Sentences with phrase «art catch of the day»

Not exact matches

Drawing from the rich Southern history and tradition, Wren's Nest invites residents and tourists from all over to catch a fable or two, belied by mysterious and eclectic storytellers, modern day troubadours, who combine the art of the spoken word with lyric for an experience that's hard to encapsulate in words.

One day, Martin was scrolling through Instagram when he saw a piece of art which caught his eye.

I just starting watching Attack of Titan or whatever a few days ago, since I am all caught up with Trinity Seven, Sword Art Online, Log Horizon and Parasyte Maxim!

001 — catch the double - decker open top bus 002 — go to the top of Table Mountain in the cable car 003 — «A is for Apple» 004 — visit or enrol at the Zip Zap circus 005 — take a horse - drawn carriage tour 006 — explore the Cape Town Castle 007 — watch the firing of the Noon - day Gun 008 — feed the squirrels in Government Avenue 009 — explore the Iziko Planetarium 010 — try Art Jamming 011 — visit the Deer Park Café

Zihuatanejo, on the other hand, evolved from quaint fishing village to backpackers» hotspot to today's incarnation of winding streets of galleries and folk art shops, small boutique hotels and palapa - style seafood restaurants serving the catch of the day.

If it's done right, these books can be every bit as engrossing as a museum presentation — and these days, in a global art world where none of us can catch every show, they offer an essential guide to cities and institutions abroad.

«We have a constant dialogue about art; it's not fashion,» Ms. Pagé said on a recent trip to New York, sipping tea at the Pierre Hotel after spending the day scouring galleries in Chelsea and catching up on museum exhibitions, including Leonard A. Lauder's collection of Cubist art at the Metropolitan Museum of Art, which she said was «fantastique.&raqart; it's not fashion,» Ms. Pagé said on a recent trip to New York, sipping tea at the Pierre Hotel after spending the day scouring galleries in Chelsea and catching up on museum exhibitions, including Leonard A. Lauder's collection of Cubist art at the Metropolitan Museum of Art, which she said was «fantastique.&raqart at the Metropolitan Museum of Art, which she said was «fantastique.&raqArt, which she said was «fantastique.»

Just two days after the official opening, V caught up with Rondinone in a no doubt moment of euphoria, where the artist talks about his spark with Nevada, the importance of Land Art and his eternal fascination with color.

Instead and pressingly, even with wild up and downs, flaws and all, the 2017 Whitney Biennial is the best of its kind in some time for the multiple ways it reveals how — selected as it is, without overdetermined political and aesthetic dogma, and curators remaining open to the exigencies of pleasure and the mysterious ways that art mutates but doesn't play catch - up — a show of artists simply at work, whether making expressionistic paintings, idiosyncratic functional constructions, casting the further shores of socially activist conceptualism, or documenting collapsing ecosystems or family dynamics — that artists are always addressing and channeling issues of the day.

Exit Art caught him at his most postmodern but also most tactile just this spring, with the strips of felt in «Geometric Days.»

A long time ago (2011) in a galaxy far, far away (this very blog), we featured the art of John Karpinsky, a computer artist and Star Wars geek whose mashups of Star Wars characters done Day - of - the - Dead style caught our eye.

Ironically, the best way to catch one's eye at art fairs these days, it seems, is to show virtually nothing at all — to eschew the big paintings, bigger sculptures, and shiny mirror pieces that fill so many art fairs, and to instead devote lots of space to just a few works.

I managed to catch the last day of Alan Gouk's exhibition (fantastic show even though everything was really closely hung in the «front room» of the charming Hampstead School of Art), and I feel there is a colour palette connection between you and Alan in the way you both use rich warm colours, some earthy, some intense, and juxtapose them with acid colours.

You can usually catch Fields at the Torpedo Factory in studio 336, but we caught up with her as she was heading out the door to attend a series of outdoor art shows — a ritual of autumn for many working artists in the Northeast, and a fine day out for art lovers, too.

Derided in their day, in the 1970s they caught the attention of Pop Art impresario Lawrence Alloway.

A big shout out to one of my favorite cities, Chicago, where I will be heading next week to catch the attempted reboot of Art Chicago in its glory days, Expo Chicago.

Artspace caught up with him over email in the days leading up to the fair to discuss the rising interest in MENAM art worldwide, the «red herring» of Qatar's market power, and the need to redraw the curatorial map of the region.

Pat Rogers of Hamptons Art Hub caught up with Lauren Luloff via email to discuss her new work as the final days come to a close at her Hamptons exhibition at Halsey Mckay Gallery.

And The Painting Factory: Abstraction After Warhol — which I caught at the Museum of Contemporary Art in Los Angeles just before it closed the other day — is about as nutty as they come.