Sentences with phrase «area artists such»

Yet it is heartening to see Bay Area artists such as Bruce Conner, Jay DeFeo and Jess placed on a common footing with Robert Rauschenberg, Alfred Leslie and other New York lumi naries of the period.
The loaded symbolism and complicated history of gold in California is sifted through in works by Bay Area artists such as Sarah Smith, whose «Gold in Peace, Gold in War» was recently on display in the San Francisco Art Commission Galleries Window Installation Site, and Zachary Roberts.
They could retire and still take credit for building the reputations of Bay Area artists such as Wayne Thiebaud and Richard Diebenkorn.

Not exact matches

Its location in The Colony in Dallas, Texas, for example, highlights artists that resonate most in that area, such as Stevie Ray Vaughan and Janis Joplin.
The destination festival will also feature live, in - ring matches with WWE ®'s NXT ® Superstars, as well as interactive experiences and art installations such as Big Bully, artist autograph signings at the Monster Energy Hospitality Rig, theMonster Energy viewing area with beverage sampling, The Crazy Dave's Music Experience, Jack Daniel's Experience, Jäger World, It's Miller Time VIP Lounge, Zippo Music Experience and more.
Melding the category strengths and bestselling authors of both imprints, TarcherPerigee's core publishing areas include: Self - improvement (such as the runaway successes Start Where You Are by Meera Patel, The Power of Kindness by Piero Ferrucci, Attached by Dr. Amir Levine, and A Mind for Numbers by Barbara Oakley); Creativity (including interactive books like Adam J. Kurtz's 1 Page at a Time and Me, You, Us by Lisa Currie as well as the multi-million-copy bestsellers Drawing on the Right Side of the Brain by Betty Edwards and The Artist's Way by Julia Cameron); Parenting (the New York Times bestseller Brainstorm by Dr. Daniel Siegel, Carol Kranowitz's go - to guide The Out - of - Sync Child, and Peaceful Parent, Happy Kids by Dr. Laura Markham); Spirituality (including bestselling titles like Transcendence by Dr. Norman Rosenthal, Goldie Hawn's 10 Mindful Minutes, The Science of Mind by Ernest Holmes, and I Am the Word by Paul Selig); and Gift / Inspiration (such as the Wall Street Journal bestseller Chasers of the Light by Tyler Knott Gregson, the New York Times bestseller Catification by Jackson Galaxy and the James Beard Award - winner Imbibe by David Wondrich).
In Illusions in Art for Young Eyes at the Leigh Yawkey Woodson Art Museum, contemporary master Eric Conklin borrows tools such as conical mirrors from 17th - century Dutch artists and mathematical principles from ancient Egyptian architecture to create a sense of depth when there is none or to imply volume when only area exists.
To valorize the area, numerous artists painted walls and Alex and I strolled through the area, tried small restaurants such as Drugstore Cowboy (advocado toast;)-RRB- and enjoyed the beautiful weather.
Being from the Bay Area, to be a part of telling this story, to be working with such an incredible group of artists — it doesn't get any better.
There are also areas in which we could use professional volunteers such as tax professionals, grant writers, artists for promo designs and so on.
Art pieces by famous modern and classic artists such as Marc Chagall and Andy Warhol are widely displayed in common areas.
The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.
In the same area at the fair, some of the best know Brazilian galleries such as Luiza Strina, Luciana Brito and Nara Roesler have presented their best artists with a special mention to Brígida Baltar and her selected work «Refuge».
The artists hail from established contemporary art hubs, such as the USA and the UK, to emerging areas of contemporary art activity, including Ethiopia, Lithuania, Mongolia, and Myanmar.
Including more than 300 paintings, sculptures and drawings by nearly 140 artists of international renown, such as Jackson Pollock, Alberto Giacometti, Richard Diebenkorn and Mark Rothko, Celebrating Modern Art provides an exciting and diverse overview of a century of artistic achievement and features five areas of focus: the New York School, art in California, contemporary art, modern sculpture and twentieth century drawings.
Neighbours looks at how deeply rooted social customs such as spectacles and celebrations have seeped into the visual arts to inform the work of contemporary artists from this diversified and historically interconnected area.
In playing on this artistic movement, Rhode - as a post-apartheid artist - wanted to point to socially relevant topics such as morality, humanity and fallibility in the area of tension between Abstraction and Realism.
In addition to paintings, drawings, and mixed - media works by acclaimed artists such as Thornton Dial, Lonnie Holley, and Nellie Mae Rowe, the major gift included 20 important quilts dating from the 1930s to 2003 that were created by women artists based in the area around Gee's Bend, Alabama.
The new artists include many familiar to collectors in the Washington area, such as jeweler Megin Diamond and glass artist Gayla Lee, as well as work by well - known glass artist Alison Rusza from Brooklyn.
Their collection, largely comprising monochromatic works by artists such as Joseph Marioni, David Simpson, and Florence Pierce, augments the Gallery's already significant holdings of abstract art by fleshing out key areas.
As part of the project, it has created a series of free online catalogs devoted to artists or areas of its collection, such as Roman art or Claude Monet.
Her area of focus includes European Post-War Art as well as Contemporary German painting by artists such as Gerhard Richter, Sigmar Polke and Neo Rauch.
As such, Kienholz» work is more appropriately related to that of the «beat» artists of the Bay Area, such as Wallace Berman, Jess, Wally Hedrick and Bruce Conner, and their macabre, surrealistic «proto - pop» imagery.
He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin.
The area of emphasis also features professional practice courses such as Field Methodologies and Field Internships, providing unique opportunities to work outside Otis College with well - known artists, activists, critics, and curators from around the world.
Mrs. Braunstein was a purveyor of contemporary art when there was little market for it in the Bay Area, and an early champion of such artists as Bruce Conner, John Altoon and Mary Snowden.
With a few notable exceptions among California artists — especially in the Bay Area, where figures such as Peter Voulkos in the 1950s and Robert Arneson in the 1960s were early to embrace ceramics» potential — ceramics have remained on the sidelines of modern art, categorized primarily as the stuff of tableware and souvenir trinkets.
However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.
Working with other artists, collaboratives, and groups, such as The Center for Urban Pedagogy (New York), rum46 (Denmark), Think Tank (Philadelphia), Artlink (UK), and AREA Chicago Art, Research, -LSB-...]
While the two schools of abstract expressionist painting shared certain characteristics ---- large scale; bold, gestural brushwork; emphasis on the materiality of paint; figure and ground equal or collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures and the expansiveness of the western landscape, in addition to European painting, invited landscape references into their work whereas New York painters resisted such associations.
The gallery is almost unique in London for having its own garden, a beautiful landscaped area overlooking a restored stretch of the Regent's Canal at Wenlock Basin which has been used to great effect for installations by gallery artists such as Yayoi Kusama and Alex Hartley (A Gentle Collapsing II, 2016, pictured).
Other artists doing something over such a large area would probably make a few mistakes,» he says.
Hoffmann's version, «Other Primary Structures,» was presented in two installments: the first, with work from 1960 to» 67; the second covering 1967 to» 70, with a response focusing on artists from once - «marginal» areas of the world, such as Rasheed Araeen, Gego, Hélio Oiticica, Jiro Takamatsu, and Edward Krasinski.
The first online reenactment that evening, with Eva and Franco's avatars standing in for Gilbert & George in the 1970 work Singing Sculpture, elicited laughs from the audience at Artists Space and rapidly typed «hahas» from the viewers online; such comments appear in a text - based chat area in the bottom - left - hand corner of the screen.
Spaysky is Co-Director of Detroit artist - run space Cave, and has organized exhibitions around the area in venues such as Center Galleries and the abandoned car wash at Norwalk St. and Buffalo St. in Hamtramck.
Championed by the late dealer and curator Walter Hopps, founder of Ferus Gallery in Los Angeles, the Bay Area artists flourished alongside poets and musicians, and cultivated alternative spaces such as The 6, which hosted shows, readings and concerts from 1954 to» 57.
Known for its tranquil beauty and atmosphere, the area lured artists and writers such as Jackson Pollock, Lee Krasner, F. Scott Fitzgerald, and John Steinback.
Known for its tranquil beauty and atmosphere, the area lured artists and writers such as Jackson Pollock, Lee Krasner, F. Scott...
Although the physical state of 155 Grove Street is no longer hospitable to our continued work there, we're honored to be able to host an event that celebrates the efforts of thousands of artists, curators, volunteers and SFAC staff members who made Grove Street such an important part of Bay Area cultural history.»
Aljira Emerge attempts to address practical areas of concern to artists, such as curatorial practice, legal and financial issues, gallery representation, exhibition and public art opportunities, and marketing.
Apart from the continual development and expansion of the collection in the areas of contemporary as well as historical photography, she has realized a large number of solo exhibitions on such artists as Karl Blossfeldt, Moi Ver, Bernhard Wicki, William Eggleston Wolfgang Tillmans, Fiona Tan, Eva Leitolf, Zoe Leonard, David Claerbout and Pippilotti Rist, as well as comprehensive surveys of German and American photography and thematic shows such as «Female Trouble» (2008).
Her work has been included in exhibitions such as Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York (2006); Tiny Acts of Immeasurable Benefit, Women & Their Work, Austin, Texas (2008); and Drawing in San Antonio: Works by Contemporary Area Artists, McNay Art Museum, San Antonio, Texas (2002).
This exhibition will focus on the fastest growing area of the Museum's collection, which is modern and contemporary art including paintings, drawings, prints, and sculpture by such artists as Joseph Beuys (1921 - 1986), Robert Cottingham (b. 1935), Sam Gilliam (b. 1933), Adolph Gottlieb (1903 - 1974), Philip Guston (1913 - 1980), Keith Haring (1958 - 1991), Dame Barbara Hepworth (1903 - 1975), Sol Lewitt (1928 - 2007), Diego Rivera (1886 - 1957), and David Smith (1906 - 1965).
For this cycle the artist strapped his easel to his back and hiked day after day, painting motifs from Lake Thun area («View into the Justus - Valley» such the mountain «The Niessen») in the style of plein - air painting.
The inaugural exhibition of the program in «Encruzilhada» [«Crossroads»], curated by Bernardo Mosqueira, assisted by Ulisses Carrilho, which brings together 115 works by 74 artists, disposed in the exhibition spaces of the Palace, Pool and Rooftop, the Stables and the Chapel, the Hut, besides the Tower and the Cave in the gardens, and also areas such as the trails and the forest.
The gallery, located in Fitzrovia, London, continues to place works from established and emerging artists with important private collections, as well as established institutions such as the Smithsonian National Museum of African Art in Washington, D.C. Originally trained as an accountant and with a background in financial services, Mr. Adeyinka has since gained recognition as a specialist in modern and contemporary African arts, and continues to advise on several collections focused in this area.
This being their 150th anniversary, BAM got a gaggle of great artwork donated by some impressive artists working in the greater New York area such as Nate Lowman, Carmen Herrera, Tauba Auerbach, KAWS, Ryan McGinness, Jacob Kassay, Terrance Koh and many more.
However, it's derived from a softer California tradition of domestic architecture as espoused by such Bay Area masters as Joseph Esherick, architect Rudolph Schindler and artist Donald Judd, whose asymmetrical masterpieces Johnson also holds to the light.
From the 1970s onwards the area around the Gallery in east London become home to many of the UK's most important artists and the Whitechapel Open (as the East End Academy was later called) became a launch pad for artists in the early stages of their career, showing the work of artists such as Anish Kapoor, Julian Opie, Cornelia Parker, Grayson Perry, Bob & Roberta Smith, Richard Wentworth, Rachel Whiteread and Antony Gormley, often for the first time.
These include several Gallery firsts, such as four paintings by (San Francisco) Bay Area artist David Park.
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