Sentences with phrase «area artists like»

He had his first solo show back in 1961 at LA's legendary Ferus Gallery, and his compulsive horror show has its parallel in Bay Area artists like Ed Kienholz, Bruce Conner, and Jay DeFeo.

Not exact matches

Like the poet and the artist, the man of faith reaches out for a medium of communication which transcends the languages which are adequate for discussing more limited areas of experience.

Melding the category strengths and bestselling authors of both imprints, TarcherPerigee's core publishing areas include: Self - improvement (such as the runaway successes Start Where You Are by Meera Patel, The Power of Kindness by Piero Ferrucci, Attached by Dr. Amir Levine, and A Mind for Numbers by Barbara Oakley); Creativity (including interactive books like Adam J. Kurtz's 1 Page at a Time and Me, You, Us by Lisa Currie as well as the multi-million-copy bestsellers Drawing on the Right Side of the Brain by Betty Edwards and The Artist's Way by Julia Cameron); Parenting (the New York Times bestseller Brainstorm by Dr. Daniel Siegel, Carol Kranowitz's go - to guide The Out - of - Sync Child, and Peaceful Parent, Happy Kids by Dr. Laura Markham); Spirituality (including bestselling titles like Transcendence by Dr. Norman Rosenthal, Goldie Hawn's 10 Mindful Minutes, The Science of Mind by Ernest Holmes, and I Am the Word by Paul Selig); and Gift / Inspiration (such as the Wall Street Journal bestseller Chasers of the Light by Tyler Knott Gregson, the New York Times bestseller Catification by Jackson Galaxy and the James Beard Award - winner Imbibe by David Wondrich).

You could create a dating site based on a local area, a specific city, or even something specific like single parents, artists and so much more you desire.

(Travis Wilkerson, 2017) projected video with live filmmaker narration; Crossroads Festival at SFMOMA, San Francisco, CA Gone, Gone Beyond (People Like Us, 2017) 10 - projector video installation; Grey Area, San Francisco, CA I'll Be Around (Jeremy Rourke, 2017) multi-video & 16 mm with live music performance; Artists» Television Access, San Francisco, CA Lost Landscapes of San Francisco 12 (Rick Prelinger, 2017) silent video with live filmmaker and audience narration; Castro Theatre, San Francisco, CA The Maribor Uprisings (Milton Guillén & Maple Razsa, 2017) branching video with guided audience participation; Maine International FilmFestival, Waterville, ME Mosswood (Kerry Laitala & Voicehandler, 2017) dual - 16 mm projector performance with live music; Mosswood Chapel, Oakland, CA Night Country (John Davis & Joshua Churchill, 2017) triple - 16 mm projector performance with live music; Mosswood Chapel, Oakland, CA Temporal Cities (Lizzy Brooks & Radka Pulliam, 2017) projected video with 35 mm slides; Other Cinema at Artists» Television Access, SanFrancisco, CA What Is Nothing [After What is Nothing](Kristen Reeves, 2017) nonuple - 16 mm projector performance; San Diego Underground Film Festival, San Diego, CA

CAPE Educator Director, Scott Sikkema, describes our new understanding of how a teacher's dedication to arts integration practices like professional development, documentation, and teaching artist collaboration, the better their students performed on all areas measured by the PAIR project.

From heavy - duty blue collar workers to do - it - yourselfers, craftsmen, artists, gardeners, and hobbyists, plenty of folks find themselves craving the cargo carrying capacity that comes with a capable truck like the 2017 RAM 1500 at our Huntington Beach area dealership.

Good editors, like good artists and graphic designers, can be hard to find, but there are many different sites on the Internet that can help you find (and price) professionals in these areas.

Come experience Downtown Cornelius like never before as Bella Love presents a fresh perspective on the traditional art crawl with live music, performances and artwork from the area's most talented and innovative artists.

From local events like the First Friday Artwalk and Days of Art, to Artists Alley and our unique museums and galleries, Oceanside has much to offer in the area of Art, Culture and Entertainment.

Visit areas like Sai Ying Pun, Aberdeen and Chai Wan, to check out galleries where local artists display their art.

It will serve to bring together community members, artists, architects, business owners and whomever would like to CREATE a design for a building, block, niche area in our neighborhood.

The expansive living area is furnished with utmost taste and attention to detail, from carefully crafted artworks by renowned Mexican and international artists to the coffee table detailed like the spine of an exotic beetle.

and «10 Locals...» series contain insights from local residents who know the local area like the back of their hands, many of them are tour guides, travel bloggers, artists and business owners.

It would be like an exchange, say Artists in Residence or Artists Revitalization Project, a City or County project that also improves the area.

In his 1993 essay, Meyer identified pedagogy as an area that artists were engaging with in the 1990s, and one sees it again today in efforts like the Public School, a free learning initiative operating in many cities, and the Bruce High Quality Foundation and its ambitious free art school, BHQFU, along with others that have started in recent years around the world.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

Masked — off areas and a strategic mixing of oil and Flashe (a matte, vinyl - based paint) suggest sturdy effort and deliberation rather than a passionate struggle; forms tend to circulate intriguingly rather than urgently, as if the artist, stirring together elements of flaming pink, crusty off - whites, and gray - greens, then allowed them to settle like tea leaves.

Speaking on her use of color the artist refers to her desire to create «big areas of ungracious color - chemical color that doesn't exist in nature - to open up like the sky but not be sky.»

Works like Untitled set the stage for the Ocean Park series by focusing on large areas of color and hinting at the artist's painstaking process.

MOCA was the first in the region to exhibit the works of vanguard artists like Andy Warhol, Jasper Johns, Laurie Anderson, Roy Lichtenstein, and Christo; and we continue to bring the work of emerging and established regional, national, and international artists to our area.

If you are in the Bay Area, visit Jessica Silverman Gallery to see the work of Hugh Scott - Douglas, who, like an increasing number of emerging artists, is obsessed with process.

Like artists as diverse as David Park in the Bay Area and Wallace Berman and William Claxton in L.A., however, Altoon's interest in the cool, seductive rhythms of West Coast jazz informed his work.

Her video and photographic works in the exhibition deal with charismatic Christian prayer warriors; folktales concerning Kuru, an intelligent yet treacherous tortoise; karikpo (antelope) masquerade figures asserting playful gymnastic parkour - like performances around decommissioned pipelines or areas where pipelines once existed; and the color red, which represents birth in the artist's native Ogoniland and symbolizes her own rebirth there.

I would like to see the Bronx cull their permanent collection and make relevant acquisitions, and I'd also like to see it to exhibit more emerging and mid-career artists that reside in the New York area.

Ms. Stark is one of 15 Bay Area artists, along with others like Barry McGee, Alicia McCarthy, and Barbara Hon, who have each been commissioned to install a site - specific work inside the new building.

Party in the Park is an event like no other featuring some of our area's hottest chefs and most talented artists coming together to create a special evening set against the stunning backdrop of the Olympic Sculpture Park.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Like many others of her generation in the Bay Area, the artist also worked in a figurative style in the 1950s and later.

We strongly encourage that participation, because it makes our «artists» feel like they belong, knowing that if they stick to the straight and narrow, and work hard, someday a watercolor that they created with their one good hand might end hanging in the reception area of the second largest dental clinic in Queens.

Wesselmann, an artist known for his suggestive female images, belonged to a distinctive fraternity that included Andy Warhol, Roy Lichtenstein and Claes Oldenburg, and drew creative energy from untraditional areas like billboards, advertising and movies.

The list of artists in Bay Area Abstraction reads like a biblical genealogy traceable to SFAI and Still's tenure there in the late 1940s.

The first exhibition area presents artists like Gordon Matta - Clark, Tobias Zielony, Cyprien Gaillard and Francis Alÿs, whose works reflect on the relationship between humankind and architecture.

While at Wingate Studio, the artist developed a process in which she painted directly on the copper plate with white ground, allowing her time to work, look, and rework by wiping away areas, diluting the ground with water, over-painting, and sculpting this paste - like mixture.

In accordance with Currin's advice, Schutz's ecstatic style synthesizes a who's who of Painting's past — Matisse, Marsden Hartley, various Bay Area masters, late Guston, Alice Neel, Malcolm Morley, and the bad - boy Germans of the»80s — but when I asked her about possible favorites, she said simply, «Different artists do different things, like vitamins.»

New York City (February 28, 2014)-- Presenting more than 125 works by five artists who launched their careers in a gritty San Francisco neighborhood in the early 1990s, ENERGY THAT IS ALL AROUND / Mission School is the first East Coast museum exhibition to highlight these artworks that have achieved cult - like status in the Bay Area and beyond.

Susan Landauer's «The Advantages of Obscurity: Women Abstract Expressionists in San Francisco» is remarkable for its assertion that in the Bay Area, women artists did not suffer from significant gender - based discrimination and that they, like their male counterparts, ironically benefited from the relative paucity of galleries and patronage for contemporary art on the West Coast.

Challenging the former notion of the area as lacking in artistic content, the show also importantly represents the contribution of contemporary artists and organisations like Turf in encouraging the positive growth of Croydon's art scene today.

Juan Carlos Vasquez Ruiz, an engineer with a vision for the arts and cultural management, has worked in different areas like as education at the Universisdad Tecnologica de Bolivar (Technological University of Bolivar) in the Summer School coordination, in the cultural sector worked in a Cultural center and foundation from an artist for Cartagena in logistics concerts and art festivals.

When we started, it seemed like the majority of exhibitions in the area were all group shows that rarely stood out from one another, so we decided to focus on solo exhibitions for mid-career artists.

Since founding her eponymous gallery at 49 Geary in 2009, she has created inspired programs to raise awareness of work by contemporary artists like Trevor Paglen, Sara VanDerBeek and Garth Weiser throughout the Bay Area and beyond.

Like the rest of the galleries we mention, Interstate Projects draws a crowd full of artists, at different stages of their careers, who mostly live in the area.

In a recent The Art Newspaper piece about international galleries moving to Los Angeles, Jori Finkel points out that two years ago, before Hauser Wirth & Schimmel became a permanent fixture in the area, artists like Bradford and McCarthy did not have gallery representation in Los Angeles.

Since founding her eponymous gallery, Altman Siegel, at 49 Geary in 2009, she has created inspired programs to raise awareness of work by contemporary artists like Trevor Paglen, Sara VanDerBeek and Garth Weiser throughout the Bay Area and beyond.

Because of hard times in the later 20th century, and the Bowery's affordable rent costs, many artists moved here, making it more like the area it is known as today.

Like the artists whom he admires, Ad Reinhardt, Mark Rothko and Agnes Martin, Byron Kim works in an area one might call the abstract sublime.

Having moved to San Francisco in 1951 the artist became a key figure in the Bay Area scene, hanging out with the likes of Hassel Smith and Deborah Remmington.

[23] In 2012, her installation Belief + Doubt, which covers 6,700 square feet (620 m ²) of surface area and was printed onto wallpaper - like sheets in the artist's signature colors of red, black and white, was installed at the Hirshhorn Museum and Sculpture Garden.

When each panel was complete, the artist smashed areas of the woven beads with a hammer, partially destroying the image but revealing the ghost - like traces of the underlying thread.

When the David Richards Gallery left the Railyard area last year and reopened with the cheaper rents and wide - open parking lots on Pacheco Street, «we realized this was the perfect platform to introduce local artists we really like,» he said.