Sentences with phrase «architectural compositions by»

«Infinite Distance — Architectural Compositions by Helen Lundeberg» followed in 2007.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

Not exact matches

Hotel building is characterized by the perfect architectural composition: the central segment with the up rushed tower, crowned with the spire, is balanced with solidity and strict forms of the side wings.

«Out of Sight» then proceeds chronically to present art from 1962 to 1978 and concludes by exhibiting four wooden sculptures and a series of seven vivid painting from her Days of the Week series by way of revealing Herrera's continued experimentation with figure / ground relationships and the architectural underpinnings of many of her compositions.

[4] The result was a fluid composition that «well served Margo's brand of surrealism: a futuristic universe, inhabited by strange biological and architectural forms.»

In Lulu, the artist created a geometric, abstract composition inspired by the architectural landscape of Abu Dhabi.

Reflecting the architectural interventions, the composition is of found and made elements and by association transforms the gallery into a mask in itself, a proposition to see things differently even where things are invisible but end up revealing themselves; an act of a possible silent revolution.

Chen Daoming is a Chinese contemporary abstract painter, who was influenced by Cubism, but later adopted geometric and architectural compositions.

Her compositions encompass field recordings and found sounds and are inspired by ideas and reflections on silence and absence, architectural urban spaces, and feminist activism.

The photographs in «The Resonant Image: Photographs by Chip Simone» at the High Museum of Art — a 10 - year retrospective initiated by former curator Julian Cox and completed by his successor, Brett Abbott — are well - crafted images produced with excellent resolution, color balance and formal composition, and many cleverly align decomposing advertisements, scruffy walls and artfully abstracted architectural fragments.

Examples include the steps, walkways, and clothesline structures that he framed with his camera in Clothesline (c. 1978) to create a geometric composition by capturing the lighter architectural elements silhouetted against the darker lawn of a San Antonio apartment complex.

Since the beginning of his career in the mid - «60s, Robert Mangold (b. 1937, North Tonawanda, NY) has combined the classic elements of composition — shape, line, and color — to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.