He holds a B.S. in
Architectural Studies from the University of Texas at Austin and a M.S. in City and Regional Planning from Pratt Institute.
Not exact matches
Proposals are being solicited
from Architectural and Engineering, Marketing and Consulting firms to provide services for providing a market analysis, feasibility
study, concept design and locational
study for the Buffalo Niagara Convention Center property.
After finishing his
studies on sound and image engineering and a MSc on
architectural and environmental acoustics at the Polytechnic University of Madrid, he received an offer
from Seiche Ltd. and the University of Bath to work as a research associate for a period of three years, under the Knowledge Transfer Partnership scheme.
He
studied fine art, but he says he absorbed as much
from those around him who were being trained in advertising design,
architectural drafting, and textile design.
After
studying at the
Architectural Association in London in 1987, Sachs received a BA
from Bennington College in Vermont in 1989.
To make the image, Unwin reuses motifs and patterns
from previous works - the dots are
from a wood - block print, the
architectural arch is
from a «stone wall» model making paper and the tie - dye,
from studies made in the artist's sketchbook.
After
studying at the
Architectural Association in London in 1987, he received a BA
from Bennington College, VT in 1989.
Made in the early - to mid-1960s, those works range
from studies of arabesque curves to
architectural designs.
Recent exhibitions presented by the school include Drawing
from the Archive: Analysis as Design (with additional support
from the Graham Foundation for Advanced
Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the
Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support
from the Graham Foundation for Advanced
Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons
from Modernism (presented with the Institute for Sustainable Design, with generous support
from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced
Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
The artist spent time
studying film - industry special effects techniques to prepare this project, which includes an
architectural installation of petrified wood
from Turin, columns
from Sharjah, and silicone molds
from Istanbul.
Support Folly / Function, a partnership of Socrates Sculpture Park and The
Architectural League of New York, is supported with a generous grant
from the Graham Foundation for Advanced
Studies in the Fine Arts, and made possible, in part, by public funds
from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs, in partnership with the City Council.
In Remains to be Seen, on view at 49 Geary Street
from September 8 — October 22, 2016, the artist has taken his poetic
study of movie palaces further in time, to the point of
architectural extinction.
Francis Bacon: Invisible Rooms traces the development of this
architectural structure throughout his career;
from the first indications of room - spaces in early works including Crucifixion 1933 (Murderme) and Three
Studies for Figures at the Base of a Crucifixion c. 1944 (Tate); the 1950s, including Man in Blue IV 1954 (mumok, Austria) and Chimpanzee 1955 (Staatsgalerie Stuttgart); through to the 1980s, Untitled (Kneeling Figure) c. 1982 (Private Collection).
From 1988 to 2005 a programme of restoration within the Museum was carried out under Peter Thornton and then Margaret Richardson with spaces such as the Drawing Rooms, Picture Room,
Study and Dressing Room, Picture Room Recess and others being put back to their original colour schemes and in most cases having their original sequences of objects reinstated; Soane's three courtyards were also restored with his pasticcio (a column of
architectural fragments) being reinstated in the Monument Court at the heart of the Museum.
The heavier, browner palette is found in Wilson's Hammer and Tongs (1972) with its meticulously worked drapery
study, and the
architectural complexity of the workbench in Stretcher Pliers (1972), which is a damn sight more complicated painting than it seems at first because it balances several planes
from foreground to middle ground to a second stage of the middle ground on a tilting shelf surface.
There, we learn
from the exhibition's opening wall text, the two amassed a large collection of pre-Columbian artifacts and
studied the geometric volumes of the
architectural and sculptural ruins of ancient Mesoamerican civilizations.
Paola Yacoub
studied at the Beirut Academy of Fine Arts, and graduated
from the
Architectural Association School of Architecture in London in 1993.
Also featured is an original, rare drawing fragment of the Foundation Building by Petersen, a digital reconstruction of the
architectural evolution of the Foundation Building, as well as images of student exhibitions and publications
from 1965 to the present demonstrating the development of the Chanin School's pedagogy — which has influenced the
study and teaching of architecture worldwide.
He received a BA in economics in 1954
from Yale University, where he also
studied modern art and
architectural history.
Conway holds a BA in Glass and
Architectural Glass
from the Edinburgh College of Art, a Post-Graduate Diploma in Community Arts Education
from the National College of Art and Design, Dublin and has
studied Glass and Photography at Alfred University, New York State, USA.
Reem Charif obtained a degree in Architecture
from the
Architectural Association, School of Architecture, after which she completed an MSc in Development
Studies at the School of Oriental and African
Studied (SOAS), University of London.
Born and raised in Moscow, Matvey Levenstein
studied at the Moscow
Architectural Institute before receiving a BFA
from the School of the Art Institute of Chicago and an MFA
from Yale University.
With the architect Aldo Henggeler he co-authored
studies on
architectural and urban planning concepts derived
from the ideas of structuralism.
«The
study of ceramics results in a wide spectrum of applications —
from fine art sculpture, to studio pottery, to
architectural projects.
The
study models are not strictly
architectural but are made
from wood, porcelain, resin, concrete, textiles and even musical instruments; the studio uses them to investigate ideas before arriving at a building's final form.
Mul
studied Fine Arts at ABKM Maastricht (BA) and holds a MFA
from the
Architectural Association in London.
Professionally - trained at St. Helens College of Art and Design, Mount utilizes skills of compositional and visual balance drawn
from years of topographical,
architectural and people
study.
Interconnected
architectural environments house three videos characterised by an absurdist sense of humour and ranging
from a
study of cats living in the basement of St. Petersburg's Hermitage Museum, through to interviews with the artist's family members, and a series of monologues set against an investigation into the life of a deceased man called Janus.
Folly, a partnership of Socrates Sculpture Park and The
Architectural League of New York, is made possible through a generous grant
from the Graham Foundation for the Advanced
Studies in the Fine Arts.
Her works range
from conceptual to commercial and show a particular interest in using dialectical methods to create
studies of
architectural forms - be that in lines of the human body, manmade structures, or natural scenes - as well as on dynamics between the social and the private, gender rolls and body language.
Varying in media
from functional ceramics and light sculptures to paintings, prints, drawings,
architectural studies, and collages, these exhibitions represent the capstone of each student's course of
study at Swarthmore.
1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87) Masterpieces of British Art
from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre», New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale»,
Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «
Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue Raisonné and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.
Since Carnegie's subjects range
from the relatively benign, isolated nature painting — along with the brooding
architectural structures that often occupy the landscape, such as a gateway into a cemetery — to intimate little
studies of excellently formed female asses, this is not an unreasonable question.
Complete
Architectural and Interior Design Services
from feasibility
study to completion.
Sepulveda holds an MBA
from the University of Texas at Austin, a Bachelor of Science degree in architecture
from Universidad LaSalle in Mexico City, and conducted a semester of
architectural studies at the University of Arizona.