Sentences with phrase «archaeology project»
One might, for example, take note of Saigon 1954 when encountering Tiffany Chung's An archaeology project for future remembrances, 2013, a three - channel video that looks at Thu Thien, a district of Ho Chi Minh City currently being redeveloped as a «new urban area».
http://www.eva.ie/
Patrick directed the Stanford Alpine Archaeology Project from 1994 to 2012, and has continued project - related fieldwork in the region in the years since.
The Gulf of Mexico Shipwreck Corrosion, Hydrocarbon Exposure, Microbiology, and Archaeology project (GOM - SCHEMA)-- 2015
«This is a lot of money for an archaeology project,» says Miller, «but very inexpensive for a major scientific effort such as this one.»
The research is part of the Cotúa Island - Orinoco Reflexive Archaeology Project, funded by the Leverhulme Trust.
«It's a galactic archaeology project,» says Mario
Not only does this mash - up of telepresence and VR promise to make long - distance communication more immersive and fun; it is already being applied to an archaeology project that could help reveal the ancient secrets of European rock art.
About 75 % of those funds were spent on walking and biking trails, with environmental and archaeology projects getting less than 1 % each.
Not exact matches
The Foucault by whom we are first moved to question modernity, the Foucault by whom we are first shown the absurdity of the modern project from its beginning, is not the Foucault of the epistemological Order of Things and Archaeology of Knowledge, but the Foucault of the historical Discipline and Punish, Madness and Civilization, and Birth of the Clinic.
This interdisciplinary project convened a working group consisting of subject matter experts in archaeology, anthropology, and other allied fields; specialists in conflict studies from political science, geography, and sociology; and methodological experts from the data sciences.
That's why the Museum of London Archaeology began its CITiZAN project, which trains ordinary people to keep an eye out for interesting finds and record them.
Others may opt for projects in the fields of archaeology, agriculture, or geology, amongst many others.
The project maintains a database of millions of ceramic and obsidian artifacts, compiled by Mills and collaborators at Archaeology Southwest.
The Binchester dig is a joint project between Durham University's Department of Archaeology, site owner Durham County Council, Stanford University's Archaeology Centre and the Architectural and Archaeological Society of Durham and Northumberland.
He advises PhD students who want to keep their hand in fieldwork that they might be better off working in commercial archaeology because it often involves large projects that are properly funded.
Dr Kevin Walsh, Senior Lecturer in York's Department of Archaeology and project lead, said: «After years of research in this valley, the day we discovered these paintings was undeniably the highlight of the research programme.
«We grew teosinte in the conditions that it encountered 10,000 years ago during the early Holocene period: temperatures 2 - 3 degrees Celsius cooler than today's with atmospheric carbon dioxide levels at around 260 parts per million,» said Dolores Piperno, senior scientist and curator of archaeobotany and South American archaeology at the Smithsonian's National Museum of Natural History and the Smithsonian Tropical Research Institute, who led the project.
Make research projects and school reports about archaeology easy with credible
The projects focus on various themes: care, conservation and environment, archaeology, arts, sports, building, agriculture, medicine, business, international development, journalism, law, human rights, and teaching.
The Clay Series has been a long - time project for which she has done extensive research into the archaeology and prehistory of the Tucson Basin and the history of the the Spanish entrada into Southwestern United States.
Currently, de Anda works for Mexico's Instituto Nacional de Antropología e Historia (INAH), where he oversees special projects in underwater archaeology.
Recent solo exhibitions include: Hierophanies, The Swiss Church, London, UK (2017); Unobservables, narrative projects, London, UK (2016); An Archaeology of Cinema, Dagestan Museum of Fine Art, Makhachkala, RU (2015); Object Interviews, Swiss Cottage Gallery, London, UK (2015); Once More, With Feeling!
Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.
«The Zone» forms part of Ortega Ayala's current research project «From the Pit of Etc.», which deploys methodologies used in History and Archaeology for an ongoing series devoted to the concept of absence, trace, and iconoclasm.
Its work in Daghestan encompasses a number of exciting projects: one of these, to digitise the Institute of History, Archaeology and Ethnography's archive of oriental manuscripts in Makhachkala's Russian Academy of Sciences, involves a local training programme in digitisation, archiving, and conservation and outreach techniques.
On a political level and also on a formal level, the idea of the «archaeology» of a photographic image — trying to get below the surface — is key to both projects.
This exhibition continues artist Daniel Arsham's ongoing project Fictional Archaeologies, in which he creates replicas of everyday objects — such as basketballs and cameras — in precious and semi-precious stones.
The two projects offer the public a multi-faceted encounter with Abramović and her work that begins at MONA with Private Archaeology, a solo exhibition, followed by Marina Abramović: In Residence, in Kaldor Public Art Projects with a series of exercises from the Abramovićprojects offer the public a multi-faceted encounter with Abramović and her work that begins at MONA with Private Archaeology, a solo exhibition, followed by Marina Abramović: In Residence, in Kaldor Public Art Projects with a series of exercises from the AbramovićProjects with a series of exercises from the Abramović Method.
Part Parkeology retrospective and part archaeology of long - forgotten park treasures, this exhibition features abandoned museum artifacts and newly minted media documenting the first - ever Balboa Park - wide art and curatorial project.
Her work has also been featured in the following group shows: The Generational Triennial: Younger Than Jesus (2009), New Museum, NY; Greater New York (2010), MoMA PS1, NY; Commercial Break, Garage Projects (2011), 54th Venice Biennale; Gertrude's / LOT (2011), Andy Warhol Museum, Pittsburgh; Empire State (2013), Palazzo delle Esposizinoi, Rome; and The Way Of The Shovel: Art as Archaeology (2013), Museum of Contemporary Art, Chicago among many others.
The Great British Art Debate is a partnership project between Tate Britain, Tyne & Wear Archives & Museums, Norfolk Museums & Archaeology Service and Museums Sheffield, supported by The National Lottery through the Heritage Lottery Fund, and by the MLA's Renaissance programme.
About The Artist Documenting the visual languages of the everyday to expose overarching structures of authority, Barrada's projects interrogate ideas around bureaucracy, archaeology, authenticity and myth - making.
Says Professor Mary Beard: «I thought the playacting, whimsical nature of the project sounded like a bit of fun and while we've approached the presentation as a satire, it's also a way to reinvigorate how people think about history, archaeology and museum display.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
In 2011 Paiva participated in various group shows and conferences, including The Creators Project, Ullens Center for Contemporary Art, Beijing, New Media Archaeology (I and II) Videotage, Hong Kong, Nuits Sonores, Museum of Contemporary Art, Lyon, and Imaginary Belongings, Museu do Oriente, Lisbon.
Computer science meets archaeology as classics scholar James Higginbotham and academic technology consultant Paul Benham discuss their project to «restore» the color to an ancient Assyrian stone relief.
Developments is an Instagram - native media project created by Daniel Hipolito in 2015 as part of the group exhibition, «Institute Of Desktop Archaeology», which was curated by Katie Rose Pipkin at the Museum Of Human Achievement in Austin, Texas.
In her expansive projects, she often combines her own images with collected and found photographs in order to investigate issues of historiography, archival knowledge, and the connections between art, literature and archaeology.
Recent group exhibitions include Year of Cooperation, curated by Christabel Stewart and Anke Kemkes, Broadway 1602, New York and Critique & Clinic, Berlin Film Festival, Berlin (2012); British Art Show 7, Nottingham Contemporary, Nottingham and Hayward Gallery, London (2010); Asking, Not Telling, Institute of Contemporary Art, Philadelphia (2009); You have not been honest, Museo D'Arte Contemporanea Donna Regina, Naples (2007); Art Now Lightbox, Tate Britain, London (2006); Archaeology of Today, Els Hanappe Underground, Athens (2005); Revolution is Not What it Used to Be, S1 Artspace Sheffield (2004); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Emotion Eins, Frankfurter Kunstverin, Frankfurt am Main (2004); Fresh and Upcoming, a project with Luke Fowler at Frankfurter Kunstverein, Frankfurt am Main (2003) and Old Habits Die Hard, Sparwasser HQ Berlin and Norwich Gallery (2003).
# Recent solo exhibitions include: Hierophanies, The Swiss Church, London, (2017); Unobservables, narrative projects, London (2016); An Archaeology of Cinema, Dagestan Museum of Fine Art, Makhachkala, (2015); Once More, With Feeling!
The project, produced as part of the ArtPort, Tel Aviv residency program, is the result of a two month period of intensive research around the intersection of archaeology and politics in the region of Israel / Palestine.
Developing and maintaining exhibits in the Hall of Anthropology and Archaeology is a primary function, but our role as the state repository for cultural resource projects is substantial.