Not exact matches
Mulcaire's work has been exhibited widely, including the
XXIV Sao Paulo Bienal in 1998, the Biennale of Sydney in 2004,
Art Unlimited at
Art Basel in 2008 and the 2nd Bienal del Fin del Mundo in Ushuaia, Tierra del Fuego, Argentina in 2009.
His work has been featured in international exhibitions including the Sculpture Project in Munster (1997);
XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary
Art, Los Angeles; The Museum of Modern
Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of
Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.
Milhazes has participated in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai
Art Museum, Shanghai (2006);
XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of
Art, Pittsburgh (1995).
1949
XXIV Venice Biennale, Venice, Italy Milestones of American Painting in our Century, Institute of Contemporary
Art, Boston, MA;
Art Association of Montreal, Montreal, Quebec; Colorado Springs Fine
Arts Center, Colorado Springs, CO; M.H. de Young Memorial Museum, San Francisco, CA; Los Angeles County Museum, Los Angeles, CA; Cleveland Museum of
Art, Cleveland, OH Annual Exhibition of Contemporary American Sculpture, Watercolors & Drawings, Whitney Museum of American
Art, New York, NY Artists» Choice: Watercolor Show, St. Botolph Club, Boston, MA Morris Graves... Mark Tobey, Margaret Brown Gallery, Boston, MA The Intransubjectives, Samuel M. Kootz Gallery, New York, NY
6 June — 30 September: For the
XXIV Biennale di Venezia — the first Biennale of the postwar period — Calder's Arc of Petals is included in a presentation of Peggy Guggenheim's collection curated by
art historian Giulio Carlo Argan.
Recent exhibitions include «Ailleurs / Ici» Musee d'
Art Moderne de la Ville de Paris; «Common Wealth» Tate Modern, London; «Puerto Rican Light» The America's Society, NY;
XXIV Sao Paolo Biennale, Brazil; PS1 Contemporary
Art Centre, NY.
Prendere, dare, sbirciare nel museo, MAMbo, Bologna, Italy, 2009) and he took part to countless group shows (La festa dei vivi (che riflettono sulla morte), organized for AND AND AND inside: dOCUMENTA (13), San Cesario, Italy, 2011; Declining Democracy, Centro di Cultura Contemporanea Strozzina, Firenze, Italy, 2011; Sleepover, Serpentine Gallery, London, UK, 2010, Democracy1, Royal College of
Art, London, UK, 2000, Aperto» 90,
XXIV Venice Biennale, Italy, 1990).
She has participated in numerous international biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997);
XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary
Art, England (1999).
Salcedo has also been included in notable group exhibitions internationally including:
XXIV São Paulo Biennial (1998); Documenta XI, Kassel (2002); 8th Istanbul Biennial (2003); «NeoHooDoo,» PS1 Contemporary
Art Center, New York and The Menil Collection, Houston (2008); and «The New Décor,» Hayward Gallery, London (2010).
1998
XXIV Bienal Internacional de São Paulo, Brazil Recent Acquisitions, Contemporary
Art Collections, Arizona State University
Art Museum, Nelson Fine
Arts Center, Phoenix, USA Amnesia, Christopher Grimes Gallery and Track 16, Santa Monica, USA, traveled to the Contemporary
Arts Center, Cincinnati, USA, Biblioteca Luis Angel Arango, Bogota Colombia, Contemporary
Arts Museum, University of South Florida, Tampa and Bronx Museum of the
Arts, Bronx, USA Chicago Hip, Rocket Gallery, London, England Then and Now, Terrain Gallery, San Francisco, USA
«Miami
Arts Project,» Miami, FL, January — March, 1998; brochure «I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green,» Women's 20th Century Club, Eagle Rock, CA, February 14 — March 14, 1998 «Postcards from Black America,» Breda, De Beyerd Museum, Breda, The Netherlands, 1998; catalogue «Núcleo Historico,
XXIV Bienal de São Paulo,» curated by Paulo Herkenhoff, São Paulo, Brazil, 1998 «100 Years of Sculpture: From Pedestal to Social,» Walker
Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislaine Hussenot, Paris, France, 1998 «Heart, Mind, Body, Soul,» Whitney Museum of American
Art, New York, NY, 1998 «Cut on the Bias: Social Projects of the 90's,» from the Permanent Collection: The Fabric Workshop and Museum, Philadelphia, PA, 1998 «Histories (Re) Membered: Selections from the Permanent Collection of the Bronx Museum,» Paine Webber
Art Gallery, New York, NY, 1998 «100 Years of Sculpture: From pedestal to Social,» Walker
Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislane Hussenot, Paris Miami
Art Project, Miami, FL, 1998 «Hindsight: Selections from the Permanent Collection,» Whitney Museum of American
Art, New York, NY, 1998 «A Portrait of Our Times: An Introduction to the Logan Collection,» San Francisco Museum of Modern
Art, San Francisco, CA, 1998
2002 - 03 From Blast To Frieze: A Century of British
Art, Kunstmuseum Wolfsburg; Les Abattoirs, Toulouse 2002 Face / Off, Kettle's Yard, Cambridge
XXIV Bienal de São Paulo 2001 Out of line: Drawings from the
Arts Council Collection, Hayward Gallery, London; York City
Art Gallery, York La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British
Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton Diary, Cornerhouse Gallery, Manchester Purile 69, Living
Art Museum, Reykjavik 1999 Waste Management,
Art Gallery of Ontario, Toronto Trace and
Art Lovers, The Liverpool Biennial of Contemporary
Art 1997 Sensation: Young British artists from The Saatchi Collection, Royal Academy of
Arts, London; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Brooklyn Museum of
Art, NY Material Culture: The Object in British
Art of the 1980s and 90s», Hayward Gallery, London 1996 Ace!