Sentences with phrase «art exhibition catalogue»
(Text by Franklin Kelly, published in the National Gallery of Art exhibition catalogue, Art for the Nation, 2000)
https://www.nga.gov/
Research and Scholars Center Art Exhibition Catalogue Index Smithsonian American Art Museum MRC 970, PO Box 37012 Washington DC 20013 - 7012
The Pre-1877 Art Exhibition Catalogue Index (AECI) contains 136,494 records describing fine artworks exhibited in the United States and Canada up through 1876 (the Centennial year).
(Text by Kimberly Jones, published in the National Gallery of Art exhibition catalogue, Art for the Nation, 2000)
[i] Donna De Salvo Robert Irwin Whitney Museum of Art Exhibition Catalogue (Whitney Museum of Art, New York, 2013).
She has also written art exhibition catalogues, including «Henry Moore at Work», and «Isis» Halcyon Gallery, London.
National Museum of American Art's index to American art exhibition catalogues, The: from the beginning through the 1876 centennial year
Not exact matches
In addition to the many recent books, articles, and exhibition catalogues converging on the life and art of Johannes Vermeer, various BUILD Series NYC is a live interview series where fans sit inches away from some of the biggest names in entertainment, fashion and business as they share
The books, art catalogues for major exhibitions at the museum, pop out into a clean, fast virtual book reader.
When I reviewed the exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.
«Painting in Parts» exhibition catalogue with essay by Michael Klein, published by Maryland Art Place, Baltimore, 2011
,» 303 Gallery, New York, NY, April 12 — June 14, 2003 2002 «Liz Larner: Untitled,» Museum of Contemporary Art, Chicago, Chicago IL, May 1 — September 8, 2002, on MCA plaza in conjunction with Art Chicago / Pier Walk, curated by Dave Hickey 2001 «Liz Larner,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, December 2, 2001 - April 7, 2002, catalogue 1999 «Liz Larner,» 303 Gallery, New York, NY, May 15 - June 12, 1999 1998 «Liz Larner,» Regen Projects, Los Angeles, CA, June 27 — August 1, 1998 «Liz Larner: I Thought I Saw a Pussycat,» MAK, Austrian Museum of Applied Arts, Vienna, Austria, June 3 — August 9, 1998; catalogue 1997 303 Gallery, New York, NY «Liz Larner,» Kunsthalle Basel, Basel, Switzerland, curated by Peter Pakesch, June 8 — August 24, 1997, catalogue 1994 303 Gallery, New York, NY 1993 Jennifer Flay Galerie, Paris, France 1992 Peter Pakesch, Vienna, Austria 1991 Stuart Regen Gallery, Los Angeles, CA 303 Gallery, New York, NY 1990 Galleri Nordanstad - Skarstedt, Stockholm, Sweden 303 Gallery, New York, NY 1989 Galerie Peter Pakesch, Vienna, Austria, December 12 — January 20, 1990 303 Gallery, New York, NY 1988 Margo Leavin Gallery, Los Angeles, CA Selected Group Exhibitions:
«The City as Festival,» in Robert Tannen: REPROspective evitcepsORPER, exhibition catalogue (New Orleans: Contemporary Art Center, 1990).
When it's a Photograph, curated by Soo Kim, Otis College of Design's Bolsky Gallery, Los Angeles, CA Busan Biennial, curated by Nancy A Barton and Michael Cohen, Busan Museum of Modern Art, Busan, Korea Mel's Hole, curated by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)
David Rubin, Robert C. Morgan, and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue (San Antonio; Boston: San Antonio Museum of Art; MIT Press, 2010), 25, 45, 74.
The lavishly illustrated scholarly exhibition catalogue presents the research findings of Research Associate in Art Melissa Walt, and Ellerton M. and Edith K. Jette Professor of Art Ankeney Weitz.
The New Painting, Impressionism 1874 - 1886, exhibition catalogue, San Francisco, Fine Arts Museum of San Francisco with the National Gallery, Washington DC.
Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).
Fast Forward: Painting from the 1980's, exhibition catalogue (New York: Whitney Museum of American Art, 2017).
Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.
The Spiritual in Art, Abstract Painting 1890 - 1980 Author (s): Maurice Tuchman, Judi Freeman Exhibition catalogue: Los Angeles County Museum of Art Publishing house: Abbeville Press Inc., U.S Description: Language: English ISBN - 10: 0789200562, ISBN - 13: 978 - 0789200563
This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.
Jock Reynolds, American Abstraction at the Addison, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1991).
Patrick Heron wrote an introduction to a Wynter exhibition catalogue for the New Art Centre, March — April 1982 and devoted most of his text to a consideration of the sort of shapes and marks most identified with the artist.
SOLO EXHIBITION CATALOGUES David Pagel, «No wallflowers here: Sparks fly when art mingles on the walls of «Flaming June VII»,» Los Angeles Times, June 27, 2017
PETER HALLEY «Binational: American Art of the Late 80s, German Art of Late 80s,» exhibition catalogue.
The catalogue includes entries by the exhibition's organizer, Assistant Curator Thomas J. Lax, along with leading scholars Horace Ballard, Katherine Jentleson, Scott Romine and Lowery Stokes Sims, who write on notions of spirituality, the ethics of self - taught art and the idea of the South in the American project.
The gallery continues, «In his essay for the exhibition catalogue, William Agee describes Hofmann as going against the grain of the artistic canon of the day; «His art was too big, too bold, to be encapsulated in a few years after 1945, the years we generally identify as the heyday of abstract expressionism.»
2006 «Introduction,» in Andrej Zielinski: Homecoming, exhibition catalogue (Overland Park, KS: The Nerman Museum of Contemporary Art, 2006).
Accompanying the exhibition will be a comprehensive catalogue that will for the first time gather contributors from diverse fields to investigate this elusive topic and unite them through contemporary art.
ABOUT THE EXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conEXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conexhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that connect them.
To support the Georgia Museum of Art's exhibition, «Richard Hunt: Synthesis,» and an accompanying catalogue.
Gabriele Guercio, Rooted Rhetoric: A tradition of Art in America, exhibition catalogue, Castel Dell «Ovo, Naples, Italy (Naples: Guida, 1986).
The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.
A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.
Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition catalogue (Buffalo, NY: Albright - Knox Art Gallery, 2005).
The Young Art Critic's mentoring program matches emerging critics with experienced AICA / USA members who guide them through the process of writing a catalogue essay, which is published by a CUE in an exhibition catalogue.
1986 Yve - Alain Bois, Endgame: Reference and Simulation in Recent Painting and Sculpture, exhibition catalogue (Boston: Institute of Contemporary Art, 1986).
SO FAR SO CLOSE, Exhibition catalogue, Almine Rech Gallery, 2017 255 PLATES, Triangle Books, Brussels, 2015 STUDIES FOR SUNSETS, Karma, New York, 2014 FUGUE, Triangle Books, Brussels, 2014 SCENIC DRIVE AHEAD, Bunk Edition, 2014 ON KNOWING AND NOT, John d'Agata and Jean - Baptiste Bernadet, Karma, New York, 2013 IF THERE IS A CHANCE, Jean - Baptiste Bernadet & Benoit Platéus, Karma, New York, 2011 ANONYMOUS, Jean - Baptiste Bernadet & Xavier Noiret - Thomé, Art Paper Editions, Gent, 2011
Join us for this special evening of her reflections on her diverse projects, including art books, biographies, exhibition catalogues, and catalogues raisonné on the occasion of the book signing of: Barbara Tutino, Paola Gribaudo: A Thousand and One of These Books.
Featuring a carefully curated selection of books and media including: art & design, exhibition catalogues, cookbooks, young readers and everything in between.
Following the exhibition, Pace will publish a catalogue featuring installation views and a new essay by art critic John Yau.
1991 Tricia Collins and Richard Milazzo, Who Framed Modern Art or the Quantitative Life of Roger Rabbit, exhibition catalogue (New York: Sidney Janis Gallery, 1991).
1998 Selections, Winter 1998, The Drawing Center, New York, NY catalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CACatalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino Ka?
(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)
This fully illustrated catalogue, designed by Philipp Hubert and co-published by ArtAsiaPacific and Samuel Dorksy Museum of Art, State University of New York at New Paltz, includes texts by exhibition curator Rachel Perera Weingeist, curator and writer David Elliott and Tibetan cultural activist Jamyang Norbu.
Philipp Kaiser, Flashback: Revisiting the Art of the 80's, exhibition catalogue (Ostfildern - Ruit; Basel: Hatje Cantz; Kunstmuseum Basel, Museum für Gegenwartskunst, 2005).
In conjunction with the exhibition program, Dominique Lévy gallery produced a series of catalogues and monographs, including original essays by renowned art historians and writers and previously unpublished archival material.
-- Hilma af Klint, Joseph Beuys, Olafur Eliasson, Jussi Niva, Silja Rantanen Author (s): Tarja Djateu (editor), Carolus Enckell, Inka Laine, Inka, Tiina Penttilä, Hannele Savelainen, Suvi Sivulainen, Päivi Talasmaa, Inari Beach Exhibition catalogue: EMMA — Espoo Museum of Modern Art, Finland.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.