Sentences with phrase «archival inkjet print from»

Archival inkjet print from original slide, 29 x 20 cm, 2009

Not exact matches

Bar None (Robert Smithson, New Jersey) 1967 Composite inkjet print on archival rag paper taken from original 126 format black & white negatives printed 2012 21 3/4 x 40 3/4 inches (55.2 x 103.5 cm) Framed: 24 x 46 x 1 1/2 inches (61 x 116.8 x 3.8 cm) Edition 1 of 5 plus 1 AP ARG # HN1967 - 002.1

Meet the artist: Sarah Kane By Eva Buttacavoli Photo: Sarah Kane, I Got You The Jelly Kind, 2014, archival inkjet print, from the series The Neighbors I've only known Sarah Kane for the last three months — first meeting her on a wintry Saturday afternoon as she was setting out with her camera to capture -LSB-...]

Image: Cassandra Klos, The Arrival, 2013, Archival Inkjet Print Opening Reception February 3rd from 6 pm — 10 pm The truth is out there.

This year's show includes 43 student works ranging from archival inkjet prints to mixed media installations and ceramics.

From archival pigment prints, gelatin silver prints and c - prints to hand - finished inkjet prints, the works highlight that photography doesn't stop at the subject and the composition.

Jessica Labatte's Surface Effects series (all 2010), archival inkjet prints of mylar bags that appear to be on the point of floating off the page, are gestural and painterly, riffing on the super clean and sharp ubiquitous still life genre, while Sage Lewis's Curtain, Grey (2013), appears to protrude out from the wall.

6 limited edition Archival Inkjet Prints taken from Harry Adams» current exhibition at AirSpace Gallery

Assaf Evron, from the series Untitled (Series R), 2010, archival inkjet print, 70 x 70 cm.

Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

From the series Scanograms # 1, 2010, manipulated readymade, archival inkjet print, 23 1/2 x 29 1/2 inches.

Irina Rozovsky Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 in.

Michael Wolf, From the series My Favourite Thing, 2003 - 15, Archival Inkjet Print, 25.4 x 20.3 cm, 10 x 8 in, Edition of 9.

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2003, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Image credits (L to R): Untitled (detail) from the «Passage on the Underground Railroad Series,» 2005, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2002, by Stephen Marc, archival pigment inkjet print, image courtesy of the Gibbes Museum of Art / Carolina Art Association.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

An original archival inkjet print by American photographer Rachel Stenclik from her Poland Series.

(66 x 33 x 43.2 cm) Medium: Copper rod, archival inkjet print on paper, leather, and artificial sinew Credit Line: Purchased with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art Object Number: 2012.20.1 Culture: American Classification: Sculpture Department: Modern

Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We'rfrom the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We'rFrom the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're...

Diane Tepper («Untitled,» Digital archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photarchival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photograph).

Anna Maria Maiolino, Por um Fio (By a Thread), from the Fotopoemação (Photopoemaction) series, 1976, archival inkjet print, 22 3/8 x 31 1/8 in.

Christian Patterson Prairie Grass Leak, 2009 Archival inkjet print, 8 x 10 ″ on 8.125 x 10.125 ″ paper Shipped unmatted, with framing recommendation from the artist Edition of 50, signed and numbered by the artist $ 300

Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're used to a certain type of photography in the Nefrom the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're used to a certain type of photography in the NeFrom the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're used to a certain type of photography in the New...

Andrew Fillmore (Providence, RI, and New York, NY), House Chambers, 2012, from the series «Politics as Usual,» Archival inkjet print, 22 x 30 inches, courtesy of the artist

Image: Nandini Valli (Indian), Disillusioned 1, 2003, from the series Definitive Reincarnate, inkjet print on archival paper, 36 x 36 inches.