Sentences with phrase «art lecture fund»

This lecture series is made possible through the generous support of the William D. Feldman Family Endowed Art Lecture Fund and is hosted by the Hammer Museum.

The UCLA Department of Art's visiting lecture series is made possible through the generous support of the William D. Feldman Family Endowed Art Lecture Fund.

Not exact matches

[BOX 3: Grants and Contracts] Financial Statements, 1957 - 1959 Financial Reports, 1957 - 1959 Financial Statements, 1958 Financial Reports 1960-1961 1962 1963 1964-1965 1966-1967 Report on Review of Source Data Preparation for Accounting Purposes, Oct. 1961 AAAS Budgets, 1968 - 1969 Financial Reports, 1968 - 1969 Financial Statements and Accountant's Opinion, 1969 Financial Statements and Accountant's Opinion, 1970 Financial Reports, 1970 - 1971 Financial Reports, 1972 Financial Reports from Operations, 1979 Budget Proposal for Fiscal Year 1974 and Projections to 1963 Report for Examination of Financial Statements and Additional Information, 1983 - 1984 Closed out Funds and Stocks AAAS Grants Committee, 1955 AID Audit - Mexico City, 1974 Asia Foundation, 1955 - 1975 Boston Concerts Carnegie Corp. - Grant to AAAS for Science Teaching Improvement Program Graham Chedd - Contract [3 folders], 1973 - 1977 DOS - AID Irene Tinker, 1973 - 1977 RISM Research for the Study of Man, 1973 - 1977 Smithsonian, 1971 - 1977 Audit, 1973 - 1977 Close Out, 1976 - 1978 GE Grant - Regional Consultants on Science Teaching, 1956 Gordon Marshall, Exhibits Contract, 1952 National Endowment of the Arts, 1973 NSF Grant - Soviet Science, 1952 Training Talented Students, 1955 Travelling High School Library, 1956 Gordon Conference on Teacher Education, 1956 Junior Academies Workshop, 1957 Proposal to NSF for Development of Science Teaching Materials for Elementary and Junior High Schools, 1961 Progress Report to the NSF on the Holiday Science Lecture Program, 1963 Proposal to the NSF for 1964 Visiting Foreign Staff Project, 1963 NSF - US - Japan Comparative Science Program, 1963 NSF - US - Japan Cooperative Science Program, 1964 WGBH, 1972 Willis Shapley, Contract Agreement, Oct. 1978 DHEW - Barrier Free Meetings, Oct. 1977 CBS News - Conquest Program Series, 1959 MISCO Contract - original, 1972 Basic Books Publishing - New Roads to Yesterday, 1963 - 1966

It helped to foster computer arts activity by providing a network of support, exhibition opportunities, workshops, events and lectures and, on occasion, funding.

The Elizabeth Longfellow Dulmage ’27 Fund will support the Visiting Artists Lecture Series, which exposes the nearly 1,300 students in the School of Art to a highly acclaimed group of artists, critics, and cultural theorists.

Generous support is provided by Karen H. Bechtel, the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the Franklin Jasper Walls Lecture Fund, and assistance from Barbara G. Fleischman and the Wyeth Foundation for American Art.

This lecture is co-sponsored by the Department of Landscape Architecture and Horticulture, the Division of Architecture and Environmental Design, the Tyler School of Art and the Temple University General Activities Fund (GAF).

In the 1890s, the newspaper magnate and philanthropist John Passmore Edwards funded not only the addition of a Lecture Hall and Library to the rear of the Gallery where the Clore Studio now stands, but also the building of an adjacent Technical College, which became known as Camberwell School of Arts and Crafts.

With your donation to the Annual Fund, we're able to produce events, lectures, and art activities.

Grants and awards 2000 Civitella Ranieri Foundation Fellowship (Residency in Italy) United States State Department: International Arts and Lectures Grant Flintridge Foundation Artist's Fellowship Civitella Ranieri Foundation Fellowship 1999 Gerbode Foundation — Faculty Development Grant 1997 Society of Environmental Graphic Design — Award of Merit 1996 Haas Foundation — Creative Work Fund Award 1996 Marin Arts Council, Artist Fellowship 1992 National Endowment for the Arts, Photography Fellowship 1991 Louis Comfort Tiffany Foundation Biennial Award 1989 Fleishhaker Foundation Eureka Fellowship 1988 Englehard Fellowship, ICA Boston 1986 National Endowment for the Arts, Photography Fellowship 1986 Marin Arts Council, Artists Fellowship 1983 Guggenheim Fellowship 1980 National Endowment for the Arts, Photography Fellowship 1978 California Arts Council, Special Projects (with Mike Mandel) 1977 National Endowment for the Arts, Photography Fellowship 1976 National Endowment for the Arts, Art in Public Places (with Mike Mandel)

In this lecture recorded on March 23, 2014, at the National Gallery of Art, this, the inaugural publication in the Gallery's Online Editions series, is discussed and demonstrated by the Gallery's curator of northern baroque paintings, and the curatorial, technical, and publishing team behind this innovative program initially funded by the Getty Foundation.

GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST ART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.

Supported by the Reilly Visiting Artist Fund, she will give a lecture to the College of Art + Design Wednesday,...

This event is sponsored Visual Studies Producing Space Lecture Series at Tyler School of Art, Temple University General Activities Fund, Global Studies, CHAT and Middle East North Africa Group, and Dept of Asian and Middle East Languages and Studies.

He co-directed the Asian American Art Project at Stanford University; was the Director of the California Asian American Art Project, funded by the NEA; and he has lectured on this topic at institutions including the Archives of American Art, Smithsonian Institution, Asian Art Museum of San Francisco, China Institute in New York, Armand Hammer Museum at UCLA, and at many colleges, universities and conferences across the United States.

Grants to New York groups include $ 20,000 to support lectures and symposia at the American Folk Art Museum, $ 30,000 to Franklin Furnace for art projects addressing climate change, $ 35,000 to Performa to support its upcoming biennial, $ 35,000 to the Public Art Fund and $ 25,000 to Wave HiArt Museum, $ 30,000 to Franklin Furnace for art projects addressing climate change, $ 35,000 to Performa to support its upcoming biennial, $ 35,000 to the Public Art Fund and $ 25,000 to Wave Hiart projects addressing climate change, $ 35,000 to Performa to support its upcoming biennial, $ 35,000 to the Public Art Fund and $ 25,000 to Wave HiArt Fund and $ 25,000 to Wave Hill.

Projects supported by The Kindling Fund may include (but are not limited to): public art projects, intervention or site specific installations, one time events or performances, the publication of writing directly related to the visual arts including printed matter and online publications, online projects, artist residencies, series of screenings, curatorial projects that focus on unconventional artistic practice, lecture or workshop series, multimedia, video and photo projects, or unconventional exhibitions.

2014 Studio Lecture Series, Stanford University, Palo Alto, CA Public Art Fund Talks at the New School: Encounters: Artists, Cities and Communities, The New School, New York, NY The Ruins of Mound City, with Juan William Chavez as part of Monument / Anti-Monument, St Louis, MO Political Art Across Disciplines: Bérénice Reynaud, Travis Preston and Sam Durant, as part of WHAP!

He is a constant feature in the Dallas / Fort Worth arts scene, giving lectures and leading discussions; in addition, his support and advocacy of other artists and art projects in the Metroplex was readily recognized by the panel, and they believe that he is the type of artist Frank Moss and Jim Chumley would have had in mind when they established the fund and subsequent award.

Funded in part by the Warhol Foundation, this contemporary arts venue always has something happening, from art to music, films to lectures, and live performance.

Your gifts purchase equipment, books, and art supplies for our classrooms, provide critical funding for scholarships (last year alone, PNCA provided nearly $ 6 million in student scholarships), and support lectures and visiting artist programs that connect students to the world's most important thinkers and makers.

Lectures are made possible with generous support from Debbie and Eric Green, Anonymous donor, Joanne Leonhardt Cassullo, the Dorothea Leonhardt Fund at the Communities Foundation of Texas Inc. and Ignite Art Dallas.

This exhibition is generously supported by the Ontario Arts Council's program for Culturally Diverse Curatorial Projects, the George Taylor Richardson Memorial Fund and the Chancellor Dunning Trust Lecture, Queen's University.

The exhibition, programming, and publication are made possible through the support of Bacca Foundation Visiting Lecture and Artist Fund, the Herb Jackson and Laura Grosch Gallery Endowment, Davidson College Friends of the Arts, North Carolina Arts Council, Public Lectures Committee, the Arts & Science Council, and Davidson College Hispanic Studies.

The Marjorie Heilman Visiting Lecture Fund and the Donald Jay Gordon Visiting Artist Fund allow the Department of Art to invite distinguished artists to lecture and to exhibit at Swarthmore CLecture Fund and the Donald Jay Gordon Visiting Artist Fund allow the Department of Art to invite distinguished artists to lecture and to exhibit at Swarthmore Clecture and to exhibit at Swarthmore College.

This exhibition was made possible through the generous support of the Bacca Foundation Visiting Lecture and Artist Fund, Herb Jackson and Laura Grosch Gallery Endowment, Malú Alvarez, Davidson College Class of 2002, and Davidson College Friends of the Arts.

The exhibition, related programming, and catalogue are made possible through the support of the National Endowment for the Arts, the Bacca Foundation Visiting Lecture and Artist Fund, Herb Jackson and Laura Grosch Gallery Endowment, the Davidson College Friends of the Arts, Organization of Latin American Students (OLAS), and Multicultural Affairs.

The exhibition and publication were generously supported by the Bacca Foundation Visiting Lecture and Artist Fund, the Herb Jackson and Laura Grosch Gallery Endowment, Davidson College Friends of the Arts, Public Lectures Committee, the Arts & Science Council, and Davidson College Hispanic Studies.

www.santofoundation.org selected work experience university of north texas, denton, tx 2009 assistant professor, studio art, coordinator of design I. lead professor for 18 sections of design I, creating curriculum, lectures and overseeing teaching assistants / fellows and adjuncts washington university, st. louis, mo 2004 to 2009 visiting lecturer: 2d design, drawing II, and painting director of summer school and portfolio plus: instructor of painting as well as significant administrative duties which include the budget, hiring, curriculum, student applicants, fund raising, scholarship recipients, residential student needs, orientation, visiting artists, curricular / extra-curricular activities, etc webster university, st. Louis, mo 1998 to 2009 adjunct full professor: 2d design, introduction to art, art appreciation (lecture), graphic design