Hobson's Choice has a Mexican flavour this week — I'm currently in Mexico leading a Contemporary
Art Society group!
Not exact matches
A project led by MASS (Model of Architecture Serving
Society) Design
Group, the state - of - the -
art hospital is a 60,000 - square - foot clinic with 150 beds.
In Florence, where the greatest «Magdalena was carved, prostitutes were in plentiful supply to fascinate the leaders of
society and mildly threaten ecclesiastical discipline, and a saint who was thought to have been a prostitute was bound to get attention from every
group with money for the
arts.
The
group includes some of the best known places in Chicago, including the Field Museum, the Shedd Aquarium, the Museum of Science and Industry, the Brookfield Zoo, the
Art Institute of Chicago, the Chicago Historical
Society.
The Municipal
Art Society has been one of the most vocal advocacy
group's calling for the relocation of the arena.
Additional participants in the Jamaica Now Planning Initiative include: 165th Street Business Improvement District, 180th Street Business Improvement District, Jamaica Center Business Improvement District and Sutphin Boulevard Business Improvement District, A Better Jamaica, A Better Way Family & Community Center, Addisleigh Park Civic Association, Alliance of South Asian American Laborers, America Works, Antioch Baptist Church, Brinkerhoff Action Associates, Inc., Center for Integration & Advancement for New Americans, Center for New York City Neighborhoods, Chhaya Community Development Corporation, Citizens Housing & Planning Council, Community Healthcare Network of New York City, Cultural Collaborative Jamaica, Damian Family Care Center, Edge School of the
Art, Exploring the Metropolis, Farmers Boulevard Community Development Corporation, First Presbyterian Church in Jamaica, Fortune
Society, Goodwill Industries of Greater New York & New Northern New Jersey, Greater Allen Development Corporation, Greater Triangular Civic Association, Indo Caribbean Alliance, Jamaica Center for
Arts & Learning, Jamaica Hospital, Jamaica Muslim Center; Jamaica Performing
Arts Center, Jamaica YMCA, King Manor, LaGuardia Community College Adult & Continuing Education, Mutual Housing Association of New York, Neighborhood Housing Services Jamaica, New York Alliance for Careers in Healthcare, Queens College, Queens Council on the
Arts, Queens Economic Development Corporation, Queens Hospital, Queens Legal Services, Queens Library; Queens Workforce1 Center, SelfHelp, Sikh Cultural
Society, Sunnyside Community Services, Inc., The Jamaica Young Professionals, The Jamaica Youth Leaders, The Tate
Group, Upwardly Global, Visiting Nurse Service of New York, and Y - Roads.
Its
society, composed of ethnically homogenous but competitive social
groups who shared a single
art style, culture and religion, suggests an analogy also with Delphi's Amphictyonic League.
After nearly four years and an investment of $ 41 million, the Film
Society of Lincoln Center's new theater complex, the
group's most significant undertaking in years and one that could prove a boon for lovers and distributors of
art house films, now has an opening date.
The opening to Gene Roddenberry's 1973 TV movie Genesis II (Warner Archive Collection) takes a while to explain how scientist Dylan Hunt (Alex Cord in a really groovy mustache) went to sleep in 1979 and woke up in 2133, but once he wakes up we're in classic Roddenberry territory of social commentary in sci - fi trappings, in this case a post-apocalyptic world where a (literally) underground
society of idealists tries to preserve the
art and knowledge of the past in the face of tribal
groups fighting for dominance in the world above.
Florence Foster Jenkins (2016) may sound like a one - joke contrivance — a rich, generous,
arts - loving heiress in 1940s New York City gives private recitals to a select
group of high
society insiders who never let on to the oblivious woman that she is quite possibly the worst singer to ever trod a stage — but it is both a true story and an unexpectedly tender, touching movie.
In 2002, a
group of Seattle film professionals, enthusiasts, teachers, and critics formed Parallax View, a small film
society whose goal was to champion the cause of film literacy, foster public discussion of the place of movies in
society, and promote the serious, sometimes delirious cause of film as
art.
The detrimental consequences of government policy on
art, craft and design education have been exposed by the findings of The National Society for Education in Art and Design Survey Report 2015 - 16 to be launched at the All - Party Parliamentary Group for Art, Craft and Design in Education at 4 pm on Tuesday 9 February 20
art, craft and design education have been exposed by the findings of The National
Society for Education in
Art and Design Survey Report 2015 - 16 to be launched at the All - Party Parliamentary Group for Art, Craft and Design in Education at 4 pm on Tuesday 9 February 20
Art and Design Survey Report 2015 - 16 to be launched at the All - Party Parliamentary
Group for
Art, Craft and Design in Education at 4 pm on Tuesday 9 February 20
Art, Craft and Design in Education at 4 pm on Tuesday 9 February 2016.
These
groups for 8 - 18 year olds were affiliated to a local NADFAS
society and organised
arts related activities for its young members.
NADFAS encouraged its
societies to provide Young
Arts opportunities for young people either by offering fully or part funded projects or through the establishment of Young
Arts Groups.
National Representation by Committee Investigation here has pointed to many fine organizations with an interest in media literacy and technology
societies with
arts as an area of interest, as well as technology as a working
group within the professional organizations for dance, music, theatre and visual
arts.
Join an interest
group, serve on a committee, establish a National
Art Honor
Society Chapter today, and more!
While his parents are preoccupied with a new baby, Henry travels to Paris with Aunt Lucinda on a mission for the Silver Jaguar
Society, a
group dedicated to rescuing stolen
art, in this third series installment.
Join
art societies and other
art groups.
The Algarve didn't have any form of
Society set up for artists — a
group to support and encourage — and promote
art and artists in the region.
He works with a number of
art societies and
groups on a regular basis throughout the north.
Another example is the
Society of American Fakirs at the
Art Students League of New York City, a
group of students who, between 1891 and 1906, annually produced parodies of the works of artists they were supposed to revere, like John Singer Sargent and Thomas Eakins.
Arts groups like the Idaho Watercolor
Society included the release in their monthly newsletter, which helped to recruit great competition in that category.
I am a member of: The Bucks
Art Society The Visual Images
Group Bucks Pottery and Sculpture
Society
This, on the surface of it, seems reasonable enough: in general, women's experience and situation in
society, and hence as artists, is different from men's, and certainly the
art produced by a
group of consciously united and purposefully articulate women intent on bodying forth a
group consciousness of feminine experience might indeed be stylistically identifiable as feminist, if not feminine,
art.
1969 From the Martha Jackson Gallery, Esther Bear Gallery, Santa Barbara, California (September 14 — October 14)
Group Show, John Bolles Gallery, San Francisco (July 31 — August 31) Seventy Years of American
Art, Whitney Museum of American
Art, New York (July 3 — September 28) Wallworks Part II, Martha Jackson Gallery, New York (June 24 — July 18) Wallworks Part I, Martha Jackson Gallery, New York (June 4 — 20) 29th Annual
Society for Contemporary
Art Exhibition, The
Art Institute of Chicago (April 22 — June 1) The Recent Years, Montclair
Art Museum, Montclair, New Jersey
Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia
Society Museum, as well as a part of such seminal
group exhibitions as Asia
Society's «Inside Out: New Chinese
Art» (1998).
Group shows include the Contemporary
Art Society's ARTfutures, Bloomberg SPACE, 2005; David Risley Gallery, London, 2007; mima, Middlesborough, 2007; and shows in Amsterdam; Dublin; Hamburg; Hanover; Salamanca; Wilhelmshaven and Wuppertal since 2005, including participation in the 2008 Prague Triennale.
She has received several international honors, including the Fukuoka
Arts & Culture Prize (2013) and has been the subject of numerous international solo and
group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia
Society Museum.
His work has been featured prominently in biennials including the 12th Sharjah Biennial, United Arab Emirates (2015) and the 2008 Whitney Biennial, New York; as well as in many
group exhibitions including at the Astrup Fearnley Museet, Oslo, Norway (2016 and 2005); the Institute of Contemporary
Art, University of Pennsylvania, Philadelphia, and the Contemporary
Art Museum Houston (both 2014); the Museum of Contemporary
Art, Los Angeles (2012 and 2006); Project Row Houses, Houston (2010); and The Renaissance
Society at the University of Chicago and Artpace, San Antonio (both 2008).
1968
Art For Your Collection, Rhode Island School of Design, Providence (December 5 — 22) In Honor of Dr. Martin Luther King, Jr. (a benefit exhibition for the Southern Christian Leadership Foundation), Museum of Modern
Art, New York (October 31 — November 3) Gallery
Group Show including works by Appel, Domoto, Falkenstein, Hartigan, Hultberg, Jenkins, Jenson, Johnson, Mitchell, Pomodoro, Roth, Tàpies, and Thompson, Martha Jackson Gallery, New York (May 20 — June 22) L'
Art Vivant, 1965 - 1968, Fondation Maeght, Saint - Paul - de-Vence, France (April 13 — June 30) Painting as Painting, University
Art Museum, University of Texas at Austin (February 18 — April 1) 28th Annual Exhibition of the
Society for Contemporary
Art,
Art Institute of Chicago American Painting: The 1950s, Georgia Museum of
Art, Athens, Georgia (November 3 — December 1, 1968).
Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary
Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.
Southampton Artists Association (Vice President and Webmaster) East End Photographers
Group East End
Arts Council Guild Hall Parrish
Art Museum North Shore Artists Guild Southold Historical
Society
He is part of the artist collective, Delusions of Grandeur, a
group of emerging artists focused on providing critique and commentary on social infrastructures within American
society, while contributing to the prominence of the collective black voice and presence within contemporary
art.
Semple has also featured in many
group exhibitions and charity projects at institutions including ICA, Victoria Miro, Sotheby's, The Fine
Art Society, Museum of
Art & Design (NY), Sao Paulo Biennial and
Art Basel, Miami.
1935 «Modern American
Art in Modern Room Settings,» Modernage, New York, NY «Thirteenth Annual Spring Salon,» The American
Art Association, Anderson Galleries, Inc., New York, NY «Exhibition: An American
Group,» Valentine Gallery, New York, NY The Gallery of Living
Art, New York University, New York, NY College
Art Association, New York, NY Paul Reinhardt Galleries, New York, NY Galerie de Paris, Paris, France
Society of Independent Artists, New York, NY
Asia
Society Texas Center: «We Chat: A Dialogue in Contemporary Chinese
Art,»
group show, through July 3; and «Yuriko Yamaguchi,» through Aug. 21; $ 5; 1370 Southmore; 713-496-9901, asiasociety.org
In 1888, a
group of sixty - seven women and men gathered in Lincoln to form of a
society of fine
arts, the Haydon
Art Club, now the Sheldon
Art Association.
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand
Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr
Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist
Art Project, The Propeller
Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
Studio
Society is comprised of an extraordinary
group of individuals who are dedicated to supporting black
art and culture.
Special thanks to Andrew Kreps Gallery, Anonymous, Castelli Gallery, David Zwirner Gallery, Emily Harvey Foundation, Estate of Paul Jenkins, Hanako Iijima, Hiroshi Senju Studio, Hiroshi Sugimoto Studio, Jacques de Melo and Kaoru Yanase, James Corcoran Gallery, Japan America
Society of Greater Philadelphia, Jon Hendricks, Joshua Mack, JP Morgan Chase
Art Collection, Junko Kawashima, KAORUKO, Kunio Izuka, M&T Kondo
Art Foundation, Mami Yoneyama, Marrel Ihara, Marugame Gen» ichiro Inokuma Museum of Contemporary
Art, Masaaki Noda, Masaaki Sato, Microscope Gallery, Midori Yoshimoto, Mieko Shiomi, Naoto Nakagawa, Ori Carino, Oscar Oiwa, Pace Gallery, Peter Blum Gallery, NY, Reiko Tomii and Jeff Rothstein, Reversible Density Foundation, Richard Reiss, Robert Miller Gallery, Ronin Gallery, Sundaram Tagore Gallery, Santos Marketing
Group, Shigeko Kubota Video
Art Foundation, Suzanne Jenkins, Taka Ishii Gallery, Takao Kitayuguchi, Takeshi Kawashima
Art Factory, Taylor, Clayton and Lydia Fujimoto Trust, The
Art Museum at SUNY Potsdam, Tom Haar, Tomohisa Sato, Toshihisa Yoda, Toshiko Nishikawa, Ulterior Gallery, NY, Whitestone Gallery, Willard Morgan.
His work has been featured in
group exhibitions at Pace Gallery, New York (2016); the Renaissance
Society at the University of Chicago (2016); Hammer Museum at
Art + Practice, Los Angeles (2016); the Rennie Museum, Vancouver (2016); White Columns, New York (2016); the Solomon R. Guggenheim Museum, New York (2015); MoMA PS1, New York (2014); the Museum of Modern
Art, New York (2014); and the Museum of Contemporary
Art, Cleveland (2013), among others.
Her work has been included in
group exhibitions, including «Lines and Spaces», Hartford
Art School, CT; «About Painting» and «Twice Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «Drawn by New York: Six Centuries of Watercolors and Drawings at the New - York Historical
Society», and «Drawing is Another Kind of Language» which originated at the Harvard University
Art Museums and traveled to museums in the U.S. and Europe.
Group Shows include: Adventures of the Black Square, Abstract
Art and
Society, 1915 - 2015, Whitechapel Gallery, 2015; Perspectives on Collage, The Photographers Gallery, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Modernikon: Contemporary
Art from Russia, Fondazione Sandretto Re Rebaudengo, Turin.
Bag has been included in
group exhibitions at the Museum of Modern
Art, New York; Philadelphia Museum of
Art; The Renaissance
Society, Chicago; Center on Contemporary
Art, Seattle; Kunsthalle Nuremberg, Germany; Athens Fine
Art School, Greece; and Kunsthalle Basel, Switzerland.
Her work has been included in many
group exhibitions, including Ecstatic Resistance, X Initiative, New York, New York (2009 - 10); Sonic Episodes: An Evening of Audio Works, Dia
Art Foundation at the Hispanic
Society, New York, New York (2009); and 2 or 3 Things I Know About Her, Fogg
Art Museum at Harvard University, Cambridge, Massachusetts (2008).
SAF — Sharjah
Art Foundation SAM — Seattle Art Museum SAM — Singapore Art Museum SCUM — Society For Cutting Up Men (a feminist group invented in 1967 by Valerie Solanas, who shot Andy Warhol in 1968 in a failed assassination attempt) SFKM — Sogn og Fjordane Museum of Fine Arts (Førde) SKMU — Sørlandet's Museum of Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine, art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock mark
Art Foundation SAM — Seattle
Art Museum SAM — Singapore Art Museum SCUM — Society For Cutting Up Men (a feminist group invented in 1967 by Valerie Solanas, who shot Andy Warhol in 1968 in a failed assassination attempt) SFKM — Sogn og Fjordane Museum of Fine Arts (Førde) SKMU — Sørlandet's Museum of Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine, art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock mark
Art Museum SAM — Singapore
Art Museum SCUM — Society For Cutting Up Men (a feminist group invented in 1967 by Valerie Solanas, who shot Andy Warhol in 1968 in a failed assassination attempt) SFKM — Sogn og Fjordane Museum of Fine Arts (Førde) SKMU — Sørlandet's Museum of Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine, art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock mark
Art Museum SCUM —
Society For Cutting Up Men (a feminist
group invented in 1967 by Valerie Solanas, who shot Andy Warhol in 1968 in a failed assassination attempt) SFKM — Sogn og Fjordane Museum of Fine
Arts (Førde) SKMU — Sørlandet's Museum of
Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine, art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock mark
Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine,
art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock mark
art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock market)
Group exhibitions include: The Watermill
Art Center (with folioeast), Watermill, NY; Guild Hall, East Hampton, NY; Historical
Society, Rye NY; The Nelson
Art Gallery, Kansas City, MO; Washington Square Park Gallery, NYC; Nix Gallery, NYC; Kenise Barnes Gallery, Larchmont NY; and The Spannocchia Foundation, Rosia, Italy.
She has shown her work in
group exhibitions at Malia Mills, East Hampton; Umbrella
Arts, New York; Japan
Society, New York; and Ray Hughes Gallery and Legge Gallery, Sydney.
Anna Yam,
group exhibition, «The Mute Muse» at Musrara, The Naggar Multidisciplinary School of
Art and
Society, Jerusalem
She has been included in numerous international
group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance
Society, Chicago (2013), The Metropolitan Museum of
Art (2013), Carnegie Museum of
Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).