Sentences with phrase «area figuration»

During Abstract Expressionism's heyday in the 1950s, three artists in San Francisco turned away from abstraction and back to representational painting, founding a movement that came to be known as Bay Area Figuration.

ELMER BISCHOFF is best known as a founder of Bay Area figuration, along with his close friends and colleagues Richard Diebenkorn and David Park.

Elmer Bischoff: «Figurative Paintings» (closes on Saturday) During the heyday of Abstract Expressionism in the 1950s, a number of painters in San Francisco turned away from abstraction and back to representational painting, thereby founding what came to be known as Bay Area Figuration.

Famous first as a founding contributor to Bay Area Figuration of the 1950s and early»60s - a regional counterthrust against the influence of New York School abstraction - Diebenkorn (1922 - 93) has achieved canonical stature internationally for the abstract paintings he began producing after his move to Los Angeles in 1966.

Her works of the late 1950s and early 1960s were created in the manner of Bay Area Figuration, with heavily applied impasto texturing.

Like the so - called Bay Area Figuration of Richard Diebenkorn and Elmer Bischoff, Sheehan's pictures discover abstract formal values in views painted from observation.

Paul Wonner, long associated with Bay Area Figuration, died Wednesday in San Francisco of natural causes on the eve of his 88th birthday.

Her biography, David Park: A Painter's Life (University of California Press, 2012) chronicles the life and art of the founder of Bay Area Figuration.

Hard - edge painting was only one of them: others included Colour Field, Colour Stain Painting, Op Art, Washington Colour Painting, «One - Image painting», «Systemic painting» (Josef Albers), Lyrical Abstraction, Bay Area Figuration and Minimal Painting.

Boas's biography, David Park: A Painter's Life (University of California Press, 2012), chronicles the life and art of the founder of Bay Area Figuration.

«The Lighter Side of Bay Area Figuration,» Kemper Museum of Contemporary Art, Kansas City, MO; San Jose Museum of Art, San Jose, CA, 2000.

«The Lighter Side of Bay Area Figuration,» Kemper Museum of Contemporary Art, Kansas City, MO, and San Jose Museum of Art, San Jose, CA, 2000.

The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s.

«Her View: The Bay Area Figuration of Gail Chadell Nanao.»

Instead of the rise and fall of Bay Area figuration, she gives us a multigenerational view.

Brown experimented freely with a range of styles, and her art has been discussed in relationship to abstract expressionism, Bay Area figuration, and new image painting.

The succeeding rooms that link Bruce Conner, Jay DeFeo and Robert Rauschenberg and survey Bay Area conceptual art under the title of a 1979 SFMOMA show, «Space / Time / Sound,» also put Bay Area Figuration in its place.

Jones» principal aim here is to demonstrate that Bay Area figuration constitutes a coherent movement, rather than having been an accumulation of isolated individuals who saw Abstract Expressionism as a moribund, even alien style and who simply began to paint recognizable figures as an antidote.

Stedelijk Museum, Amsterdam, The Netherlands The Lighter Side of Bay Area Figuration.

His pupils transformed it in the 1950s into a local variation called Bay Area Figuration, featuring freely brushed, color - saturated and impastoed figures.

Were you interested in, let's put it this way, the connection or the origins of Bay Area figuration, return of the figure out of abstraction?

The museum's major holdings are California - based, highlighting such movements as early and mid-century modernism, Bay Area Figuration, assemblage, California Light and Space, Pop Art, Minimalism, and installation art.

Bay Area figuration was characterized by a successful wedding of the figure to an abstract expressionist method of paint handling.

But it remains stuck to their achievements as «Bay Area Figuration» does to the art of David Park, Elmer Bischoff and Richard Diebenkorn.

Bay Area figuration was...

Legacy in Continuum: Bay Area Figuration, on view at the Bakersfield Museum of Art from March 22 through May 27th is an exhibition that demonstrates the continuing impact of a very engaging, flexible style.

Legacy in Continuum: Bay Area Figuration honors and celebrates a way of thinking about painting that continues to touch a new generation of artists, both in the Bay Area proper and across the Atlantic.

Although it has been argued that these lines resemble some of the geographical features that Diebenkorn observed in the suburban landscape, by the time he painted his Ocean Park paintings he felt he had resolutely abandoned figuration in favor of something much more spiritual and contemplative, as one influential critic noted, «[With the Ocean Parks]... one leaves behind labels like «Abstract Expressionism» and «Bay Area Figuration» and enters a breathtaking new world that is unique to Diebenkorn as Mondrian's or Still's or Rothko's are to their creators....

Often zigging when the established art world zagged, Wiley began creating large, unctuous paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style, which waned in popularity as Minimalist and Conceptual art became fashionable.

St. John is among the most celebrated artists working in the style of Bay Area Figuration.

SL: But meantime the Bay Area painters were doing something on their own, forming a so - called figurative, Bay Area figuration, at this point.

Not exact matches

As the museum notes, his practice melds figuration, abstraction and decoration and Ofili flexes his muscles in each of these areas, powerfully incorporating all three in one canvas after another.

The Bay Area Figurative Movement was an art movement consisted of creators located in the San Francisco Bay Area who decided to abandon abstract expressionism as a prevailing style and return to figuration.

In «Two Bathers,» Park's figuration - which spurred a phalanx of imitators in the Bay Area - asserts equal claims to picture space on behalf of pure painting and of human reference.

«Fertile Ground» also provides a close look at the pivotal moment when Park led his friends Elmer Bischoff and Diebenkorn from Abstract Expressionism toward a distinctive mode of figuration, exemplified by Park's «Two Bathers» (1958), still identified with the Bay Area.

Among the best known is Elmer Bischoff, a talented artist who spent pretty much his whole career in the Bay Area, alternating between figuration and abstraction.

La Palestra (2001) by Manuel Neri, equally epitomizes the Bay Area Figurative Movement's predilection for an approach to figuration that hinges on non-specificity in representation.

Nathan Oliveira, a leading Bay Area artist who achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation, died on Nov. 13 at his home in Palo Alto, Calif..

Tags: 1940s, 1950s, 1960s, Abstract Expressionism, Abstraction, Ansel Adams, Bay Area School, Book of the Week, California, Clement Greenberg, Clyfford Still, David Hockney, David Park, East Coast, Elmer Bischoff, Figuration, Francis Bacon, Frank Auerbach, Harold Rosenberg, John Grillo, Leon Kossoff, London School, Lund Humphries, Mark Rothko, Michael Peppiatt, Modern American art, Modern British Art, Richard Diebenkorn, San Francisco, Thomas Williams, Thomas Williams Fine Art, US art, West Coast,

The tide turned when in the late 1950s the «Bay Area Figurative Movement» began to form in San Francisco from the ranks of the Abstract Expressionists: an increasing number of artists now criticized the non-figurative nature of Abstract Expressionism and revisited figuration.

Nathan Oliveira, a leading Bay Area artist who achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation, died on Saturday at his home in Palo Alto, Calif..

Diebenkorn's Bay Area figurative years from the mid 1950s through the mid 1960s marked a shift from the artist's early abstractions and set him apart from the prevailing movement of the time and many of his contemporaries, for whom the movement of abstraction was thought to be in direct conflict with figuration.

Opening: «Richard Diebenkorn: Early Color Abstractions 1949 - 1955» at Van Doren Waxter Richard Diebenkorn is one of the most celebrated artists to come out of the Bay Area Figurative Movement — a group of San Francisco Bay area artists that included David Park, Elmer Bischoff and Wayne Thiebaud — who eventually forsook the dominant Abstract Expressionist style of the»50s to revisit figuratArea Figurative Movement — a group of San Francisco Bay area artists that included David Park, Elmer Bischoff and Wayne Thiebaud — who eventually forsook the dominant Abstract Expressionist style of the»50s to revisit figuratarea artists that included David Park, Elmer Bischoff and Wayne Thiebaud — who eventually forsook the dominant Abstract Expressionist style of the»50s to revisit figuration.

And it is fair to say that the School of London had little to offer the Bay Area until those artists broke away from abstraction into figuration, led by David Park in 1950.

Infused with ambiguity, the works operate in the areas between figuration and abstraction, history and imagination, past and present.

The evolution from figuration back to abstraction began shortly after he moved from the San Francisco area in 1966 to teach at the University of California at Los Angeles.

On his return to the Bay Area, Diebenkorn renewed his friendships with Park and Bischoff, both of whom had recently given up abstraction for figuration.

In fact it may be abstraction's strength (and hope)-- while individual «areas / objects» in an abstract painting may have some limitations over representational objects (how to create an abstract «part» that does not tip the painting into figuration), abstraction has the advantages of not being limited by subjects and a certain type of visual space.

The boundary between abstract and figuration, is impossible to draw as there is not actually a division, just a blurred area.

2 Brought to bear on our eye by subtle colour gradations of mauve, grey, blue or brown, his colour field becomes charged through a strategic introduction of condensed areas of darker or lighter hue, bringing the work closer to Klee's ideal of «exactitude winged by intuition».3 Despite the artist's quest for total abstraction, all Gaitonde's seemingly non-objective works have elements of unevenness and suggestion, which tend toward figuration.