Sentences with phrase «art accompanying story»

Art accompanying story in printed newspaper (not available in this archive): Have Plenty and Mr. Jealousy film stills.

Art accompanying story in printed newspaper (not available in this archive): Men in Black film still / Contact film still.

Not exact matches

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

To fake a photo of an ice borer that accompanied the hoax story, the magazine's art department Photoshopped a red - tinted trilobite onto the head of a naked mole rat.

The stories include original art and accompanying multimedia features.

The site offers a host of improvements, including more prominent display of breaking news and feature stories, faster and more customized search, better integration of new stories from Science magazine, and a bigger focus on the art that accompanies our stories.

Summer Stories Writing Have each student write a story to accompany the art project in Activity 38.

I predict that this charming story will be a hit with kids who love the outdoors and playing make believe — not only because of the text, but because the accompanying illustrations are truly works of art.

Once again the habit of game art made for a supposed «perverse» gaze is way behind us, Horizon Zero Dawn is very story - oriented and Aloy's look is doing nothing but accompanying this story and its universe.

The 2012 New York art fairs ran March 8 — 10 and May 3 — 7, and an accompanying article continues the story past March.

But these are his most significant years, and Prima Materia does tell a story, one less involved with the alchemical interests the show's title suggests, or the ethnographic influences implied by the accompanying selection of objects (Hopi kachina dolls, Yup» ik masks), and more concerning the effect on an established practitioner of the turn from abstract Surrealism to Abstract Expressionism in postwar American art.

Unlike passively regarding the cover shot accompanying Michael Kimmelman's story in Arts & Leisure, it's impossible to grab a full - volume view of Renzo Piano's Whitney Museum from street grade.

Concealment, serendipity, story telling, duration, and process are all recurring concerns in British conceptual artist Tacita Dean's work.2 Films are an important element of her art; lasting several minutes, they are shown on a continuous loop, and are always accompanied by a text crafted by the artist...

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

Within the gallery / art fair / website complex, paintings can be accompanied by interesting back - stories, or at least a series of words — such as «discovery», «exploration», or «deconstruction» — which keep the figure of the bold and exciting artist close to the painting they've made.

«Part of the curatorial process — from designing exhibitions to writing the labels that accompany art — is deciding how to present art and which stories to tell about the work,» said Catherine L. Futter, the Nelson - Atkins Director of Curatorial Affairs.

Each exhibition is accompanied by a book and earlier shows have been held at the Studio Museum in Harlem, the New Orleans Museum of Art and Segregation Story is currently on view at the High Museum of Art in Atlanta.

At Art Market, a gallery on Grand Street, Kertess gave a reading from «Desire by Numbers,» a homoerotic short story he had written as part of a series of books pairing the work of writers and artists (Kertess's story accompanied the photographs of Nan Goldin, herself a biennial artist).

Her influence on the course of recent art history is profound, and there are too many great, fascinating Sturtevant stories to even begin to present her ranging wit here, but one particularly interesting one — told in a pamphlet accompanying her White Columns show — concerns Marcel Duchamp, whose notion of readymade sculpture she carried into uncharted territory.

2001 Beyond Turners Road publication to accompany solo exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobson

This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York's downtown art scene in the 1980s — from a DIY counterculture in the East Village to a legitimate gallery business in SoHo.

Organized alphabetically, Learning to Read with John Baldessari — which accompanies a retrospective at Museo Jumex, Mexico City — includes an essay on the artist's approaches to art - making and teaching; a biography of the artist as a teacher; artworks reproduced thematically; and stories and anecdotes from former students such as Liz Craft, Ed Henderson, Matt Mullican, Tony Oursler and David Salle, about their years at CalArts.

An exhibition catalogue, Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg, published by the Smithsonian American Art Museum and Abrams, accompanies the exhibition.

In their accompanying essays, Cesar Paternosto focuses on the emergence of an abstraction rooted on the indigenous arts of the Americas; Lucy R. Lippard writes on her experiences while researching the rock art of New Mexico; Mary Frame discusses the cultural resonance of textile structural forms in the ancient Andes; Cecilia de Torres narrates the story of the pioneering trecks to pre-Columbian sites by Torres - Garcia's disciples; and Valentin Ferdinan discusses the formative aspects of modern culture in Latin America.

All the better to see you withinvites us to delve into this shadowy world of ancient stories through the eyes of a diverse range of artists and art works.This major summer exhibition is presented across all three levels of the museum and is accompanied by a catalogue and public and education programs.