Sentences with phrase «art glass workshop»

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Available in various designs like a seahorse, red fish, mermaid, dolphin and turtle, this glassware is handmade in a third - generation workshop in Verona, Italy where ordinary glass is transformed into stunning works of art.

The WOW Factory Summer art camps and workshops offer experiences in pottery painting, mosaics, glass fusing, and clay!

He has been awarded fellowships and residencies from the Wheaton Arts and Cultural Center of New Jersey, Pioneer Works Center for Art and Innovation in Brooklyn, NY, Ramdom Association's «DEFAULT «15» workshop in Gagliano Del Capo, Italy, Urban Glass's Studio Residency program in Brooklyn, NY, and Residency Unlimited in Brooklyn, NY.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

We'll explore sculptures and mosaics made from reused glass followed by a hands - on workshop making art with supplies from our reusable glass section.

Blesofsky has participated in numerous residencies, such as Urban Glass, the Lower East Side Printshop, Museum of Arts and Design, CUE Art Foundation, Smack Mellon, Dieu Donné, the Lower Manhattan Cultural Council's Workspace, the California Legion of Honor in San Francisco and KKV Print Shop in Malmö, Sweden, a partnership with the Women's Studio Workshop.

Solo FLOORED, Williamson Knight, Portland, OR, 2018 Salty & Fresh, Emerson Dorsch Gallery, Miami, FL, 2017 Paula Wilson: The Backward Glance, Bemis Center for Contemporary Art, Omaha, NE, 2017 Salty & Fresh, Cherry & Lucic, Portland, OR, 2015 Back it Up, Museum Blue, St. Louis, MO, 2015 Undress, Center for Contemporary Arts, Spector Ripps Project Space, Santa Fe, NM, 2014 First Story, The Fabric Workshop and Museum, Philadelphia, PA 2010 The Stained Glass Ceiling, Bellwether Gallery, New York, NY, 2008 Paintings and Drawings from the Hanno Valley, Galleria Suzy Shammah, Milan, Italy, 2006 What's So Personal, The Butcher Shop, Chicago, IL, 2000

Among the recent exhibitions Gant has curated or co-curated are Wondrous Worlds: Art & Islam Through Time & Place (The Newark Museum, 2016); A Lifelong Adventure: Brandywine Workshop Prints from the Green - Christian Collection (University of Texas, John Warfield Center for African & African Diaspora Studies, 2013); De-Luxe, and New Works: April Woods (The Contemporary Austin, 2012); and There is No Looking Glass Here: Wide Sargasso Sea Re-Imagined (Deutsche Bank America, New York, 2010).

Lipofsky has been an instructor for seminars and workshops at art and craft schools, including the Pilchuck Glass School in Stanwood, Washington; Columbus College of Art and Design in Columbus, Ohio, Southwest Craft Center in San Antonio, Texas; Haystack Mountain School of Crafts in Deer Isle, Maine; Bezalel Academy of Arts and Design in Jerusalem, Israel; San Francisco Art Institute, San Francisco, California and the Art Department of the University of Wisconsin, Madisart and craft schools, including the Pilchuck Glass School in Stanwood, Washington; Columbus College of Art and Design in Columbus, Ohio, Southwest Craft Center in San Antonio, Texas; Haystack Mountain School of Crafts in Deer Isle, Maine; Bezalel Academy of Arts and Design in Jerusalem, Israel; San Francisco Art Institute, San Francisco, California and the Art Department of the University of Wisconsin, MadisArt and Design in Columbus, Ohio, Southwest Craft Center in San Antonio, Texas; Haystack Mountain School of Crafts in Deer Isle, Maine; Bezalel Academy of Arts and Design in Jerusalem, Israel; San Francisco Art Institute, San Francisco, California and the Art Department of the University of Wisconsin, MadisArt Institute, San Francisco, California and the Art Department of the University of Wisconsin, MadisArt Department of the University of Wisconsin, Madison.

He currently studies the art of stained glass at the workshop of the world - renowned master glassmaker, JM Bonet, and has participated in the restoration, conservation and construction of the stained glass windows of the Sagrada Familia cathedral.

2012 Artist Talk, In the Balance, LACMA Muse Program, Hollywood, 2009 Guest Lecturer, Machine in the Garden, Hollywood, CA Guest lecturer, Professional Practices, Metropolitan State University, St. Paul, MN Visiting Artist and Lecturer, Minneapolis College of Art and Design, Minneapolis, MN 2008 Dinner and Conversation with the Artist (7 participating artists) Republic Restaurant, Hollywood, CA Artist Talk, the Lucent Dossier Project, Glass Garage Gallery, Hollywood, CA 2007 Guest Lecturer, Glass Garage Gallery, Hollywood, CA 2006 Guest Lecturer, Woman Painters of Washington Association, Ellensburg, WA 2005 Guest Lecturer / Critic Trialogue, the Minneapolis Institute of Arts, MN Guest Lecturer / Workshop on Mental Imaging, Bloomington Art Center, MN Guest Lecturer, University of Minnesota, Larson Gallery, St. Paul, MN Guest Lecturer / Workshop on Mental Imaging, Rochester Arts Center, Rochester, MN 2004 Visiting Artist and Lecturer, St. Cloud State University, St. Cloud, MN Guest Lecturer, Central Illinois State College, East Peoria, IL Guest Lecturer, Prairie Arts Center, Princeton, IL Guest Lecturer, Augsburg College, Minneapolis, MN Juror, Annual Student Exhibition, Augsburg College, Minneapolis, MN 2003 Visiting Artist, North Dakota University, Fargo, ND Guest Lecturer, Plains Art Museum, Fargo, ND Guest Artist, Rolling Plains Exhibition at Lester Prairie, MN 2002 Visiting Artist and Lecturer, Another Twist, Winona State University, MN 2001 Guest Lecturer, Twist of Minnesota, Weisman Art Museum, Minneapolis, MN 1998 Visiting Artist, Metropolitan State University, Minneapolis, MN 1998 Guest Lecturer, «Layers of Myth and Metaphor», U. of M., Minneapolis, MN 1997 Guest Lecturer, Community College at Sioux Falls, Sioux Falls, SD 1997 Guest Lecturer, U. of M., Minneapolis, MN

Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13 — April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31 — September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23 — December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15 — March 8; Akron Art Museum, Ohio, April 9 — May 31; Madison Art Center, July 26 — September 20, 1987 (Catalogue) Self — Portrait: The Photographers» Persona, 1840 — 1985, The Museum of Modern Art, New York, November 7 — January 7, 1986 Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18 — December 8, 1985 (Catalogue) American Realism: The Precise Image, Isetan Museum of Art, Tokyo, July 25 — August 19, 1985.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

The workshop has expanded to curate international glass exhibits with participating artists at the NY Museum of Arts and Design and currently at the Boca Raton Museum.

The conference included the following highlights: an opening keynote address by Fairfax Dorn and a closing keynote address by Alice Aycock, 13 panel discussions held at the Renaissance New Orleans Arts Hotel, Contemporary Arts Center New Orleans, Ogden Museum of Southern Art, and Xavier Univeristy, an opening reception at the Ogden Museum of Southern Art, mentor sessions, ARTSlams, a Glass Casting Workshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actWorkshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actworkshop at Xavier University, and numerous optional tours and activities.

In 1962, in partnership with Dominic Labino, Littleton opened a famous glass workshop at the Toledo Museum of Art in 1962.

The DIA's collection includes iconic works by Dominick Labino and Harvey Littleton, who founded the studio - glass movement in 1962 with workshops at the Toledo Museum of Art.

There are poetry readings, art workshops, glass blowing, films, photographs, performance art, even a faux bed & breakfast that culminates in a brunch from Katz» Deli.