCA, Segura
Publishing Company Archive, Museum Purchase 2003.010.03 © Enrique Chagoya Photo: Tim Lanterman
Chuck Webster, Fun House, 2015 color etching and
aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20
published by Wingate Studio Purchase / Inquire
Walton Ford, Benjamin's Emblem, 2000 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Swadeshi - cide, 1998 - 99 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Chuck Webster, Houses Under the Sea, 2014 three color
aquatint etching, spit bite
aquatint, and sugar lift 38 x 43 inches edition of 15
published by Wingate Studio Purchase / Inquire
Chuck Webster, Reach A Call in the Sun, 2015 color etching and
aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20
published by Wingate Studio Purchase / Inquire
Walton Ford, Compromised, 2003 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Chuck Webster, Up On the Hill People Never Stare, 2014
aquatint and dry point 16 x 13.875 inches edition of 15
published by Wingate Studio Purchase / Inquire
Walton Ford, Visitation, 2004 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
2015 Portfolio of three
aquatint prints
published by Jennifer Melby Editions, New York, [edition of 20].
Walton Ford, Dying Words, 2005 six plate color etching and
aquatint plate size 14 x 18 inches, paper size 22.5 x 30 inches
published by Paul Kasmin Gallery, produced and printed by Wingate Studio edition of 75 SOLD OUT
Robert Kushner, Blue Iris, 2017 five plate
aquatint etching with sugar lift, soap ground, and spit bite plate size 24 x 24 inches, sheet size 30 x 30 inches edition of 30
published by Wingate Studio Purchase / Inquire Project and Artist Info
Chuck Webster, Gleemer, 2015 color etching and
aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 8.5 x 7.1875 inches, sheet size 15.75 x 14 inches edition of 20
published by Wingate Studio Purchase / Inquire
Chuck Webster, Meet Where It's Big (Parade), 2015 color etching and
aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20
published by Wingate Studio Purchase / Inquire
Nohow On,
aquatints by Robert Ryman, text by Frank Ohara, 1989 10.5 x 7 inches
published by Limited Editions Club, etchings printed by Wingate Studio
Chuck Webster, Bargain, 2014
aquatint, spit bite
aquatint, and dry point 13.875 x 16 inches edition of 15
published by Wingate Studio Purchase / Inquire
Walton Ford, La Historia Me Absolvera, 1999 six plate color etching and
aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50
published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
2007 six plate color etching and
aquatint plate size 12 x 9 inches, paper size 21.5 x 16 inches edition of 75
published by Paul Kasmin Gallery, produced and printed by Wingate Studio Price: Upon Request
Penzance Eclipse, 1999 Photogravure and
aquatint; 10 1/2 × 8 inches Collection of SMoCA, Segura
Publishing Company Archive, Museum Purchase 2000.006.02.a - b © James Turrell Photo: Tim Lanterman
For example, at that time, I
published most of Sol LeWitt's editions and all of [Claes] Oldenburg's etchings and
aquatints.
P07513 ANKING 1979 Inscribed «John Hoyland 79» bottom right and «BAT» Etching and
aquatint, printed at J.C. Editions,
published by Waddington Graphics / Bernard Jacobson in an edition of 50, 26 1/2 × 21 (67.3 × 53.2) Purchased from Waddington Graphics (Grant - in - Aid) 1981 These prints [P07513, P07514, P05549, P05550, P05551, P05567] manifest Hoyland's desire to use the etching process as a colouristic rather than linear medium.
Set of four etchings with
aquatint in colors on Somerset paper 26 1/4 x 19 1/4 inches each Edition of 73 Each signed & dated in pencil «J Johns» 87» lower right Each numbered in pencil lower right Printed by John Lund, Hitoshi Kido, Craig Zammiello, Keith Brintzenhofe
Published by Universal Limited Art Editions, 1987, with their blindstamp