Sentences with phrase «art curatorial committee»

We are joined by Leslie Ferrin, Director Ferrin Contemporary and on the DownStreet Art Curatorial Committee; Melanie Mowinski, Artist, Founder Press Gallery, Art Professor MCLA; and Jonathan Secor, Director MCLA Berkshire Cultural Resource Center, which runs DownStreet Art.

Not exact matches

The fair offers a platform for galleries coming from countries that are under - represented in the art market, with exhibitors selected by a curatorial committee comprising the fair's co-founders Serenella Ciclitira (Parallel Contemporary Art) and Nigel Hurst (Saatchi Gallery) as well as curatorial partners Mehta Bell Projects.This year, the fair is welcoming 44 galleries from 25 countries that sweep across the globe from the US to Australart market, with exhibitors selected by a curatorial committee comprising the fair's co-founders Serenella Ciclitira (Parallel Contemporary Art) and Nigel Hurst (Saatchi Gallery) as well as curatorial partners Mehta Bell Projects.This year, the fair is welcoming 44 galleries from 25 countries that sweep across the globe from the US to AustralArt) and Nigel Hurst (Saatchi Gallery) as well as curatorial partners Mehta Bell Projects.This year, the fair is welcoming 44 galleries from 25 countries that sweep across the globe from the US to Australia.

The exhibition's development has been supported by a curatorial advisory committee which includes, Erika Balsom, Lecturer, Film and Liberal Arts, King's College London; Heather Corcoran, Former Executive Director, Rhizome; Ed Halter, Co-Director Light Industry, Assistant Professor, Bard College; and Sarah Perks, Artistic Director, Cornerhouse and HOME, and Professor at Manchester School of Art.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projecArt), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projecart advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

Selection Process Reviewed by the Artists Alliance Inc Curatorial Advisory Committee — comprised of representatives from the local contemporary arts community — proposals will be selected based on conceptual rigor and artistic quality.

The Curatorial Advisory Committee for the exhibition includes: Tanya Barson, Curator, Tate; Briony Fer, Professor of Art History, University College London; Tom McDonough, Professor in Art History, Binghampton University, New York; and Jiang Jiehong, Professor of Chinese Art, Birmingham City University.

-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015 is accompanied by a fully - illustrated catalogue with essays by the Curatorial Advisory Committee alongside Iwona Blazwick and Magnus af Petersens.

The selection committee included P.S. 1 Director Alanna Heiss and MoMA Director Glenn Lowry, P.S. 1 Curatorial Advisor Robert Nickas, P.S. 1 Curator Amy Smith - Stewart, and Ann Temkin, Curator, Department of Painting and Sculpture, The Museum of Modern Art.

In addition to overseeing the Museum's Sarah Lee Elson, Class of 1984, International Artist in Residence Program, she serves as a curatorial adviser to Princeton's campus art committee.

Katherine Brinson was selected this year not only for her curatorial reputation but also because she is a part of the museum committee that selects emerging art for the museum collection.

The inaugural Art Boca Raton art fair will take place March 18 — 21, 2016 and feature 45 art dealers selected by a curatorial committArt Boca Raton art fair will take place March 18 — 21, 2016 and feature 45 art dealers selected by a curatorial committart fair will take place March 18 — 21, 2016 and feature 45 art dealers selected by a curatorial committart dealers selected by a curatorial committee.

Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.

Roach was on the Curatorial Advisory Committee for the Moving Image Art Fair in 2012 and the jury panel for the New York Academy of Art Seventh Annual Summer Exhibition in 2013.

Selections were made in the fields of literary, performing, and visual arts, and curatorial / critical studies with artists selected from an open call by a selection committee of Guild Hall Academy of the Arts membarts, and curatorial / critical studies with artists selected from an open call by a selection committee of Guild Hall Academy of the Arts membArts members.

She teaches in the Fine Art Department at Columbia University, is a member of the Graduate Committee at the Center for Curatorial Studies at Bard College, and is involved in the Whitney's Independent Study Program.

They often look like the output of committees, lacking a clear and consistent curatorial vision, with art works poorly displayed and thrown together in uncomfortable juxtapositions.

Mr. Stout is also active in various roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Governors.

Lax is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts and serves on the Advisory Committee of the Vera List Center for Art and Politics and on the Advisory Board of Contemporary And.

Participation in Moving Image Istanbul is by invitation of the Curatorial Advisory Committee: Paola Alzugaray (Independent curator, São Paulo, Brazil), Sabine Brunckhorst (Collector, Hamburg, Germany), Dan Cameron (Chief Curator, Orange County Museum of Art, Newport Beach, California), Kathleen Forde (Artistic Director, Borusan Contemporary Istanbul, New York, NY, and Istanbul, Turkey), Kenichi Kondo (Curator, Mori Art Museum, Tokyo, Japan), Azra Tüzünoglu (Founder and Director, PILOT Gallery, Istanbul, Turkey).

In addition to her curatorial work and service to The Laundromat Project, Beckwith has served on several host committees such as RUSH Philanthropic Gold Rush Awards, the BAMart Annual Auction, Triple Canopy and the Art for Africa auction for the Africa Foundation.

Ted also serves on numerous other boards and committees, presently including: ArtsConnection, the Asian American Arts Alliance, the Center for West Park, the CUE Art Foundation, the Design Trust for Public Space, HB Studio and Playwright's Foundation, the International Studio and Curatorial Program, and the New York City Arts Coalition.

Seikkula is running the ArtHelsinki International Fair for Contemporary Art and acts as a curatorial committee member for the Artist Pension Trust and the CROSSROADS London Art Show.

I, as director, vet all curatorial proposals before presenting them to the board's art committee, which deliberates and ultimately must approve any potential acquisition.

Franklin Sirmans, now curator of contemporary art at the Los Angeles County Museum of Art, was on the curatorial committee at MoMA PS1 in New York when he was reading poet Ishmael Reed's writings on Neo-HooDoo, which posits that «every man is an artist and every artist a priest.&raqart at the Los Angeles County Museum of Art, was on the curatorial committee at MoMA PS1 in New York when he was reading poet Ishmael Reed's writings on Neo-HooDoo, which posits that «every man is an artist and every artist a priest.&raqArt, was on the curatorial committee at MoMA PS1 in New York when he was reading poet Ishmael Reed's writings on Neo-HooDoo, which posits that «every man is an artist and every artist a priest.»

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Inducted into the American Association of Museums Centennial Honor Roll, a recipient of the Award for Curatorial Excellence from Bard College, and named a Chevalier of the French Order of Arts and Letters, Halbreich has served as commissioner for North America and Cuba at the Gwangju Biennale (1995) and curatorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International CCuratorial Excellence from Bard College, and named a Chevalier of the French Order of Arts and Letters, Halbreich has served as commissioner for North America and Cuba at the Gwangju Biennale (1995) and curatorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International Ccuratorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International Committees.

The 2014 Independent Vision Curatorial Award Nominating Committee includes: Zdenka Badovinac: Director, Moderna galerija, Ljubljana (Slovenia); Iwona Blazwick: Director, Whitechapel Gallery (UK); Zoe Butt; Executive Director and Curator, Sàn Art (Vietnam); Rosina Cazali: Independent Curator (Guatemala); Reem Fadda: Associate Curator, Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation (UAE); Gridthiya Gaweewong; Artistic Director, Jim Thompson Art Center (Thailand); Abdellah Karroum: Founding Artistic Director of L'appartement 22 (Qatar); Koyo Kouoh: Artistic Director, Raw Material Company (Senegal); Michy Marxuach: Co-director of Beta - Local (Puerto Rico); Riason Naidoo: Independent Curator (South Africa); Valerie Cassel Oliver: Senior Curator, Contemporary Arts Museum Houston (US); José Roca: Estrellita B. Brodsky Adjunct Curator of Latin American Art, Tate Modern, London, and Artistic Director of FLORA, Bogotá, Colombia; Claire Tancons: Curator (US); Philip Tinari: Director, Ullens Center for Contemporary Art (China).

Lax is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts; on the Advisory Committee Vera List Center for Arts and Politics; on the Arts Advisory Committee of the Lower Manhattan Cultural Council; a member of the Catalyst Circle at The Laundromat Project; and on the Advisory Board of Recess.

She was on the curatorial selection committee for the 2012 Berlin Biennale and is a Visiting Lecturer at Slade School of Fine Art, London.

Ellen is the founder and artistic director for the media artist collective, Videotage, and a member of the curatorial / organizing committee for the Microwave International Media Art Festival and many media art events in Hong KoArt Festival and many media art events in Hong Koart events in Hong Kong.

Initial curatorial oversight and selection of the artists was provided by artist and curatorial advisor Marc Pally and a committee of esteemed LA - based curators with experience in issues - based public art and biennial presentations.

He is currently the curatorial intern art Southern Exposure where he works closely with the curatorial committee and Exhibitions and Projects Program Director.

Since 2012 she is member of the acquisition committee of the Federal collection of contemporary art, of the curatorial board of the MUMOK, Vienna, and (since 2013) of the Turner Prize jury.

He currently serves as co-chair for the City of Oakland's Public Art Advisory Committee, member of Recology's Artist in Residence Program Advisory Board and Root Division's Curatorial Committee, manages the Artist Residency Program and Public Programs at the de Young Museum, and is visiting faculty at Stanford University.

Xenia Benivolski is the founder of several collective art spaces and an international artist - in - residency program, and sits on the curatorial committee for the 2017 Beijing Biennal.

Bronx Speaks: No Boundaries is the latest exhibit presented by the Bronx Arts Alliance (BxAA) including over 60 artworks selected by a curatorial committee and featuring Bronx, US and International Artists from over 20 Bronx arts organizatiArts Alliance (BxAA) including over 60 artworks selected by a curatorial committee and featuring Bronx, US and International Artists from over 20 Bronx arts organizatiarts organizations.

The AS - AP Steering Committee is: David Platzker, AS - AP project director; Linda Earle, executive director, Skowhegan School of Painting and Sculpture; Milan Hughston, chief of library and museum archives, The Museum of Modern Art; Maria Lind, director of the graduate program, Center for Curatorial Studies; Elizabeth Merena, director, Visual Arts Program, New York State Council on the Arts; Andrew Perchuk, Contemporary Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library, New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Association.

The inaugural Art Boca Raton art fair will take place March 18 — 21, 2016 and will feature 50 art dealers selected by a curatorial committee, according to the announcemeArt Boca Raton art fair will take place March 18 — 21, 2016 and will feature 50 art dealers selected by a curatorial committee, according to the announcemeart fair will take place March 18 — 21, 2016 and will feature 50 art dealers selected by a curatorial committee, according to the announcemeart dealers selected by a curatorial committee, according to the announcement.

From 2007 — 2009 he was a curatorial advisor at MoMA PS1, and he is currently a board member of the Artists Advisory Committee of the Sharpe - Walentas Studio Program, AICA (the International Association of Art Critics, United States Section), the Louis Comfort Tiffany Foundation, The Miami Rail and The Third Rail.

The global South and its myriad issues — concerning diasporas, hybrid identities, migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the Curatorial Committee to select artworks and art projects, as well as oriented the curating of all of the Festival's exhibitions, public programs, and publications.

[citation needed] Golden serves on the Graduate Committee at the Center for Curatorial Studies at Bard College, is on the boards of Creative Time in New York and the Institute of International Visual Arts (inIVA) in London, and is a Henry Crown Fellow at the Aspen Institute.

The galleries exhibiting in 2018 were selected by an expert Curatorial Committee led by Philippe Garner, Former Director at Christie's and International Head of Photographs and 20th Century Decorative Arts and Design.

The curatorial team includes: Kelly Doley, artist / curator, Sydney Australia ▽ kellydoley.com Anna Eschbach and Antonie Angerer, Directors i: Project Space, Beijing China (link to i: project space site) ▽ yi-projectspace.org Sharon Hong, MA Curatorial, Sydney University Zhuxin Wang, artist based in Beijing China Advisory Committee: Mikala Tai, Director 4A Centre for Contemporary Art, Sydney Alexie Glass - Kantor, Executive Director, Artspace Sydney Please get in touch at ▽ feministsouthcuratorial team includes: Kelly Doley, artist / curator, Sydney Australia ▽ kellydoley.com Anna Eschbach and Antonie Angerer, Directors i: Project Space, Beijing China (link to i: project space site) ▽ yi-projectspace.org Sharon Hong, MA Curatorial, Sydney University Zhuxin Wang, artist based in Beijing China Advisory Committee: Mikala Tai, Director 4A Centre for Contemporary Art, Sydney Alexie Glass - Kantor, Executive Director, Artspace Sydney Please get in touch at ▽ feministsouthCuratorial, Sydney University Zhuxin Wang, artist based in Beijing China Advisory Committee: Mikala Tai, Director 4A Centre for Contemporary Art, Sydney Alexie Glass - Kantor, Executive Director, Artspace Sydney Please get in touch at ▽ [email protected]

Selection Committee (tbc): Gabi Ngcobo / Thiago de Paula Souza (curatorial team, 10th Berlin Biennale for Contemporary Art), Gabriele Horn (director, Berlin Biennale for Contemporary Art), Antonia Majaca (Curators Workshop), Sohrab Mohebbi (Curators Workshop), Michael M. Thoss (managing director, Allianz Cultural Foundation), Stefanie Peter (Department of Visual Arts, Goethe - Institut Zentrale), and Alya Sebti (director, ifa - Galerie Berlin, Institute for Foreign Cultural Relations).

The 2016 Gerrit Lansing Independent Vision Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 2016, Brazil.

Since 2012 he has been part of the curatorial team of Contemporary Art Acquisitions Committee at the Lima Art Museum.

His main achievements include: the Commissioner of the Japan Pavilion at the Venice Biennale (1997); the Commissioner at the Taipei Biennale (1998); a member of Jury Committee of the Turner Prize (1998); the Artistic Director of the Yokohama Triennale 2001; and the Artistic Director of the Singapore Biennale (2006/2008); the General Director of Kenpoku Art 2016 (Ibaraki Pref., Japan); and Curatorial Director of Honolulu Biennial (2017).

A local curatorial advisory committee consisting of: Ximena Caminos (Director / Chief Curator, Faena Art Buenos Aires and Faena Forum Miami Beach), Tami Katz - Freiman (Independent Curator, former Chief Curator, Haifa Museum of Art), Brandi Reddick (Curator / Artists Manager, Miami - Dade County Art in Public Places), and @Chana Chana Budgazad Sheldon (Executive Director, Locust Projects), who are making significant contributions to the Miami art community, selected the final worArt Buenos Aires and Faena Forum Miami Beach), Tami Katz - Freiman (Independent Curator, former Chief Curator, Haifa Museum of Art), Brandi Reddick (Curator / Artists Manager, Miami - Dade County Art in Public Places), and @Chana Chana Budgazad Sheldon (Executive Director, Locust Projects), who are making significant contributions to the Miami art community, selected the final worArt), Brandi Reddick (Curator / Artists Manager, Miami - Dade County Art in Public Places), and @Chana Chana Budgazad Sheldon (Executive Director, Locust Projects), who are making significant contributions to the Miami art community, selected the final worArt in Public Places), and @Chana Chana Budgazad Sheldon (Executive Director, Locust Projects), who are making significant contributions to the Miami art community, selected the final worart community, selected the final works.

Alongside Ingrid Schaffner, Tirdad Zolghadr and others, Gillick is a member of the Graduate Committee of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College, Annandale - on - Hudson, New York.