Sentences with phrase «architectural history at»

Prior to this, Dr. Trkulja held academic positions in the United States and Europe, teaching and conducting research in art and architectural history at Princeton and Tulane universities, as well as the Institute for Advanced Study in Princeton, New Jersey.

She taught architectural history at the University of Central Florida and is an Expert Member on the 20th - Century Heritage Committee for the International Council of Monuments and Sites (ICOMOS), and the president of DOCOMOMO - US / Florida.1 Articles

For her recent exhibition entitled This Building for Hope, which took place at Morecambe's seafront Midland Hotel, Steele undertook a research visit to Miami South Beach, as well as researching into The Midland's architectural history at the RIBA and V&A archives in order to produce creative interpretations of her findings.

Sabina Andron is a teaching fellow in Architectural History at the Bartlett School of Architecture, University College London and Lecturer in Interiors History & Theory, Univeristy fo East London.

A professor of urban architectural history at City College has said the project should be smaller and that the cul - de-sac should be left intact.

Not exact matches

The iconic gin brand merges history, heritage and architectural beauty with environmentally friendly technology and materials in its BOMBAY SAPPHIRE Distillery at Laverstoke Mill.

The Modern Wing of the Art Institute of Chicago: Adler Planetarium: Salvage One: Morgan Manufacturing: A New Leaf: The Ivy Room: Artifact Events and Architectural Artifacts: Cafe Brauer and Lincoln Park Zoo: The Peggy Notebaert Nature Museum: Chicago History Museum: Ovation: The Langham Hotel: Chicago Botanic Gardens: The Drake Hotel: Venue Six10 at Spertus Museum: Ignite Glass Studios: School of the Art Institute of Chicago Ballroom: Skyline Loft at Bridgeport Art Center: Union Station: Waldorf Astoria Hotel: more venues

Saturday, November 26 at 2 p.m. — Join William B. Rhoads as he shares his latest book, Ulster County, New York: The Architectural History & Guide, featuring 325 sites throughout all Ulster County townships and including 340 illustrations.

There is history to explore, architectural marvels to marvel at, scenic beaches to enjoy, exciting nightlife, shopping, dining and other amazing experiences.

The Headquarters at Seaport, famous for its eclectic blend of classically inspired architectural styles and rich history.

From the remnants of Delhi Sultanate and Mughal dynasty in Delhi, the splendour of Rajputana history at Jaipur and the majestic architectural wonder on the Agra tour, the tour encompasses India's rich cultural heritage in a nutshell.

Le Palais Juliana is a stylish and chic residence offering an excellent accommodation choice to demanding travelers.Set in a pastoral area only 10 minutes drive from downtown Luang Prabang, it offers its guests a perfect place for a relaxing luxurious vacation.People fond of history, Asian culture and architectural splendors will find a haven in Luang Prabang which was designated a UNESCO World Heritage Site in 1995 because of its many superb temples, religious monuments and vintage French - colonial style mansions in and around the city.Four well - appointed room - types are available at the hotel: Deluxe, Executive Deluxe, Grande Deluxe, and Villa; all room - types feature authentic Pradu wood furnishing & flooring, premium amenities, and wireless internet connection.

Enjoy wine and light hors d'oeuvres at a free opening reception on Friday at the gallery from 5:30 to 7:30 p.m.. Also enjoy a talk by John Howey, architect and author of The Sarasota School of Architecture, about the city's rich architectural history.

British architect and architectural historian Kenneth Frampton, who wrote the seminal «Modern Architecture: A Critical History», is to be honoured at this year's Venice Biennale with the Golden Lion lifetime achievement award.

The encounter between geographies, disciplines and histories at the core of Meppayil's work prompts what Benjamin H.D. Buchloh identifies as «a latent desire to leave behind the parameters of pictorial space and its supporting surfaces, reaching for an ultimate sublation of the painterly rectangle in a numinous architectural space.»

Contributors include: Vito Acconci, designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; artist Martha Rosler; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith Tenhoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

Special thanks to the Barnard College Department of Art History, the College Art Association, the Design Trust for Public Space, More Art, NYU Department of Art History & Urban Design and Architectural Studies, The Institute of Fine Arts at NYU, NYU Steinhardt Department of Art and Art Professions, Parsons Fine Arts (BFA) Program, and Public Art Fund.

You can get information and register for our courses by visiting our Visual Arts, Digital Fabrication, Typography & Calligraphy and NYC Architectural History pages or by emailing us at [email protected].

Claire Jenson (a PhD student in Art History at the University of Chicago) discusses what architectural fragments reveal about monastic life at the Benedictine monastery of Cluny in the Middle Ages, a project she co-curated with Aden Kumler (Associate Professor of Art History, University of Chicago)

Martin Hartung is a doctoral fellow at the Institute for the History and Theory of Architecture (gta) at ETH Zurich, Switzerland, where he researches the exhibition history of architectural projects on the art History and Theory of Architecture (gta) at ETH Zurich, Switzerland, where he researches the exhibition history of architectural projects on the art history of architectural projects on the art market.

An instructor at Pratt since 1999, Vigneri - Beane teaches a range of studios and media courses for both incoming and upper - level students that explore relationships among contemporary design techniques, architectural categories of production, and the history of discourse in the discipline.

Camouflaged within the guise of history and imitating (at least in appearance) architectural forms or urban lifestyles from a certain era, Bronstein reinvents the past with great subtlety, highlighting the uncertainty of its construction and revealing its multi-layer composition.

Educated in architecture at the University of Bath, with an MSc in architectural history from the Bartlett School of Architecture, Ms. Galilee began her career as an editor at Icon magazine, and was a contributing editor to Domus magazine from 2010 to 2013.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

Sabina has taught architectural history and theory at several universities across London.

Through an architectural model of the vacant Iranian Embassy in Washington D.C., and a fictional map of the space, Sohrabi poses questions about ideological potentials at the site of the embassy, the ownership of the space, and common elements that history and architecture share: slowness, loss, and lack of access.

Reciprocally, the education of architects, from the first drawing classes of 1859 to the full five year undergraduate professional degree program and post-professional master's program, has been informed and structured within the careful design and re-design of its buildings.The exhibition Architecture at Cooper 1859 - 2009 traces the history of architecture and architectural education at The Cooper Union and examines how the evolving pedagogy of the program has been embodied and reflected in the changing architecture of the institution itself.

Edited by Adam Lerner, it is published by Princeton Architectural Press and features a foreword by filmmaker Wes Anderson and essays by Lerner, Maria Elena Buszek, Associate Professor of Art History at the University of Colorado, Denver; Cary Levine, Associate Professor of Contemporary Art at the University of North Carolina, Chapel Hill; artist Shepard Fairey; and Steven Wolf, a San Francisco - based writer and curator.

Marianne Zamecznik, Curator, writer and director of Oslo Open, Johanna Agerman Ross, Curator at V&A and co-founder of Disegno, Peter Lang, Design critic, Professor Architectural Theory and History, Architecture, Royal Institute of Art, Stockholm, Sweden.

She is an Assistant Professor of Architecture at Princeton University, a member of the Aggregate Architectural History Collective, and an editor of the journal Grey Room.

Building as Object Tour 1:30 pm, Lobby Join us for an in - depth look at the Museum's architectural history and some of our permanent installations.

Meredith TenHoor teaches architectural history and theory and coordinates the history - theory curriculum at Pratt Institute.

Contributions by: Vito Acconci, designer; Diana Balmori, Landscape and Urban Designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith TenHoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

In her second solo exhibition at Mixed Greens, Sonya Blesofsky continues her excavations into the unyielding architectural reinvention of New York, bringing attention to human histories and daily experience in relation to our built environments.

Educated in architecture at the University of Bath, with an MSc in architectural history from the Bartlett School of Architecture, Ms. Galilee began her career as an editor at Iconmagazine, and was a contributing editor to Domus magazine from 2010 to 2013.

Formerly a Qur «anic university, at present the madras is a non-religious monument to the city's formidable architectural history.

As the Nancy and George E. Rupp Professor, she teaches architectural design and architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced Architectuarchitectural design and architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced Architectuarchitectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced ArchitecturalArchitectural Research.

The images, music, and text that appear throughout «Future People» come from the archival holdings at the Arts Bank, which include the Johnson Publishing Archive, the Lantern Slide Collection at the University of Chicago (art and architectural history from the Paleolithic to the modern era), the Edward J. and Ana J. Williams Collection (racist objects that the Williamses bought to take off the market), and Frankie Knuckles's record collection.

As a student of architectural history, I took the Bechers artistically for granted on happening to walk into their first museum show, Industrial Building 1830 — 1930: A Photographic Documentation, at the State Museum for Applied Art in Munich in 1967, approaching their work (first published in architectural journals) from the standpoint of J. M. Richards's The Functional Tradition in Early Industrial Buildings (1958), with Eric de Maré's photographs.

Exhibition Highlights Curated by New - York Historical's Marilyn Satin Kushner, Curator and Head, Department of Prints, Photographs, and Architectural Collections; and Kimberly Orcutt, Henry Luce Foundation Curator of American Art; with Casey Nelson Blake, Professor of History at Columbia University serving as Senior Historian, The Armory Show at 100 will feature approximately 100 masterworks from the 1913 Armory Show that powerfully impacted American audiences.

The project will take as its departure point the abandoned movie theaters on Mission Street, looking at their histories, revisiting their architectural transformations over the years, and finally reflecting upon their current conditions.

A history of his work will be on view at the Evergreen Cultural Centre and an in - depth survey of his paintings of domestic architectural spaces will constitute the exhibition at the SFU Gallery in Burnaby.

The OMA partner's new book Four Walls and a Roof: The Complex Nature of a Simple Profession takes an idiosyncratic look at architectural history and dissects contemporary practice.

At the Chicago Architecture Biennial, Chinese Firms Look to Tradition to Write a New Chapter in Their Nation's Architectural History

Rauch's paintings suggest a narrative intent but, as art historian Charlotte Mullins explains, closer scrutiny immediately presents the viewer with enigmas: «Architectural elements peter out; men in uniform from throughout history intimidate men and women from other centuries; great struggles occur but their reason is never apparent; styles change at a whim.»

Prior to joining Gamma as an analyst, Matthew Jacobs was a graduate student at the University of Oxford, having received a fellowship to study architectural history.