Sentences with phrase «art senior exhibition»

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The Fine Art Senior Exhibition may have officially ended on Saturday at 4 pm, but you can come see it tomorrow, Monday, May 7 and Tuesday, May 8 before it comes down.

Not exact matches

On May 23, focus will be on the talents and ingenuity of pupils and students as the state host the Science, Arts and Crafts Exhibition by Junior and Senior Secondary Schools across the State.

«Science plays a big role in deepening our understanding of these iconic masterpieces,» said Francesca Casadio, A.W. Melon senior conservation scientist at the Art Institute of Chicago, which is hosting a new exhibition, Van Gogh's Bedrooms.

Research meets art in Avalyn Zilke's senior art exhibition, now on display at the Mary S. Byrd Gallery of Aart in Avalyn Zilke's senior art exhibition, now on display at the Mary S. Byrd Gallery of Aart exhibition, now on display at the Mary S. Byrd Gallery of ArtArt.

Senior Lecturer Steve Seidel, director of the Arts in Education Program, eagerly got on board to help make the exhibition a reality.

«Last year we witnessed students undertake amazing activities under the program, ranging from the development of an exercise class for senior citizens to the creation of an art exhibition based on the theme of empowering women.»

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

Julia White, our senior curator for Asian art, is organizing three consecutive exhibitions beginning in July — one focusing on historical Chinese painting, one focusing on historical Japanese art, and another on historical Indian art.

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

ABOUT THE EXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conEXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conexhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that connect them.

This show is a selection from a larger exhibition organized by Miami Art Museum and curated by Assistant Director for Programs / Senior Curator Peter Boswell.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

In this episode of Radio Art Center, the Des Moines Art Center's Director of Marketing and PR Christine Crawford sits down with Senior Curator Alison Ferris to discuss the upcoming exhibition Ruptures.

The presentation at P.S. 1 includes selections from the exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of Contemporary Art, San Diego.

As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.

Curated by Brenda Croft, formerly Senior Curator of Indigenous Art, National Gallery of Australia, Culture Warriors will be the largest and most comprehensive exhibition of contemporary Australian Indigenous art ever presented in the UArt, National Gallery of Australia, Culture Warriors will be the largest and most comprehensive exhibition of contemporary Australian Indigenous art ever presented in the Uart ever presented in the U.S.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Museum.

Since then she has held Senior Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist aArt at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist artart.

She was the focus of a Museum of Modern Art Focus exhibition curated by former Senior Curator of Painting and Sculpture Robert Storr.

About Catherine J. Morris: Catherine Morris is the Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum where, since 2009, she has curated and co-curated numerous exhibitions including We Wanted a Revolution: Black Radical Women, 1965 - 1985; Judith Scott - Bound and Unbound; and Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art.

The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Washington.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

It is curated by Achim Borchardt - Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiontán Moran and Juliette Rizzi, Assistant Curators, Tate Modern.

Lectures Introduction to the Exhibition March 4 at 2:00 p.m. East Building Auditorium Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art.

Spring 2018 Senior Projects Exhibition Animation, Fashion, Fiber and Materials, Graphic Design / Visual Communication, and Studio Arts

«CLIQUE» Senior Project Exhibition, Graphic Design and Visual Communication December 7 - 12, 2015 Opening Reception @ Fine Arts Gallery December 7, 2015 @ 12 - 5 PM

Major programming related to the exhibition includes scholarly lectures by Barbara Haskell, Curator of painting and sculpture, Whitney Museum of American Art; Eleanor Harvey, Senior Curator, Smithsonian American Art Museum, and Alexander Nemerov.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

Pace will publish a catalogue to accompany the exhibition, with an essay by Marla Prather, former curator at the National Gallery of Art, the Whitney Museum of American Art, Tate Modern, and most recently Senior Consultant at the Metropolitan Museum of Art.

Dishman Art Museum Department of Art Senior Thesis Exhibition.

Senior Project Exhibition and Senior Fashion Show Graphic Design and Visual Communication, Studio Arts and Fashion and Textile

The Senior Curator at the Royal Academy of Arts, Adrian Locke, who curated the exhibition along with Hayle Gadelha, the Cultural Attaché in London and researcher, stated that:

The exhibition is co-curated by James Putnam who was formerly founder curator of the British Museum's Contemporary Arts and Cultures Programme and is currently Senior Research Fellow Exhibitions at University of the Arts, London (UAL) where the Stanley Kubrick archive is housed.

10:30 am Panel: The Exhibition, The Contemporary Arts Center, and Arts Censorship Moderated by Raphaela Platow, Director, Contemporary Arts Center, Cincinnati, with panelists: Dennis Barrie, Principal, Barrie Projects, and former Contemporary Arts Center Director, Cleveland; Jock Reynolds, Director, Yale University Art Gallery, New Haven; and H. Louis Sirkin, Senior Counsel, Santen & Hughes, and former trial counsel to Dennis Barrie and the Contemporary Arts Center, Cincinnati; and Michael Ward Stout, President, The Robert Mapplethorpe Foundation, New York

Accompanying the exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and futuart historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and futuArt at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and future.

The exhibition is accompanied by workshops on feminist posters taught by Guerrilla Girls, along with the second Feminist Perspectives in Artist Practice and Theory of Art course that is co-directed by the curator of the exhibition, Xabier Arakistain and the senior professor in Social Anthropology of the UPV / EHU, Lourdes Méndez.

The exhibition is organized by Cynthia Burlingham, director and senior curator of the Grunwald Center for the Graphic Arts, and deputy director of collections of the Hammer Museum.

At the Hammer, Hodge will work closely with Cynthia Burlingham, deputy director of collections and director of the Grunwald Center for the Graphic Arts; Douglas Fogle, chief curator and deputy director of exhibitions and public programs; Anne Ellegood, senior curator; curators Ali Subotnick and Allegra Pesenti; and adjunct curator Russell Ferguson.

The exhibition derives from the catalogue Conversations from the Print Studio: A Master Printer in Collaboration with Ten Artists, co-authored by Zammiello and Elisabeth Hodermarsky, Sutphin Family Senior Associate Curator of Prints, Drawings, and Photographs at the Yale University Art Gallery.

The new building, designed by Adjaye Associates, with Cooper Robertson as executive architects and program planning consultants, will enable the Studio Museum to better serve its growing and diverse audiences, provide additional educational opportunities to museumgoers from toddlers to seniors, expand its world - renowned exhibitions of art by artists of African descent and influenced and inspired by black culture, and effectively display its singular collection of artwork from the nineteenth century to the present day.

The evening will include a discussion about collecting and exhibiting this remarkable lineage of black artists with collector Pamela Joyner, artist Shinique Smith and exhibition co-curators Christopher Bedford, Dorothy Wagner Wallis Director of the Baltimore Museum of Art, and Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art at Stony Brook University and senior curator for research and programming at the Baltimore Museum of Art.

Fine Art senior Ashley Obel unveils Jupiter's Eye, an exhibition exploring the disorientation of the home before, during, and after a hurricane.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

With Inherent Structure, Michael Goodson, Senior Curator of Exhibitions at the Wexner Center for the Arts at The Ohio State University, brings together 16 contemporary artists whose works reflect not just formal conventions exclusive to painting, but also the artists» particular material, psychological, and sociopolitical concerns.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiArt Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiart, and clothing.

Organized by P.S. 1 Director Alanna Heiss and P.S. 1 Senior Curator Carolyn Christov - Bakargiev, this exhibition maps LeWitt's art - making process, from preliminary drawings, followed by precisely crafted wooden models, to completed outdoor cinder block sculptures, with one work rising more than twenty - one feet high.

Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945 - 1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron about the storied history of the Dwan Gallery and the artists who exhibited there.

Art outside the color spectrum fills the first exhibition organized by new Senior Curator Michael Goodson for the Wexner Center for the Arts