These are the splendidly and authentically designed
Arabic calligraphy letter templates which have a touch of simplicity as well as modernity.
Sinuous black lines echo
Arabic calligraphy, while curved shapes resemble natural forms.
The artist has strongly embraced Buddhism,
Arabic calligraphy, and classical music and mixed them together, which resulted in the creation of a unique visual language.
French — Tunisian elSeed brings a fresh take on
the Arabic calligraphy, while Usugrow combines the traditional Japanese writing art and rock n» roll culture.
He studied Japanese and
Arabic calligraphy, and evolved his own style of word / image glyphs, supple as flames or tendrils of smoke.
The works are rife with clichéd symbols, such as
Arabic calligraphy, fragments of ceramic artifacts, images of camels and political cartoons, in an attempt to create work that will meet Western expectations for a brand of contemporary Middle Eastern art much in the same way that smiling Mao and Panda paintings became the brand for post-Cultural Revolutionary art in China in the 1980's.
In the last few years he has focused his attention on his life - long love of
Arabic calligraphy and fine art painting.
eL Seed is an artist whose work incorporates elements of graffiti and traditional
Arabic calligraphy.
Udemy - Arts & Crafts: Become
an Arabic calligraphy artist from scratch or learn how to paint with acrylics.
Inspired by historical forms from art and architecture, Al - Hadid's highly material works are charged with drips, textures, patterns, and ornaments that recall
Arabic calligraphy and Islamic textile patterns.
Suzan Batu, originally from Turkey, is known for her previous work of painted abstractions of delicate
arabic calligraphy imbued with a pop sensibility.
Historically,
Arabic calligraphy grew from a desire to honour the perfect language of God as set down from the Koran.
In addition to exploring the symbolic and formal potential of traditional
Arabic calligraphy, he incorporated the Africanized arabesque script used by his father for transcribing verses of the Qu» ran, as well as the traditional crafts and ornamentation found in his homeland.
The artist grew up in Iraq, surrounded by
Arabic calligraphy inscribed on the walls of libraries, mosques and religious schools.
The work is also a tribute to Brion Gysin, an artist of the Beat Generation who lived in Morocco and whose work was inspired by
Arabic calligraphy.
Then, of course, at London's Vigo Gallery, there is the towering presence of Ibrahim El - Salahi, the oldest and most influential artist on display in the section, known for blending Western modernism with elements of
Arabic calligraphy and his personal Sudanese history — ultimately forging a style that is all his own.
The fluidity of dark lines draws from her interest in
Arabic calligraphy.
The mosque's library, located on the upper floor of the Northern Minaret, includes collections of over 50,000 rare editions of manuscripts and
Arabic calligraphy.
Then also I got really inspired by the Islamic arts —
Arabic calligraphy, geometric pattern and design, architecture, and a lot of those details infused the book.»
A giant banner on the back wall bore the words, «Oh Zionists, Oh Zionists, if you want this type of war, SO BE IT,» surrounding
Arabic calligraphy bearing the same message in the form of a mushroom cloud.
Not exact matches
Another form of
calligraphy was the writing of
Arabic words in the Chinese running hand; in appearance it is Chinese writing, but it can be read only by those who know
Arabic.
Drawing on
Arabic semiotics and dwelling on
calligraphy as a means of interpretive transcendence, Koraïchi's work utilises letters and signage to evoke figurative imagery and present universal messages to a global audience.
Traditional
calligraphy and symbols infuse the work of Qatari artist Yousef Ahmad, who distills
Arabic letters into abstract shapes, while Syrian artist Khaled Al - Saa «i draws on Sufi philosophy, painting words into spacious landscapes.»
Some areas struck me as fragments of Hebrew letters or
Arabic and Western
calligraphy.
His
calligraphy recalls Old English and
Arabic scripts, drawn with an oversized brush as if with a nib.
One of the main highlights of the event was «Strokes in Dialogue,» a joint exhibition of
Arabic and Chinese
calligraphy by two renowned calligraphers Wong Dongling and Samir Al - Sayegh.
From his travels in Asia and the Middle East, Tobey became fascinated with
calligraphy and
Arabic script and created a style of painting he called «white writing».
Organized around the notions of text and texture, the varied works reference modern
Arabic and Hebrew
calligraphy; some evoke the art of hurufiyah, using the swoops and curves of the
Arabic alphabet as painterly gestures.
Upon closer inspection, however, it becomes clear that what looks like Islamic
calligraphy is in fact an invented language of signs and symbols, mixing
Arabic, Chinese, Japanese, Berber, and Tuareg elements to create what Koraichi calls an «alphabet of remembrance.»
Samia Halaby's «Yellow Spiral» (1970) a seminal work inspired by the artist's admiration for
Arabic architecture and
calligraphy will be on display at the Guggenheim Abu Dhabi's pre-opening exhibition «Seeing through Light: Selections from the Guggenheim Abu Dhabi Collection», at Manarat Al Saadiyat.
«Then I got interested in
Arabic and Chinese
calligraphy,» he says.
His fondness for the written word permeates his work, which frequently includes
Arabic script, and can be traced to his promise in
calligraphy as a child.