Sentences with phrase «art associate director»
Addison Gallery of American Art associate director Susan Faxon retires The Addison Gallery of American Art at the Phillips Academy in Andover, Massachusetts yesterday announced the retirement of its associate director Susan Faxon.
https://www.apollo-magazine.com/ Not exact matches
He chairs the board of directors for Urban Upbound, a New York City nonprofit, and is an associate member of the International Academy of Digital Arts & Sciences (IADAS).
«Real - Time» is the keyword» - Hiroshi Ishii, Muriel R. Cooper Professor of Media Arts and Sciences, Massachusetts Institute of Technology and Associate Director of MIT Media Laboratory
«I think there is some mystery in song,» says Steve Smith, associate director of worship arts at Harvest Bible Chapel in Naperville, Ill. «It's historical, it's biblical, it's bigger than us.
Randall E. Auxier is Associate Professor of Philosophy and Director of the Institute of Liberal Arts at Oklahoma City University in Oklahoma City, OK 73106 He is also Editor of the journal, The Personalist Forum.
Joseph Clair is director of the William Penn Honors Program and associate dean for the liberal arts at George Fox University, and author of a forthcoming book on Augustine and education.
SI.com: Adam Levine, B.J. Schecter (Executive Editors); Ryan Hunt (News Director); Bobby Clay, Richard Deitsch, Neil Janowitz, Mallory Rubin, Brad Weinstein (Senior Editors); Matt Dollinger, Tom Mantzouranis, Andrew Perloff, Chris Sesno, Jimmy Traina (Senior Producers); Andy Gray (Special Projects Producer); Ben Eagle, Paul Forrester, Ben Glicksman, Ted Keith, John Rolfe, Amanda Younger (Producers); Alexander Abnos, Lorenzo Arguello, Eli Bernstein, Peter Bukowski, Bette Marston, Jonathan Tayler (Associate Producers); Chris Heine (Design Director); Alicia Hallett (Art Director); Joey Maestas (Social Media Producer); John Blackmar (Photo Director); David Kaye (Senior Photo Producer);
Editor - in - Chief Jane Isabel Nussbaum Creative Director Jennie Utschig Integrated Content Director Elizabeth Anne Shaw Deputy Editor Mary Kate Frank Art Director Amanda Kirk Managing Editor Rachael Taaffe Senior Editor Linda Rodgers Senior Designer Judy Wong Senior Associate Editor Jessica Leigh Hester Senior Digital Producer Tom Booth Digital Editor Elina Bolokhova Editorial Assistant Sarah Pottieger Production Manager Carl Hesler Copy Editor Gregory Koutrouby Contributing Photo Editors Daisy Cajas, Lauren Epstein Contributing Editors Erica Clark (food), Jennifer Geddes (research), Amanda Kingloff (lifestyle), Holly Pevzner (health news), Christina Vercelletto (learning) Publisher Jamie Engel President, Consumer & Professional Publishing Hugh Roome
On the move: Peter Van Regenmorter and Kim Dupee joined Robinson & Maites as an associate copywriter and associate art director, respectively....
Deborah (Debo) Gaffaney has a remarkable career as a graphic designer and illustrator, having worked for some of publishing's most prestigious titles, including as Associate Art Director for Condé Nast Traveler and a senior designer for The New Yorker.
The County Executive was joined by Rockland County Director of Tourism and Economic Growth Lucy Redzeposki, ArtsWestchester CEO Janet Langsam, ArtsWestchester Associate Director of Programs, Sue Abbott, Leanne Tintori Wells, Arts Program Director, New York State Council on the Arts and others.
«These findings shed new light on fundamental aspects of our online communication ecosystem,» says Deb Roy, an associate professor of media arts and sciences at the MIT Media Lab and director of the Media Lab's Laboratory for Social Machines (LSM), who is also a co-author of the study.
The research team was led by graduate student Yi Peng and associate professor of physics Yilong Han, both of the Hong Kong University of Science and Technology, as well as Arjun Yodh, director of the Laboratory for Research on the Structure of Matter and professor in the Department of Physics and Astronomy in Penn's School of Arts & Sciences.
Vargas will work with David Satran, director of the Associate in Arts Program, to customize opportunities for the AAP students, and will incorporate his current graduate students as mentors for the AAP students.
«Surface water samples collected on the disposal facility site and immediately downstream exhibited considerably greater EDC activity than surface water samples collected immediately upstream and in a nearby reference stream» said Susan C. Nagel, director of the study and an associate professor in the Department of Obstetrics, Gynecology and Women's Health in the School of Medicine, and an adjunct associate professor of biological sciences in the MU College of Arts and Science.
A native of Los Angeles, Eva previously was associate director of the office of communications at the University of Southern California College of Letters, Arts & Sciences, where she edited the alumni magazine and wrote about science for campus publications.
«Catalytic research demands this type of state - of - the - art chemical imaging research,» said Dr. Charles Peden, a heterogeneous catalysis scientist who worked on the study, and an Associate Director of PNNL's Institute for Integrated Catalysis.
Rafael E. Luna, Ph.D., serves two leadership roles at Boston College: associate dean in the Morrissey College of Arts and Sciences and director of the Pre-Health Program.
Associate Dean, Morrissey College of Arts and Sciences, Director, Boston College Pre-Health Program, Boston College
The Associate Art Director role is to develop and execute campaigns and initiatives in support of the Senior Art Director and VP.
Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.
Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.
Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.
Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.
Participants include Betuel, Adelson, Castle, art director James D. Bissell, Robert Preston (vintage), associate producer John H. Whitney Jr. (vintage and contemporary), technical executive Gary Demos, Cobb, Okun, senior drafter / encoder Kevin Rafferty, illustrator Rick Sternbach, software developer Larry Yaeger, composer Craig Safan, ILM visual effects supervisor Dennis Muren, and ILM visual effects supervisor John Knoll.
Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.
Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.
Festivals: Cannes Director's Fortnight (Nominated for Camera D' Or), Deauville Film Festival, BFI London Film Festival, Tokyo Film Festival, Taipei Golden Horse Film Festival, Sao Paulo Film Festival, AFI Fest (Official Selection), Copenhagen Film Festival (CPH: PIX) WRITTEN & DIRECTED BY ALISTAIR BANKS GRIFFIN PRODUCERS JOSH MOND & ANDREW F. RENZI EXECUTIVE PRODUCERS SEAN DURKIN & ANTONIO CAMPOS ASSOCIATE PRODUCERS ZACH STUART - PONTIER & DUSTIN BOWLIN STARRING BRADY CORBET, DAVID CALL, & KAREN YOUNG PHOTOGRAPHED BY JODY LEE LIPES PRODUCTION DESIGN BY KRIS MORAN ART DIRECTION BY WILLIAM LOGAN MUSIC BY SAUNDER JURRIAANS & DANIEL BENSI SOUND DESIGN BY DANEIL FLOSDORF
Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.
Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.
Crew: Camera (Deluxe color), Don Burgess; editor, Arthur Schmidt; music, Alan Silvestri; production designer, Rick Carter; art directors, Jim Teegarden, Stefan Dechant, Elizabeth Lapp; set decorators, Rosemary Brandenburg, Karen O'Hara; costume designer, Joanna Johnston; sound (Dolby / SDDS), William B. Kaplan; sound designer, Randy Thom; visual effects supervisor, Ken Ralston; associate producer, Steven Boyd; assistant directors, Alan B. Curtiss, Josh McLaglen; casting, Victoria Burrows.
Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.
Camera (Fotokem color, widescreen), Michael J. Ozier; editor, Dan O'Brien; music supervisor, Brad Rosenberger; production designer, Craig Stearns; art director, Randy Moore; costume designer, Jillian Kreiner; sound, Richard Lightstone; supervising sound editor, Kelly Oxford; re-recording mixers, Joe Barnett, Marshall Garlington; associate producers, Rick Pagano, David Orr, Kevin T. Foley; assistant director, Hillary Schwartz; casting Richard Pagano.
Camera (Deluxe color, widescreen, 35 mm), Rachel Morrison; editor, Suzy Elmiger; music, Marcelo Zarvos; production designer, Chris Trujillo; art director, Max Piersol; set decorator, Jess Royal; costume designer, Meghan Kasperlik; sound, Mike Guarino; sound designer / re-recording mixer, Brandon Proctor; visual effects supervisor, Mike Feuer; visual effects, MindSmack TV; stunt coordinator, Rick Kain; associate producers, Braden Friedman, Shani Geva; assistant director, Scott Larkin; casting, Laura Rosenthal Casting, Jessica Kelly.
The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy KloppArt Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Kloppart directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.
Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.
Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume designer, Anney Perrine; sound, Dan Bricker; supervising sound editor, Michael Feuser; re-recording mixer, Leslie Shatz; sound designer, Andrea Bella; visual effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.
Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.
It provides info from Spielberg, Lucas, ILM digital artist Paul Huston, ILM animation supervisor Steve Rawlins, ILM digital model supervisor Dave Fogler, ILM view paint supervisor Steve Walton, ILM digital compositing supervisors Sean MacKenzie and Jay Cooper, visual effects supervisor / aerial unit / unit director Pablo Helman, ILM digital matte supervisor Richard Bluff, Kerner Optical model supervisor Brian Gernand, ILM lead TD supervisor Craig Hammack, ILM associate visual effects supervisor Marshall Krasser, ILM digital production supervisor Jeff White, ILM creature and simulations supervisor Eric Wong, Kerner Optical lead model maker Nicholas A. D'Abo, and ILM visual effects art director Christian Alzmann.
Camera (Tehcnicolor, Panavision widescreen), Carlos Catalan; editors, Chris Gill, Celia Haining; music, Benjamin Wallfisch; music supervisors, Iain Cooke, Ian Neil; choreography, Akram Khan; production designer, Shahram Karimi; art directors, Alistair Kay (Morocco), Lee Gordon (U.K.); costume designer, Louise Stjernsward; sound, Will Whale; supervising sound editors, Andy Shelley, Stephen Griffiths; re-recording mixer, Robert Farr; visual effects supervisor, Ben Shepherd; visual effects producer, Paul Driver; visual effects, LipSync Post; associate producer, Bia Oliveira; assistant director, Olly Robinson; casting, Manuel Puro.
Camera (color, widescreen), Shane Hurlbut; editor, Alex Rodriguez; music, Paolo Buonvino; music supervisor, Thomas Golubic; production designer, Daniel Clancy; art director, Gregory Weimerskirch; set decorator, Julie Smith; costume designer, Isis Mussenden; sound (Dolby Surround 5.1), Chris Strollo; supervising sound editor, Lew Goldstein; re-recording mixer, Goldstein; visual effects supervisors, Francesco Grisi, Stefano Leoni; visual effects, Edi Effetti Digitali Italiani; stunt coordinators, Jason Silvis, Lance Gilbert; associate producer, Bill Karesh; assistant director, Gregory C. Hale; casting, Mary Vernieu.
(UPDATED) ENGLISH TITLE: The Grandmasters CHINESE TITLE: 一代宗師, Yut Doi Jung Si (Cantonese title), Yi Dai Zong Shi (Mandarin title), First Generation Master (Literal English translation), The Grand Master (working title) DIRECTOR: Wong Kar - wai STORY BY: Wong Kar - wai WRITTEN BY: Wong Kar - wai, Zou Jingzhi and Xu Haofeng EXECUTIVE PRODUCERS: Chan Ye Cheng, Song Dai PRODUCER: Wong Kar - wai, Jacky Pang Yee - wah ASSOCIATE PRODUCER: Michael J. Werner CINEMATOGRAPHER: Philippe Le Sourd EDITOR: William Chang Suk - ping PRODUCTION DESIGNER: William Chang Suk - ping COSTUME DESIGNER: William Chang Suk - ping ACTION CHOREOGRAPHER: Yuen Woo - ping MARTIAL ARTS CONSULTANTS: Lau Kar - leung, Guy Lai, Frankie Chan Fan - kei
Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.
Camera (color), Robert Brinkmann; editor, Sharon Rutter; music, Steffan Fantini, Marc Fantini; production designer, Seth Reed; art director, Jennifer Moller; set decorator, Kat Wilson; costume designer, Sandra Burns; sound, John C. Taylor; visual effects supervisor, Billy Brooks; associate producers, Billy Brooks, Melodi Hallenbeck, Alexander Koehne, Ilana Marks; assistant director, Jeremy Phoenix; casting, Eric Souliere.
Doug Jones, the nonprofit arts organization's associate director of programming, has selected the diverse films for the festival.
Camera (color, HD, widescreen), Bridger Nielson; music, Jonathan Snipes; production designers, Ben Spiegelman, Evan Ross Murphy; art director, Alexandra Branger; set decorator, Ben Plunkett; costume designer, Courtney Arthur; sound, Snipes; visual effects, Lit Post; stunt coordinator, T.J. White; line producer, Joel Henry; associate producer, Andrew Schwarz; assistant director, Ryan Miningham; casting, Jeff Olan.
Camera (color, HD), Ian Kerr; editor, Charlie Renfrew; music, Schaun Tozer; art director, Miller; production design, Chad Krowchuck; set decorator, Candise Paul; sound, Simon Doucet; associate producers, Paulie DiPinto, Chang Lae Kim.
Poster designer Dustin Stanton has a history with Paul Thomas Anderson, devising the ad for the director's Punch - Drunk Love while working with BLT & Associates, and creating the unforgettable one - sheet for There Will Be Blood while employed by Concept Arts.