Sentences with phrase «area arts institutions»

These responsibilities will include organizing the graduate lecture series and identifying new partnerships with the college's Center for Art and Public Life and CCA Wattis Institute for Contemporary Arts — a vital resource for the curatorial program — while stewarding connections among Bay Area arts institutions.

-- Wednesday, August 30, 2:10 p.m.: Numerous Houston - area arts institutions remained closed today as officials worked to ascertain the extent of the damage throughout the region.

Having recognized a void in the Atlanta - area art institutions, Cone - Skelton and Golden embarked upon establishing a museum devoted to the contemporary arts of Georgia.

Not exact matches

Aid also comes in many forms from the ProArts Consortium, a group of higher - education art institutions in the Boston area, which helped found the academy.

The PARCC CCR Determinations in ELA / Literacy and mathematics describe the academic knowledge, skills, and practices in English language arts / literacy and mathematics students must demonstrate to show they are able to enter directly into and succeed in entry - level, credit - bearing courses and relevant technical courses in those content areas at two - and four - year public institutions of higher education.

The Foundation has created groundbreaking independent institutions in each of its three investment areas, including The Broad Center, which develops leaders to help transform America's urban public schools, the Broad Institute, a global leader in genomics, and The Broad, a museum in downtown Los Angeles devoted to showcasing great contemporary art.

July 2, 2014 National Gallery of Art Takes Film Program on the Road this Summer; Partners with 5 Washington - area Institutions

CalArts was founded in 1961 and opened in 1969 as the first institution of higher learning in the United States specifically for students interested in the pursuit of degrees in all areas of visual and performing arts.

Today, The Kitchen is an internationally - acclaimed institution giving support to — and seeking to foster a living dialogue among — artists from every field and area of culture in the effort to create an art for our time.

The Foundation supports charitable initiatives and organizations working across three areas, including fostering Creativity and Culture by promoting the arts, advancing education, supporting cultural institutions and innovative projects with cutting edge talent and assisting the advancement and development of young people and communities.

-- In light of a potential merger with their local neighbor LACMA, MOCA is reportedly considering a five - year agreement with D.C.'s National Gallery of Art wherein the two institutions would collaborate on programming, research, and exhibitions — though the arrangement would not provide the beleaguered Los Angeles institution with any financial or fund - raising assistance, two areas in which the museum needs the most help.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

«The Foundation's focus is on three strategic areas for Rauschenberg's art: increasing access to the artist's work via museums and institutions, encouraging scholarship among students, and preparing our archives to produce a catalogue raisonné,» explained Christy MacLear, the Foundation's executive director, in a statement.

Swiss born, psychoanalysis graduated, she was Co-Director at the Jennifer Flay gallery, independent curator, then chief curator of the Plateau - FRAC Ile de France (2004 - 2008) and of the association TRAM, two contemporary art institutions of the greater Paris area.

While studio space is something that will always be one of the most necessary ingredients for artists in the NYC area, there are other factors that I personally consider just as important and integral to successful residency programs and arts institutions.

The requirements in this area are satisfied by courses offered by The Cooper Union Faculty of Humanities and Social Sciences or by transfer credit for liberal arts courses taken at other institutions.

Initiated by Donald Judd's discovery of Marfa, and reinforced over time by both Judd's legacy and the artists and institutions drawn to the area, Marfa continues to be a vital outpost for contemporary art, thriving in the remote reaches of West Texas.

For the project, the Tang will work with other institutions of higher education, such as the New York Six Liberal Arts Consortium and area community colleges, as well as area school districts and community groups that serve racially diverse populations in the region.

Other institutions — for example, Yerba Buena Center for the Arts, which, until 15 August, is showing an impressive exhibition called Take This Hammer: Art + Media Activism from the Bay Area — grapple with these issues by featuring the socially engaged art of regional artisArt + Media Activism from the Bay Area — grapple with these issues by featuring the socially engaged art of regional artisart of regional artists.

Art Night is a mini-festival conceived and organised by Unlimited Productions who, each year, will invite a leading cultural institution and curator to work in a different area of London, exploring the history, culture and architecture.The first edition is curated by the Institute of Contemporary Arts (ICA), with curator Kathy Noble, who will present a series of artists» works and new commissions in unusual locations across Westminster, forming a trail running from Admiralty Arch to Temple.

Students from the Guangzhou Academy of Fine Arts visited Otis College of Art and Design for a four - day immersive program, exploring different areas of study and visiting several of Los Angeles» cultural institutions.

Guangzhou Academy of Fine Arts visited Otis College of Art and Design for a four - day immersive program, exploring different areas of study and visiting several of Los Angeles» cultural institutions.

Bringing together representatives from each of these institutions, this exhibition provides a composite view of Bay Area graduate art programs.

-- Tuesday, August 29, 1:45 p.m.: Like many institutions throughout the Houston area and the surrounding region today, the Museum of Fine Arts and the Contemporary Arts Museum in Houston are closed because of the storm.

LUXELAKES A4 ART MUSEUM (formerly the A4 Contemporary Arts Center)(Luxelakes Arts Exhibition Center, South Extension Tianfu Avenue, Tianfu New Area, Chengdu) is a non-profit contemporary arts institution, established in 2008 with the financial support of Chengdu Wide Horizon Investment Co., LArts Center)(Luxelakes Arts Exhibition Center, South Extension Tianfu Avenue, Tianfu New Area, Chengdu) is a non-profit contemporary arts institution, established in 2008 with the financial support of Chengdu Wide Horizon Investment Co., LArts Exhibition Center, South Extension Tianfu Avenue, Tianfu New Area, Chengdu) is a non-profit contemporary arts institution, established in 2008 with the financial support of Chengdu Wide Horizon Investment Co., Larts institution, established in 2008 with the financial support of Chengdu Wide Horizon Investment Co., Ltd..

Art Silicon Valley / San Francisco is pleased to partner with the following notable bay area cultural institutions, many of whom are organizing independent exhibitions and events for the fair.

It blooms because it blooms (curated by Sean Steadman), Carl Freedman Gallery, Londra (2016); At Home Salon: Double Acts, Marcelle Joseph Projects, Ascot; Ride the Chaktu, Serpentine Radio, Serpentine Gallery, Londra (2016); With Institutions Like These (curate da Victor Wang and Alex Meurice), The Averard Hotel, London (2016); Meduse - Caput, Westminister Waste, Londra (2016); Living Room in the Tropics, NTU Centre of Contemporary Art, Singapore (2015); Silent Barn, Brooklyn, New York (2015); Video NachtKlub, Brussels Art Department, Brussels (2015); Space Station 51, Area 51, Londra (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selezionata da Cory Arcangel e Hanne Mugaas), Studio Voltaire, Londra (2015); and Figuratively Speaking, Marcelle Joseph Projects presso Heikemoras art, Londra (201Art, Singapore (2015); Silent Barn, Brooklyn, New York (2015); Video NachtKlub, Brussels Art Department, Brussels (2015); Space Station 51, Area 51, Londra (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selezionata da Cory Arcangel e Hanne Mugaas), Studio Voltaire, Londra (2015); and Figuratively Speaking, Marcelle Joseph Projects presso Heikemoras art, Londra (201Art Department, Brussels (2015); Space Station 51, Area 51, Londra (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selezionata da Cory Arcangel e Hanne Mugaas), Studio Voltaire, Londra (2015); and Figuratively Speaking, Marcelle Joseph Projects presso Heikemoras art, Londra (201art, Londra (2015).

It blooms because it blooms (curated by Sean Steadman), Carl Freedman Gallery, London (2016); At Home Salon: Double Acts, Marcelle Joseph Projects, Ascot; Ride the Chaktu, Serpentine Radio, Serpentine Gallery, London (2016); With Institutions Like These (curated by Victor Wang and Alex Meurice), The Averard Hotel, London (2016); Meduse - Caput, Westminister Waste, London (2016); Living Room in the Tropics, NTU Centre of Contemporary Art, Singapore (2015); Silent Barn, Brooklyn, New York (2015); Video NachtKlub, Brussels Art Department, Brussels (2015); Space Station 51, Area 51, London (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selected by Cory Arcangel and Hanne Mugaas), Studio Voltaire, London (2015); and Figuratively Speaking, Marcelle Joseph Projects at Heikemoras art, London, (201Art, Singapore (2015); Silent Barn, Brooklyn, New York (2015); Video NachtKlub, Brussels Art Department, Brussels (2015); Space Station 51, Area 51, London (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selected by Cory Arcangel and Hanne Mugaas), Studio Voltaire, London (2015); and Figuratively Speaking, Marcelle Joseph Projects at Heikemoras art, London, (201Art Department, Brussels (2015); Space Station 51, Area 51, London (2015); Faux Sho, Assembley House, Leeds (2015); Studio Voltaire Open: 2015 (selected by Cory Arcangel and Hanne Mugaas), Studio Voltaire, London (2015); and Figuratively Speaking, Marcelle Joseph Projects at Heikemoras art, London, (201art, London, (2015).

Zagar's work is included in the permanent collections of numerous art institutions, including the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, and has been featured in solo exhibitions throughout the Philadelphia arart institutions, including the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, and has been featured in solo exhibitions throughout the Philadelphia arArt and the Pennsylvania Academy of the Fine Arts, and has been featured in solo exhibitions throughout the Philadelphia area.

In this show, both of these Bay Area - based institutions select from their impressive collections to present a range of ephemera and works that constellate four important art moments in California history.

Ongoing Club activities to promote appreciation of art include recognizing the contributions of distinguished Chicago - area artists to the visual arts and the community who are feted at a biennial Beaux - Arts Celebration, organizing exhibitions with other Chicago arts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artiarts and the community who are feted at a biennial Beaux - Arts Celebration, organizing exhibitions with other Chicago arts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artiArts Celebration, organizing exhibitions with other Chicago arts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artiarts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artists.

There is a stratum of the Bay Area's cultural geography that stimulates development and progress across all other layers: the curators of contemporary art affiliated with the region's institutions.

Ms. Caisse serves as the point person to art galleries, museums, and art institutions throughout the Washington, DC metro area and at the national and international level.

L'Art à l'Enfance presents its mobile museum, MuMo, which goes and meets children to offer them a first contact with contemporary art, especially those who do not have access to art institutions — in rural or underprivileged areas.

It's also not a bad thing when former curating students work in areas of institutions outside of exhibitions departments, as this can make for public spaces that are more conducive to art, artists and ideas.

Further afield, exhibitions and events are offered by cultural institutions in Basel and the surrounding area, creating an exciting, region - wide art week.

«The extraordinary gift of this remarkable collection 25 years ago significantly developed the Museum's holdings of European art, and the contribution of European decorative arts, the area of Wendy's particular personal interest, established the institution's collection in that area.

Under the sponsorship of the WPA's Illinois Art Project, Spears produced numerous oil and watercolor paintings as well as murals, the latter mostly for Chicago - area educational institutions ranging from elementary schools to the University of Illinois College of Medicine.

Our core faculty members include curators, art historians, and other art professionals from prominent Bay Area institutions, as well as an international roster of visiting curators and artists who expose students to many possible modes of operation in intensive seminars, critiques, and studio visits.

Additionally, students acquire essential professional development through requisite internships within San Francisco's prestigious art institutions and beyond the Bay Area.

The artists represent a mix of full - time faculty and adjuncts who teach at area colleges and other institutions around the region: Janet Filomeno, Montclair State University and William Paterson University; Valeri Larko, New Jersey Center for the Visual Arts, Summit; Stephen Mueller, Princeton University; Lynn Mullins, Raritan Community College, Margaret Murphy, William Paterson University; Laura Newman, Vassar College; Gabriel Phipps, SUNY New Paltz; Russell Roberts, Montclair State University and New Jersey City University; Jackie Saccoccio, Princeton University; Thomas Sarrantonio, SUNY New Paltz; Amy Sillman, Bard College; Raul Villarreal, New Jersey City University; Melanie Vote, Hofstra University and New Jersey City University; and Tommy White, Princeton University and Columbia University.

The gallery, located in Fitzrovia, London, continues to place works from established and emerging artists with important private collections, as well as established institutions such as the Smithsonian National Museum of African Art in Washington, D.C. Originally trained as an accountant and with a background in financial services, Mr. Adeyinka has since gained recognition as a specialist in modern and contemporary African arts, and continues to advise on several collections focused in this area.

In addition to a world - renowned assemblage of impressionist, post-impressionist, and modern paintings, sculptures, and works on paper, her donation of European decorative arts, the area of her particular personal interest, founded the institution's collection in that field.

Far from an encyclopedic view of American art of the period, the exhibition is a focused look at the strengths and surprises of MoMA's collection in an area that has played a major role in the institution's history.

Beyond that speculation, the biggest challenge still faced by arts institutions in the area is creating innovative experiences.

With more than a third of the institutions in the AAMD study currently offering free admission and 7 % asking for suggested donations, there's a sense that if the will is there — from patrons, government and corporations alike — more could be accomplished in this area to elevate access to the arts to the same level of priority as other pillars of our local community.

Caucus members will hold a series of lectures and discussions with guest speakers from other organizations doing innovative work in this area, and will visit peer institutions throughout the United States and Europe to gain firsthand experiences of best practices in contemporary arts programming.

For the Patron Trip, Austin, Texas was a natural destination — with its array of arts institutions and vibrant arts community — and was home for Grover, who lived in Texas for 15 years and has family in Austin and the surrounding area.

Within each of these geographic areas, the history of the galleries, artist collectives, individuals, collectors, artists, and institutions — including the South Dallas Cultural Center, the Arts District, Good / Bad Collective, Toxic Shock, and others — will be presented through the ephemeral objects produced by these neighborhoods over the past fifty years along with research compiled for the DallasSITES project.

The event, which this year had more than 80 participating artists, moved from the corporate setting of the Expo Center to the Sharjah Art Museum and surrounding institutions in the Sharjah Heritage Area, giving the exhibition a more public presence.