Sentences with phrase «archival color pigment»

Not exact matches

Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237

CARRIE MAE WEEMS, «Color Real and Imagined,» 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2Color Real and Imagined,» 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2color blocks, edition 1 of 10, 2 AP).

Jo Ann Callis, Untitled (Hand and Honey), from Early Color Portfolio, circa 1976, Archival Pigment Print, 16 × 20 inches.

Jo Ann Callis, Untitled (Tied Up), from Early Color Portfolio, circa 1976, Archival Pigment Print, 16 × 20 inches, Printed under the direct supervision of the artist.

Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.

Pavlović's reproductions are printed copies (some endura metallic color prints, others archival pigment prints).

Phillip Maisel, Desert Hot Springs (4846), 2016, Archival pigment print and colored filters, Variation 1 of 3, 30 x 20 inches

Phillip Maisel, Desert Hot Springs (4699 - 4), 2016, Archival pigment print and colored filters, Variation 1 of 3, 30 x 20 inches

La Grande Sortie, 2015 6 archival pigment prints, single - channel video with color and sound on blue - ray disc and thumbdrive, storyboards dimensions of prints to be determined duration: 10 minutes.

From left, Installation view, Carrie Mae Weems, «Color: Real and Imagined», 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth Gallery, LoColor: Real and Imagined», 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth Gallery, Locolor blocks, edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth Gallery, London.

Since 2012, Magnolia Editions has published an ongoing series of archival watercolor prints by Close which use the artist's grid format and the precision afforded by contemporary digital printers to layer water - based pigment on Hahnemuhle rag paper [31] such that the native behavior of watercolor is manifested in each print: «The edges of each pixel bleed with cyan, magenta, and yellow, creating a kind of three - dimensional fog effect behind the intended color swatches.»

This exhibition shows a series of archival pigment prints of new works by Mark Podwal in acrylic and colored pencil.

Avi Gupta, Untitled II (from «Color Studies» series), 2014, 24 ″ x16 ″, archival pigment print, edition 1 of 5, courtesy of the artist and Morton Fine Art.