Sentences with phrase «archival inkjet print mounted»

Archival inkjet print mounted on plywood, 8 x 8 inches (each)

Archival Inkjet print mounted on di - bond, carpet squares.

Image Credit: Kate MacDonnell, Snow Falling Like Comets 2, 2009, archival inkjet print mounted to diabond, 6 × 9 inches, edition of 3 + 1 AP

Archival inkjet print mounted between aluminum and Plexiglas.

Archival inkjet print mounted on acrylic construction 20 x 54x 3 inches.

Shows incorrect position required to perform this kind of work, 2016, archival inkjet print mounted to aluminum, 54 x 39 inches (overall).

24» x 36» Archival inkjet prints mounted on corrugated plastic Edition of 50, Signed, Numbered, and dated on verso Published by Badlands Unlimited 2018

Not exact matches

Description: Inkjet print on archival paper, mounted on aluminum and framed in open wood box.

Included Middle (Christina Smile), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Suprematist Light), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Long Afternoon), 40» H x 26.75» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition of 3 Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Bearing), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Mounted archival inkjet print, easel, rocks, Casiotone MT 68 keyboards.

James Barsness The Revenge of the Sons of the Double Standard, 2004 Acrylic, ink, archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches

James Barsness The Revenge of the Sons of the Double Standard, 2004 acrylic, ink, archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches JBARp 46 14.

Diane Tepper («Untitled,» Digital archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photarchival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photograph).

1 / 29 — David Maljković, All Day All Year, 2016, inkjet on canvas painted with oil colors mounted on aluminum composite panel and inkjet print on archival paper mounted on archival carboard, 150 x 224 cm

John Sparagana Dick Tracy Variation (empty speech) # 1 2015 Archival inkjet prints, sliced and mixed on paper, mounted on dibond 93 1/4 x 71 1/4 inches