Sentences with phrase «art head curator»

SCAD Museum of Art Head Curator Storm van Rensburg said he reached out to the Ulrich Museum of Art about a loan and the curator brought up another work, saying you know we have this portrait of Jacob and Gwendolyn Knight in our collection.

Oct. 20, 2017: Hosting a tour of «Jacob Lawrence: Lines of Influence,» SCAD Museum of Art Head Curator Storm Janse van Rensburg (left) and Walter O. Evans, collector, SCAD benefactor, and president of the Jacob and Gwendolyn Knight Lawrence Foundation, stand before «The Card Game» by Lawrence and a bust of Gwendolyn Knight Lawrence by Augusta Savage.

Not exact matches

With a foreword by Andrew Bolton, the head curator of New York's Metropolitan Museum of Art, the book focuses on 18 partnerships, featuring interviews with designers, photographers and stylists.

This video features interviews with several folks from NYC's gaming community, including GameLab head Eric Zimmerman, NYU visiting assistant arts professor Jesper Juul, Gamasutra editor - at - large Leigh Alexander, and Babycastles curator Syed Salahuddin.

Friday night at NeueHouse, after slinking past a seemly - looking Powerpoint presentation on the first floor, I headed towards the basement where far more titillating images were on view for the opening of the explicit B - side of «In Your Dreams,» organized by curator Marina T. Schindler for the Spring / Break art fair.

This could be a museum curator, gallery director, interior designer, magazine editor or the head of your local arts association.

Bourriaud has also been director of the Palais de Tokyo, a curator of contemporary art at Tate Britain, and the head of the studies department at the French Ministry of Culture.

Eva Hesse, Expanded Expansion (98:00) Michelle Barger, Deputy Head of Conservation, San Francisco Museum of Modern Art Carol Stringari, Chief Conservator, Guggenheim Museum Elisabeth Sussman, Curator, and Sondra Gilman Curator of Photography, Whitney Museum of American Art Moderator: Jill Sterrett, Director of Collections and Conservation, San Francisco Museum of Modern Art

In addition to Heather Pesanti, the museum's Senior Curator, the Prize's inaugural advisory committee for the 2018 Prize includes Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museart historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Museum.

Stephanie Barron is Senior Curator and Modern Art Department Head at the Los Angeles County Museum of Art.

A jury of three experts — headed by Sophie Hackett, associate curator of photography at the Art Gallery of Ontario and including Nigerian - born curator, writer and scholar Okwui Enwezor and American artist Laurie Simmons — will select a short list of four artists, including at least one Canadian artist.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Curator of Photography, Peabody Essex Museum.

The jury was headed by Kitty Scott, the AGO's Carol & Morton Rapp Curator of Modern and Contemporary Art, and included artist Stan Douglas and art scholar Russell FergusArt, and included artist Stan Douglas and art scholar Russell Fergusart scholar Russell Ferguson.

Lectures Introduction to the Exhibition March 4 at 2:00 p.m. East Building Auditorium Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art.

The panel — organized and moderated by Jenni Sorkin, assistant professor, UC Santa Barbara — includes Wendy Kaplan, head of decorative arts, Los Angeles County Museum of Art; Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles; Jenelle Porter, independent curator; and Andrew Perchuk, deputy director, Getty Research Institute.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

«deFINE ART offers a wonderful opportunity to present an international array of leading contemporary artists alongside emerging SCAD talent,» Storm Janse van Rensburg, SCAD head curator, said.

1 pm ABMB Discussion: The Changing Role of Small - Scale New York Arts Institutions Panelists: Allison Freedman Weisberg, Executive Director and Founder, Recess, New York; Ruba Katrib, Curator, SculptureCenter, New York; Miriam Katzeff, Co-Founder of Primary Information, New York; Peter J. Russo, Director, Triple Canopy, New York Art Basel Miami Beach, Miami Beach Convention Centre, Miami Beach 4 pm Book Launch & Discussion: Living and Sustaining a Creative Life Shamim Momin, Adjunct Curator, Whitney Museum of American Art and Head of Los Angeles Nomatic Division, Los Angeles; Ellen Harvey, Artist, New York; Brian Tolle, Artist, New York Moderator: Sharon Louden, Artist and Editor of «Living and Sustaining a Creative Life», New York Art Basel Miami Beach, Miami Beach Convention Centre, Miami Beach

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Instituart - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt Institute.

Pace will publish a catalogue to accompany the exhibition, with an essay curator and head of the 20th - Century Art Department at the National Gallery of Art, Marla Prather.

Dr. Jonathan Bober Curator and Head of the Department of Old Master Prints, The National Gallery of Art, Washington, D.C.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

-- Hannah Höch is curated by Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies, and art historian, Prof. Dawn Ades CBE, with Emily Butler, Assistant Curator.

Transnational Belonging and Subjectivity - in - Process: Contemporary Women Artists» Encounters with Space Chairs: Catherine Dormor, Ph.D., Head of Research Programmes, Royal College of Art and Basia Sliwinska, Ph.D., Senior Lecturer, Critical & Historical Studies, London College of Fashion Speakers: Kathy Battista, Sotheby's Institute of Art, Jane Chin Davidson, California State University, and Aliza Edelman, Independent Curator

Jo Baring, Director / Curator Ingram Collection Cristina Cellini Antonini, Founder & Co-Director ArtRooms Pamela Kember - Tong, Head of Arts & Learning, Asia House Sajid Rizvi, Founder & publisher of EAP Group International Media Dr Vanessa Champion, Creative Director PhotoX, photo journalist and owner of ARGENTA Isabel H Langtry, Principal at Hampstead School of Art & Sculpture Artist.

This unique project was conceived by Action for Brazil's Children Trust supporter and Sports Media Consultant Betise Head, ABC Trust Founder Jimena Paratcha, and Alice Whitney of Creative Nation, with the help of Lee Sharrock, an arts PR, curator, writer and Director of Global Creative PR at Saatchi & Saatchi Worldwide.

A Universal History of Infamy is presented as part of the Getty - led Pacific Standard Time: LA / LA initiative, and curated by Rita Gonzalez, curator and acting department head of contemporary art at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art Museart at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art MuseArt Museum.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.

The judges for the Griffin Art Prize 2016 are: Serpentine Galleries exhibitions curator Rebecca Lewin, Lindéngruppen owner and chairman, Jenny Lindén Urnes, Griffin Gallery head curator Becca Pelly - Fry, artist Vicky Wright.

-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015, 15 January — 6 April 2015 is curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, with Sophie McKinlay, Acting Head of Exhibitions and Candy Stobbs, Assistant Curator, Whitechapel Gallery.

The exhibition was organized by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

Ann Gallagher, Head of Collections (British Art) at Tate and the curator of the Damien Hirst exhibition explains ArtFunded work Away from the Flock in more detail.

Prior to his tenure at Hood, Taylor spent his career at the Philadelphia Museum of Art from 1997 until 2011, most recently as the Muriel and Philip Berman Curator of Modern Art and Head of the Department of Modern and Contemporary Art.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Reading about the latest controversy at the Museum of Contemporary Art in Los Angeles — the apparently forced resignation of the longtime head curator Paul Schimmel over the pop - culture exhibitions that the new director Jeffrey Deitch is bringing to the museum — I experienced my usual feelings of disbelief.

Jenny Holzer in conversation with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, Washingtart, National Gallery of Art, WashingtArt, Washington.

Brice Marden, artist, in conversation with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, Washingtart, National Gallery of Art, WashingtArt, Washington.

As part of the Diamonstein - Spielvogel Lecture Series at the National Gallery of Art, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his woArt, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his woart, to discuss the evolution of his career and the influence of his contemporaries on his work.

«Curator and performer Ian M. Colletti, best known for heading the Vaudeville Park space, stages an ambitious daylong fest, featuring art - pop luminaries...» — «Moving Forward» Time Out New York 5/22/2013

About the Speaker: Erin Dziedzic is the Curator and Head of Adult Programs at the Kemper Museum of Contemporary Art in Kansas City.

Included in this catalogue are full - colour reproductions of works in the exhibition, as well as an interview with the artist by Franklin Sirmans, Terri and Michael Smooke Department Head and Curator of Contemporary Art at the Los Angeles County Museum of Art, and an essay by Lowery Stokes Sims, Curator Emerita at the Museum of Arts and Design, New York.

The exhibition is curated by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

Dr. Mitchell Merling, VMFA's Paul Mellon Curator and Head of the Department of European Art, curated the exhibition with Kristie Couser, Curatorial Associate for the Mellon Collections.

Speakers include Chris Stephens, Head of Displays and Lead Curator, Modern British Art, Tate Britain; Edith Devaney, Curator and Head of the Summer Exhibition, Royal Academy.

FRANKLIN SIRMANS Curator Franklin Sirmans served as head of contemporary art at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in Septembart at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in SeptembArt (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in SeptembArt Museum in Miami (PAMM) in September.

For the 2011 Venice Biennale, the Selection Committee consisted of: Rachel Campbell - Johnson, Art Critic, The Times; Christoph Grunenberg, Director Tate Liverpool; Nav Haq, Curator, Arnolfini, Bristol; Keith Hartley, Senior Curator, Scottish National Gallery of Modern Art, Edinburgh; Hugh Mulholland, Director, The Third Space Gallery, Belfast; Karen McKinnon, Curator, Glynn Vivian Art Gallery, Swansea; Richard Riley, Head of Exhibitions, Visual Arts, British Council; Ralph Rugoff, Director, Hayward Gallery, London; Godfrey Worsdale, Director, BALTIC, Gateshead; Chair: Andrea Rose, Director of Visual Arts, British Council.

Meslay, who is currently associate director of curatorial affairs and senior curator of European and American art at the Dallas Museum of Art, will replace Michael Conforti, who is retiring after 20 years at the head of the institutiart at the Dallas Museum of Art, will replace Michael Conforti, who is retiring after 20 years at the head of the institutiArt, will replace Michael Conforti, who is retiring after 20 years at the head of the institution.