Sentences with phrase «art at the origin»

Not exact matches

On April 18, 2018, scientists at the Southwest Research Institute (SwRI) in Boulder, Colorado, announced new work based on state - of - the - art computer modeling, suggesting an alternate origin for Mars» moons.

Art & Design on the Jim Henson exhibit at the Museum of the Moving Image and Cookie Monster's origins.

Cecilia, her classmate at School of the Arts, correctly draws a circle around Argentina as the place of origin for the invasive jubata grass.

Electronic Arts Inc. today announced that the playable demo of EA SPORTS ™ FIFA 14 is available to download worldwide for the Xbox 360 ® games and entertainment system from Microsoft for Xbox LIVE ® Gold members, for the PlayStation ® 3 computer entertainment system, and for PC on Origin ™, enabling fans to experience the innovation that earned FIFA 14 «Best Sports Game» award at gamescom 2013.

Steve remained at Origin through the Electronic Arts acquisition and shipped «Ultima VII: Pagan» and «Wing Commander IV: The Price of Freedom» with industry legends Richard Garriot and Chris Roberts respectively.

Konami's secret games console, the origin of Game Arts and Quintet, unusual events at Telenet, stories on Falcom, politics behind Enix's game programming contests, a tour of the Love - de-Lic and WARP offices (with layout sketches).

Prior positions include: VP and co-Studio General Manager at BioWare Austin working on Star Wars ®: The Old Republic ™; VP, Executive Producer and Studio Manager at Sony Online Entertainment in Austin, with direct ownership of Star Wars Galaxies and an unannounced product, prior to this he was VP and Executive Producer of The Sims Online at Electronic Arts / Maxis, and in the same role for Origin Systems managing Ultima Online ™; He also served as Senior VP and General Manager of Kesmai Studios, where he oversaw the development of several MMOGs including Air Warrior ™ and MultiplayerBattletech ™.

Mixed martial arts fighting (MMA) has come a long ways from its humble origins at the ancient Olympics of Greece and is gaining in popularity all around the globe in leaps and bounds.

However, because of my involvement with public art projects and queer identity in early, 90s, I decided to return to paintings with work that looked at the social ideas about the origins of one's sexual identity, often with black humor, of course.

On the occasion of his third solo show in New York, and second at Kansas Gallery on Franklin Street (May 2 — June 14, 2014), Berryhill sat down with Nathlie Provosty at the Rail's HQ to discuss his origins, obsessions with art history, attitude toward misunderstanding, and what's in back of the real.

The origin of this exhibition comes from two installation photographs of the nineteen works in the Constantin Brancusi exhibition at the Arts Club of Chicago overseen by Duchamp in 1927.

This lost origin is fantastically reimagined at the end of the gallery spaces, where we glimpse brightly colored sculptural miniatures in an impossible dollhouse of abstract art.

Yeong Gill Kim's solo show at API followed by his solo exhibition at the Kumho Museum of Art, Seoul, Korea gives rise easily to the question as to how this painter of Korean origin who now lives and works in New York has arrived at two places at once.

Technology, feedback and exile in art and politics in Santiago de Chile Stefanie Hessler looks back at the origins and forward to the legacies of Chile's «lost generation» of artists, whose activities were badly curtailed during Pinochet's rule

Copublished with the Los Angeles County Museum of Art for the major touring retrospective and concurrent exhibitions at the Solomon R. Guggenheim Museum, New York and The Museum of Fine Arts, Houston, this comprehensive volume illuminates the origins and motivations of James Turrell's incredibly diverse and exciting body of work — from his Mendota studio days to his monumental work - in - progress Roden Crater.

The 24 - minute film first appeared as a part of «Mickalene Thomas: Origin of the Universe,» the artist's 2012 - 13 solo show at the Santa Monica Museum of Art and the «Brooklyn Museum.

Her performances include MORTAL KOMBAT (2014) at the Whitney, LORNA (2013) at the Martin E. Segal Theatre, & THE ORIGIN OF THE WORLD (2013) at Stuart Shave Modern Art in London.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

8 October: On the Origin of Art at Lubomirov - Easton — Getting inspiration from Darwin's The Origins of Species, the artist gives his personal interpretation of the origin of art, mixing different artistic influOrigin of Art at Lubomirov - Easton — Getting inspiration from Darwin's The Origins of Species, the artist gives his personal interpretation of the origin of art, mixing different artistic influencArt at Lubomirov - Easton — Getting inspiration from Darwin's The Origins of Species, the artist gives his personal interpretation of the origin of art, mixing different artistic influorigin of art, mixing different artistic influencart, mixing different artistic influences.

The Washington Color School has its origins in the mid-1950s but was formalized as a group of six painters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald Nordland.

He's excavated the dream, dug it up and examined its origins at the behest of the Baltimore Museum of Art, which is presenting the U.S. Pavilion at the world's most prestigious art fair, the 2017 Venice BiennaArt, which is presenting the U.S. Pavilion at the world's most prestigious art fair, the 2017 Venice Biennaart fair, the 2017 Venice Biennale.

In 1979 at the Whitney Museum of American Art, American avant - garde filmmaker Hollis Frampton gave a lecture devoted to the origins of film and the utility of defunct technologies.

Mickalene Thomas's rejoinder - the crux of her first solo museum exhibition, «Origin of the Universe,» which opened at the Santa Monica Museum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed linens.

His 1966 exhibition at the School of Visual Arts in New York, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed, is regarded as a seminal moment in the origins of the Conceptual Art movement.

Related: In recognition of Black History Month 2017, we were honored to have Harriet Kelley at the McNay to discuss the origins of the celebration, and to share her insight on two works from the Harriet and Harmon Kelley Foundation for the Arts.

Ordinary / Extra / Ordinary, curated by David Thorp, has its origins in the idea that The Public is a place where visitors can encounter contemporary art that is accessible and which resonates with the familiar but extends and challenges perception at the same time.

The issues explored will range from the emergence of key social institutions and consumerism to mad cow disease and the origins of the surveillance state — looking back at the causes and catalysts of British politics, psychology and sociology as it is today, and which underlie contemporary British art as it is represented in Mirrorcity.

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

The Art Show 2018 offered intimately scaled and thoughtfully curated presentations of the highest quality — fostering active conversations with gallerists, new relationships, and close looking at works by artists from a variety of genres, practices, and national and international origins.

They all have one thing in common: At the moment that the art was created, the country of origin was going through a massive series of changes.

Mounted annually at the Park Avenue Armory by the ADAA, a nonprofit membership organization of the leading art dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origiart dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origiArt Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origins.

Following an introduction by Professor Tom Cummins, a panel featuring curator Liz Munsell, Professor Sergio Delgado, and Fellow José Falconi will present on the multiyear and multivocal interdisciplinary research project on the origins of conceptual art in Chile, Conceptual Stumblings, supported by the David Rockefeller Center for Latin American Studies at Harvard.

Posthumously his works were shown in 1999 in an important exhibition held at the Queens Museum, New York entitled Global Conceptualism: Points of Origin, 1950s — 1980s and in 2009/10 at Centre Pompidou, Paris, in the group show The Promises of the Past: A Discontinuous History of Art in Former Eastern Europe.

To understand the development of one of the biggest artistic movements in Germany since Bauhaus, we take a closer look at the origins of the School, and how its conceptual approach ushered the medium into the halls of modern art.

The artwork, space men r My friended, arises from the path Oursler took with Imponderable and the Imponderable Archive, shown at MoMA and the Hessel Museum of Art at Bard College, New York, and explores the interlinking characters involved with the origins of Unidentified Flying Object photography.

So the move to Chelsea marked a further iteration of K.O.S. from its origins in a classroom at P.S. 52 in the South Bronx in 1981 to the Art and Knowledge workshop (a space near the school Tim rented in 1984 with a small grant from the N.E.A.), to Chelsea in the»90s.

Accordingly, the product of this origin story, Untitled (1987), opens the artist's traveling 25 - year survey, the inaugural exhibition at the newly renovated Blaffer Art Museum.

«Origin of the Universe» will show at the Santa Monica Museum of Art from April 14 — August 19.

Instigated by conceptual artists Michel Cardena, Ulises Carrión, Hreinn Fridfinnsson, Sigurdur Gudmundsson, Kristján Gudmundsson, Hetty Huisman, Pieter Laurens Mol and Raul Marroquin, its members» various origins in Latin America, Iceland and the Netherlands, enabled them to produce an international programme of experimental art unrivalled in the city at that time.

AT A MOMENT when almost everything is collage and montage — with cut - and - paste the most basic operation on computers and image appropriation and object juxtaposition the most common procedures in art — it is a pleasure to reencounter the modernist origins of these devices.

In her latest show at Lehmann Maupin's Lower East Side gallery, Lee demonstrates her continuing vision of an art whose origins may be traced to past realities.

Her first solo museum exhibition, Origin of the Universe, originated at the Santa Monica Museum of Art in 2012 before traveling to the Brooklyn Museum of Art, where her film «Happy Birthday to a Beautiful Woman» premiered.

A double exhibition at the utterly charming, spacious and sunlit Quogue Gallery of tender paintings by Holland Cunningham and knockout, large - scale photographs by Barbara Vaughn offers the perfect beach - season reminder of art's aqueous origins.

Open House, Singapore Singapore Biennale at various locations Chun Kai Qun at Fost, Singapore Kamin Lertchaiprasert: The Timeless Present Moment at Maiiam, Chiang Mai Kamrooz Aram: Recollections for a room at Green Art Gallery, Dubai Ghislaine Leung at Cell Project Space, London On The Origin of Art at Mona, Hobart

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woart history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

«Ends of the Earth: Land Art to 1974,» a sweeping historical survey of land art's origins that he curated with UCLA art historian Miwon Kwon, opened in late May, and a month later the Kaiser - curated «Jack Goldstein x 10,000» opened at the Orange County Museum of Art in Newport BeaArt to 1974,» a sweeping historical survey of land art's origins that he curated with UCLA art historian Miwon Kwon, opened in late May, and a month later the Kaiser - curated «Jack Goldstein x 10,000» opened at the Orange County Museum of Art in Newport Beaart's origins that he curated with UCLA art historian Miwon Kwon, opened in late May, and a month later the Kaiser - curated «Jack Goldstein x 10,000» opened at the Orange County Museum of Art in Newport Beaart historian Miwon Kwon, opened in late May, and a month later the Kaiser - curated «Jack Goldstein x 10,000» opened at the Orange County Museum of Art in Newport BeaArt in Newport Beach.

The title of the exhibition refers to Shonibare's use of colourful patterned fabrics in his art; fabrics that are associated with Africa, but which have their origin in Holland and were intended for the Indonesian market, and which, typically for Shonibare, illustrate that things are rarely what they seem at first glance.

Defined as one of the most representative artists in the Spanish art scene at the moment, Albarracín explores in an ironic and intelligent way the social stereotypes linked to her Andalusian origin and identity, the flamenco and the bullfighting.

Different from his peer Sigmar Polke, Palermo (1943 — 1977) nearly - exclusively devoted himself to abstract art, but through a few of his titles, like the dedication to the musician Thelonious Monk in the work exhibited here, he hinted at other sources or origins for his artwork.

Frida Kahlo, Diego Rivera and Mexican Modernism, which opens on 26 November, will explore the origins of Modernism in Mexico at a particularly important time for the development of the visual arts in that country.