Sentences with phrase «archival prints mounted»
Archival prints mounted on aluminum in artist - painted frames, Dimensions variable
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Archival prints mounted on wood panels, each panel 6x8» / grid dimensions variable.
Brass inlaid walnut frame, Clear varnished archival print mounted on CNC cut Dibond, Polished brass discs mounted through Dibond.
Archival print mounted on aluminum in artist - painted frame, 13 x 9 1/2 inches
Brad Thomas 2000 Acrylic transfer, Plexiglas, copper, pressed tin, and archival print mounted on panels 48 x 53 x 3
Not exact matches
The expansive open plan entertainment and living space with full kitchen takes in uninterrupted views of Mount Coot - tha and the Brisbane city skyline, whilst Michael Johnson archival prints adorn the walls and bring the space to life.
Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237
Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry - mounted on Alu Reynobond, acrylic glass, oak frame
David Hartt, Carolina I, 2017, archival pigment print mounted to Dibond, 91 x 137 cm.
James Casebere Cabana, 2017 framed archival pigment print mounted to dibond paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm) framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm) edition of 5 with 2 APs JC - 265
Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry — mounted on Alu Reynobond, acrylic glass, oak frame
Archival Pigment Print mounted to Dibond.
Dan Devening, Scavenger (6), 2016, archival pigment print, Flashe on Yupo paper mounted on panel, 24 x 18 inches, courtesy Phil Peters
The resulting image is printed using archival inks and paper, mounted onto a wood panel and becomes the base for an encaustic painting.
Description: Inkjet print on archival paper, mounted on aluminum and framed in open wood box.
Untitled, 2016, archival pigment print, Flashe on Yupo paper mounted on panel, 24 x 18 inches.
Archival pigment prints mounted on dibond, 40 x 64 inches.
Untitled, 2016, archival pigment print, Flashe on Yupo paper mounted on panel, 24 x 18 inches, courtesy Phil Peters
Robert Polidori, Crucifixion with the Virgin and Sts Cosmas, John the Evangelist and Peter Martyr by Fra Angelico, Cell 38 (foreground), Adoration of the Magi and Man of Sorrows, by Fra Angelico, Cell 39 (background) Museum of San Marco Convent, Florence, Italy, 2010, Archival Pigment Print mounted to Dibond.
Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.
Image: David Hartt, Archive at The Johnson Publishing Company Headquarters, Chicago, Illinois, 2011, Archival Pigment Print mounted to Dibond and framed, 60 x 80 inches.
Image: David Hartt, Cubicles at the Mackinac Center for the Public Policy, Midland, Michigan, 2008, Archival Pigment Print mounted to Dibond and framed, 48 x 60 inches.
Shows incorrect position required to perform this kind of work, 2016, archival inkjet print mounted to aluminum, 54 x 39 inches (overall).
James Casebere Yellow Passage, 2017 framed archival pigment print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 252
James Casebere Yellow Overhang with Patio, 2016 framed archival pigment print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 2 53
Nan Goldin, Sheep in abattoir, Rathmullen, Ireland, 2002, Archival pigment print mounted on Dibond, 40.6 x 61 cm.
The result is printed using archival inks and paper, mounted onto a wood panel and becomes the base for an encaustic painting.
The resulting image is printed using archival inks and paper and mounted onto a wood or canvas panel.
Cy Twombly - Rome 1966 Untitled # 26 Edition 2 Image size 59.4 x 59.4 inches No borders Archival Pigment Print mounted on Aluminum Price increment according to edition Limited editio...
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.02 LG 1/3, 13.02 LG 2/3, 13.02 LG 3/3, archival pigment print with acrylic face mount, 7» x 7 ″ each, 2017
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.03 LM 1/3, 13.03 LM 2/3, 13.03 LM 3/3, archival pigment print with acrylic face mount, 7» x 7 ″ each, 2017
James Casebere Courtyard with Orange Wall, 2017 framed archival pigment print mounted to dibond paper: 64 3/8 x 44 3/8 inches (163.5 x 112.7 cm) framed: 67 x 47 x 2 1/4 inches (170.2 x 119.4 x 5.7 cm) edition of 5 with 2 APs JC - 261
Included Middle (Christina Smile), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Suprematist Light), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
El Eco Courtyard, 2017 framed archival pigment print mounted to dibond paper: 44 1/2 x 66 3/4 inches (113 x 169.5 cm) framed: 47 3/16 x 69 7/16 x 2 1/4 inches (119.9 x 176.4 x 5.7 cm) edition of 5 with 2 APs JC - 264
Included Middle (Long Afternoon), 40» H x 26.75» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition of 3 Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Bearing), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Archival pigment prints mounted on dibond, 40 × 64 in.
Image: Jan Robert Leegte, Google Maps as a Sculpture (2017), Archival prints front mounted in acrylic, mounted on a dibon cube, 22 x 22 x 22 cm.
Archival pigment print mounted on aluminum with non-glare plexi facemount, 30 x 45 inches, edition 12.
432 Photographs of Nefertiti 2015 Collaged UV coated archival pigment prints mounted to Plexiglas and Dibond 54 x 43 x 7/8 inches (137.2 x 109.2 x 2.2 cm) ARG # CWS2015 - 001.2
Alec Soth S., Alabama, 2007 framed archival pigment print mounted to 4 ply museum board image: 32 x 40 inches (81.3 x 101.6 cm) mounted: 35 x 43 inches (88.9 x 109.2 cm) framed: 36 x 44 inches (91.4 x 111.8 cm) edition of 7 with 3 APs AS - BM.53
Archival pigment print on cotton paper, mounted on aluminum.
«Angel Youth» comprises 13 chromogenic prints mounted on archival board.
Alec Soth Lary, 2009 archival pigment print mounted to Dibond image: 18 3/4 x 25 inches (47.6 x 63.5 cm) paper: 24 3/4 x 31 inches (62.9 x 78.7 cm) framed: 25 5/8 x 31 7/8 inches (65.1 x 81 cm) edition of 10 with 3 APs AS - SI.793.2
Howl, 2006 * archival pigment print with screen printing 35 x 24 inches acquired 2006 Pages from Eve, 2006 Hard and soft ground etching on Japanese paper mounted on museum board, an artist's book 10 x 8 inches each, set of 8 prints acquired 2007 Biography Born 1972 in Nairobi, Kenya.
Untitled # 1 from the series New Forms, digital collage, 2014 - 15 archival pigment print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)
MPA, left / Entrance, 2014 - 2016 Archival pigment print mounted on mat board Courtesy of the artist and Higher Pictures; right / Surrender, 2014 - 2016 Archival pigment print mounted on mat board Courtesy of the artist and Higher Pictures