Sentences with phrase «area artist robert»

Former Bay Area artist Robert Strati turns in a tough little wall piece he calls «Squiggle» (2005), a little arrested tornado of heavy wire and fishing line, unaccountably satisfying.

A wall full of aerial photographs by Icelandic artist Olafur Eliasson in «Points of Departure» makes a neat point of comparison with the work of Bay Area artist Robert Hartman at Triangle.

Not exact matches

FCA also offers Robert Graham Emergency Grants for L.A. artists, grants for artists living in the greater Los Angeles area.

He is the latest artist invited to commandeer the screens of Times Square as part of the area's Midnight Moment project, which has previously worked with Robert Wilson, Isaac Julien, Yoko Ono, and Björk.

«Aptly titled «Playing Dirty,» this bawdy exhibition of the late Robert Arneson's small early works provided ample evidence of the earthy, sardonic humor that this pioneering Bay Area Funk artist injected into his stoneware vessels.

Robert Buck «At the end of the day...» (Holding area, U.S. Customs and Border Protection Nogales Placement Center, Nogales, AZ, June 18, 2014) Giclee print and synthetic polymer on canvas85 1/2 x 54 x 1 1/2 Courtesy the artist and Ballroom Marfa

In 1963, Wiley joined the faculty of the UC Davis art department with Bay Area Funk Movement artists Robert Arneson and Roy DeForest.

The Oakland Museum exhibition focuses on California artists (Terry Fox, Darryl Sapien, Robert Arneson, Survival Research Laboratories, William Wiley, Guillermo Gómez - Peña, Jim Melchert, Bonnie Ora Sherk, Keith Hennessy) and nationally acclaimed artists that have performed in the Bay Area (Ann Hamilton, Meredith Monk, Marina Abramovic and Ulay, Merce Cunningham, Eiko and Koma, Karen Finley).

He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin.

With a few notable exceptions among California artists — especially in the Bay Area, where figures such as Peter Voulkos in the 1950s and Robert Arneson in the 1960s were early to embrace ceramics» potential — ceramics have remained on the sidelines of modern art, categorized primarily as the stuff of tableware and souvenir trinkets.

Pinned between a photograph recalling Pirsig's «Zen and the Art of Motorcycle Maintenance» and an image from Virilio's «Bunker Archaeology» is a quote from land artist Robert Smithson: «I'm interested in that area of terror between man and land.»

And today, contemporary visual artists and critics from New York and other major metropolitan areas, who have been and continue to be at the forefront of a progressive, changing art world - Yvonne Jacquette, Alex Katz, Rudy Burkhardt, Jonathan Borofsky, Kenneth Noland, Neil Welliver, Robert Indiana, Lucy Lippard, William Wegman - come to Maine to refocus and refresh their work in an inspiring landscape.

[5] This exhibitions recontextualization of contemporary Bay Area art (by featured people of color and women), and showcased some of the following artists; Ruth Asawa, Bernice Bing, Rolando Castellon, Claude Clark, Robert Colescott, Frank Day, Rupert Garcia, Mike Henderson, Oliver Jackson, Frank LaPena, Linda Lomahaftewa, George Longfish, Ralph Maradiaga, José Montoya, Manuel Neri, Mary Lovelace O'Neil, Darryl Sapien, Raymond Saunders, James Suzuki, Horace Washington, Al Wong, René Yañez, Leo Valledor, and many more.

Oglethorpe offers an exhibition of works by early - 20th - century artists depicting gritty scenes of old New York including John Sloan, Reginald Marsh, George Luks, Robert Henri and George Bellows culled from private collections within the Atlanta metro area, the High Museum of Art and The Museum of Modern Art, New York.

Hear from the artist's daughter, Gretchen Diebenkorn Grant, along with Bay Area painter Robert Bechtle and the exhibition co-curators as they explore revelatory connections between the subject, style, color, and technique of two of the twentieth century's most extraordinary painters.

The exhibition includes a group of early collages by Ellsworth Kelly; drawings by Arshile Gorky, Jasper Johns, Eva Hesse, and Robert Smithson; and pieces by important Bay Area artists, including Robert Arneson, Jay DeFeo, Jess, and William T. Wiley.

These annual themed group shows at Robert Lange Studios have been developed to connect artists from the Charleston area and across the country.

The exhibition will include works in all media by five artists working in the San Francisco Bay Area during the 60s: Robert Arneson, Joan Brown, Roy DeForest, Peter Saul and William T. Wiley.

This exhibition will focus on the fastest growing area of the Museum's collection, which is modern and contemporary art including paintings, drawings, prints, and sculpture by such artists as Joseph Beuys (1921 - 1986), Robert Cottingham (b. 1935), Sam Gilliam (b. 1933), Adolph Gottlieb (1903 - 1974), Philip Guston (1913 - 1980), Keith Haring (1958 - 1991), Dame Barbara Hepworth (1903 - 1975), Sol Lewitt (1928 - 2007), Diego Rivera (1886 - 1957), and David Smith (1906 - 1965).

Matthew Marks was one of the few dealers to devote large areas of space to single - artist displays, notably Charles Ray and Robert Gober.

There are many Jux featured - artists representing the art of the skull including Winnie Truong, Scott Greenwalt, Ben Venom, Shawn Barber, Tim Biskup, Mike Giant, Jeremy Fish and Kim Cogan, alongside some true Bay Area masters like Enrique Chagoya, Richard Shaw and Robert Arneson.

Among the highly accomplished artists associated with the Davis campus are the painter Wayne Thiebaud; «Bay Area Funk» figures Robert Arneson, Roy DeForest and William T. Wiley; the conceptualist Bruce Nauman; and the sculptor Deborah Butterfield.

On his return to the US, Kelly moved into the Coenties Slip area of lower Manhattan, close to artists such as Agnes Martin and Robert Indiana, in a culture that was quite different from the abstract expressionists» aggressively male, heterosexual milieu.

If artist Robert Rauschenberg and Bell Labs engineer Billy Kluver were still alive today to visit the Contemporary Jewish Museum's new exhibition, «NEAT: New Experiments in Arts and Technology,» it's a fair bet they would both be pleased to see the once - radical ideas they espoused in the 1960s — about breaking down barriers between artists and engineers — thriving in the current work of the Bay Area digital artists on display.

While maintaining a global scope, Crown Point has also sustained a deep connection with Bay Area artists, particularly Diebenkorn, Thiebaud, Robert Bechtle, and William T. Wiley.

Yet it is heartening to see Bay Area artists such as Bruce Conner, Jay DeFeo and Jess placed on a common footing with Robert Rauschenberg, Alfred Leslie and other New York lumi naries of the period.

Among the essays are discussions of the impact of feminism in Chicago, Philadelphia and the San Francisco Bay area; self - portraiture by women in the 1970s and 1980s; the legacy of Elizabeth Catlett on younger African American artists; collaborative practice among women; an interview with Linda Lee Alter; and an appreciation by artist Diane Burko Edited by Robert Cozzolino.

Her many areas of interest in twentieth - century avant - garde literature and art include Surrealism, poets René Char and André Breton, Virginia Woolf and the Bloomsbury group, and artists Robert Motherwell, Joseph Cornell, and Pablo Picasso.

Virtually any artist using the human figure as a vehicle for commentary and self - examination... Gillian Peterson - Krag, Michael Andrews, Robert Bauer, the Bay Area Figurative painters (especially Elmer Bischoff), Eric Fischl, Will Cotton, Cecily Brown — not as a colorist or even as a painter but as a bawdy narrator of sexual experience.