Sentences with phrase «archival inkjet print in»

Rich Hogan, Untitled (1), 2016, 44 ″ x 56 ″, Archival Inkjet Print In his 1994 essay, Felix in Exile: Geography of Memory, South African artist William Kentridge writes, «The landscape hides its history.

2004/2016 Archival inkjet print in colours, on wove paper, with full margins.

Not exact matches

Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their -LSB-...]

Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their work.

Tragedy (Sissi at the Great Gallery II), 2007 Archival inkjet print on watercolor paper with watercolor and collage 59.5 in.

Rapture (Jerry, Cherries in the Snow), 2007 Archival inkjet print on watercolor paper with watercolor and collage 62 x 52.75 in.

Description: Inkjet print on archival paper, mounted on aluminum and framed in open wood box.

Credit: Clouds, Mountains, Mist, The Meadows, 2011, printed 2013, archival inkjet print, 24 x 33 in., © Stephen Petegorsky.

Cynthia Henebry (American, b. 1973) Mavis in the Backseat, 2013, archival inkjet print, 40» H × 50» W. Aldine S. Hartman Endowment Fund.

American Photograph Cynthia Henebry (American, b. 1973) Mavis in the Backseat, 2013, archival inkjet print, 40» H × 50» W Aldine S. Hartman Endowment Fund.

All of the works are hand painted archival inkjet prints on matte paper with pigment ink, made in 2016 and 2017.

FRED TOMASELLI Mar. 3, 2009 2013 Collage, gouache, marker, and archival inkjet print on watercolor paper 10 3/4 x 12 1/8 in.

Susan Silas love in the ruins; sex over 50 (image 0431) 2003 - 2012 Archival inkjet print on Hahnemühle Pearl Photo Rag (ed.

Untitled (Baggage), 2016; archival inkjet print; 53 5/8 x 29 7/8 in.

Among the works that Flatland will present is a unique hand painted photography and collage archival inkjet print by Paolo Ventura, who is a true creator of a poetic narrative in today's world dominated by merely «photo - pictures».

Will Benedict Henden fur Alle 2013 gouache on foam core and paper, archival inkjet print, aluminum frame with glass 110 x 90 cm 43.3 x 35.4 in

Will Benedict Comparison leads to violence 2013 gouache on foam core and canvas archival inkjet print, aluminum frame with glass 89 x 70 cm 35 x 27.6 in

Included Middle (Christina Smile), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Suprematist Light), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Angelika Rinnhofer Menschenkunde VII, 2005 Archival inkjet print, 10 x 8 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist

Included Middle (Long Afternoon), 40» H x 26.75» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition of 3 Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Bearing), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Chen Wei's Sand and Nobody No. 1 (2007), an archival inkjet print, again shows a man whose facial features are hidden in another mysterious, dehumanizing position in a claustrophobic room crammed with books and magazines.

The Black & White Best in Show winners are Lori Dunn for her scratchboard, «The Laws of Attraction» and Harry Longstreet for his archival inkjet print, «Take A Bow, Any Bow.»

Now (Working Title) 2015 Concrete (green), MDF frame, archival inkjet print, coin, book page Body: 100 x 45 x 60 cm / 39.3 x 17.7 x 23.6 in Frame: 55 x 35 cm / 21.6 x 13.7 in

Assaf Evron, Untitled (series R) 2010 archival inkjet print 70 / 70 cm 1 out of 5 in series HYDE PARK ART CENTER PRESENTS «THE CHICAGO EFFECT: REDEFINING THE MIDDLE» AUGUST 24 — NOVEMBER 23 Exhibition and Collaborative Experimental Program Examines the Concept of the Middle Chicago — In August, Hyde Park Art Center will unveil a group exhibition that takes a seemingly pedestrian topic and turns it on its heain series HYDE PARK ART CENTER PRESENTS «THE CHICAGO EFFECT: REDEFINING THE MIDDLE» AUGUST 24 — NOVEMBER 23 Exhibition and Collaborative Experimental Program Examines the Concept of the Middle Chicago — In August, Hyde Park Art Center will unveil a group exhibition that takes a seemingly pedestrian topic and turns it on its heaIn August, Hyde Park Art Center will unveil a group exhibition that takes a seemingly pedestrian topic and turns it on its head.

Ministry of Interior, Phnom Penh, Cambodia, September 26, 2014, 2015, archival inkjet print and text on archival herbarium paper in mahogany frame, 85 x 73 1/4 x 2 3/4 inches.

The Road Home (As the Winter Snows Melt), 2007 Archival inkjet print, 10 x 15» on 11 x 16» paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Scott Connaroe Trailer Park, Wendover, UT, 2008 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Winds of Change # 3, 2015 Archival inkjet print on gold leaf 12» x 12» Framed Courtesy of the Artist Lindsay Sparagana (American) lives in Philadelphia.

Irina Rozovsky Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 in.

James Hyde, Bird in Flight, 2018, acrylic dispersion on archival inkjet print sealed with urethane and uv varnish on linen on board, 16 x 16 inches

Siblings on polonyna (mountain pasture) above the village, 1995 Archival inkjet print, 11 x 13.75 ″ on 12 x 14.75 ″ paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Michael Wolf, From the series My Favourite Thing, 2003 - 15, Archival Inkjet Print, 25.4 x 20.3 cm, 10 x 8 in, Edition of 9.

Brendan Fowler, Spring 2010 — Summer 2011 (Mirror in Miami, Patty's House 5/10/100 — 5/12/10 # 14, Andrea On The Way to Anxiety Of Photography Opening, Mirror Reflecting Black Flat 2), 201, archival inkjet prints, frames, and Plexiglas, 50 x 50 x 5 inches.

Screenshot Montages, 2015; archival inkjet prints; 11 x 11 in.

For this exhibition in the gallery, the immense works of inkjet print on archival paper were directly adhered to the gallery walls to give viewers an unobstructed line of vision but at the same time facilitates a reflective mood.

Like teenagers who make glam - shot selfies as if they were pop singers or movie stars, Suellen Parker superimposes her own eyes and mouth onto modeled clay figurines of pop - culture celebrities in a strangely arresting series of archival inkjet prints.

Maldiya, 2008 Archival inkjet print, 14 x 11 ″ on 16 x 13 ″ paper Shipped in a 20 x 16» mat Edition of 50, signed and numbered by the artist

Archival inkjet print, lace, and cement on canvas and fabric, 621⁄2 x 60 in.

Andrea Robbins and Max Becher Capitalizing on Communism, 1998 Archival inkjet print, 8 x 10 ″ on 11 x 13 ″ paper Shipped in a 14 x 18 ″ mat Edition of 75, signed and numbered by the artists

Jeremy Kidd, Scheveningen Mesdag 1 (installation in The Hague School room at the Panorama Mesdag), archival inkjet print on fabric, 3.08 x 12.76

Hrair Sarkissian, Unexposed, 2012, archival inkjet prints, shown in Armenity, Venice Biennale, 2015.

Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005 - 2011; archival inkjet print on aluminum panel (map courtesy of the University of Chicago's Special Collections); 24 x 24 in.

Aves raras (mexicanos) no. 2 / Strange Birds (Mexicans) no. 2, 2005 - 2011; archival inkjet print (map courtesy of the University of Chicago's Special Collections); 24 x 24 in.

Daniel G. Hill, Shade / Stairs 1, 2009 Archival inkjet print, 24 x 35 inches October 13 — November 12, 2009 «I work in the areas of painting, photography and digital media.

Archival inkjet print, 11 x 14 in.