Sentences with phrase «art by art historian»

In New York the loan issue affected the Solomon R. Guggenheim Museum's major Futurism exhibition, but the museum's Zero Group show, as well as the founding of the Center for Italian Modern Art by art historian and collector Laura Mattioli, ensured increased attention for modern Italian art.

A fully illustrated catalogue has been published in conjunction with the exhibition, presenting the original essays by Mel Bochner from 1967 and John Coplans from 1968, as well as a history and analysis of Serial Art by art historian Mark Gisbourne, commissioned specifically for the exhibition.

At 6:30 pm there will be a lecture on Bill Viola's art by art historian Arnhild Sunnanå.

Not exact matches

Art historians have long been intrigued by Rembrandt's appropriation of certain Rubensian themes and pictorial types, but Schama makes this the centerpiece of his argument, as if the primary motivating force of Rembrandt's career was to imitate, emulate and eventually get the better of Rubens.

In our view, a liberal arts approach also emphasises a respect for the past; the significance of grammar, logic and rhetoric; and the notion, popularised by the historian Christopher Dawson, that ideas develop within cultures, which means that a grand narrative must necessarily underpin the curriculum.

Schaeffer, influenced by the Dutch art historian Hans Rookmaaker, instead proposed that we should look at works individually.

Limbaugh could have stanched the bleeding by practicing what historian Susan Wise Bauer has described as «the art of the public grovel.»

By God but he was a delightful conversationalist — never more so than at table, whether with family or friends, John presiding at one end and his drily witty wife, Mary Lee, an art historian, at the other.

Kimball brings to our attention such paintings as Courbet's The Quarry, Sargent's The Daughters of Edward Darley Boit, Rubens» Drunken Silenus, Homer's The Gulf Stream, and others, and examines the interpretations of them offered, or rather perpetrated, by some leading art historians, such as David Lubin of Wake Forest University and Albert Boime of the University of California at Los Angeles.

His is «an older, tougher town,» one remembered by Italians, as I discovered on a visit there this summer, but hidden to eyes tutored by art historians.

And big compliments to your photographs — they are just awesome... As an art historian, i'm always seduced by great pictures and I «eat» them as well; — RRB --RRB- All are great, but the first one is super cool!

The work began when HRPT hired historian and architect John Reddick as the project's art consultant and Studio Hip Landscape Architecture, a three - person Manhattan firm, according to records obtained by Gay City News under the state Freedom of Information Law from the Cuomo administration, the state parks department, and the Hudson River Park Trust (HRPT), which operates the park that extends from West 59th Street to Battery Park.

«I'm not at all surprised by the new findings,» says East Asian art historian Robin D.S. Yates of McGill University in Montreal.

Funded by the Arts and Humanities Research Council, art historians at the University of York have now brought St Stephen's Chapel and the Commons chamber back to life by pioneering a technique combining traditional archival research with digital reconstruction.

During a four - year excavation of an Etruscan well at the ancient Italian settlement of Cetamura del Chianti, a team led by a Florida State University archaeologist and art historian unearthed artifacts spanning more than 15 centuries of Etruscan, Roman and medieval civilization in Tuscany.

The Monuments Men (PG - 13 for violence and smoking) George Clooney directed and stars in this adaptation of the Robert Edsel best seller of the same name chronicling the real - life exploits of an Army platoon comprised of curators, archivists and art historians whose mission was to retrieve masterpieces plundered by the Nazis during World War II.

Via IGN, the new release will be available in a collectible limited - edition book - style package (available only for the first printing) with 11 pages of archival photos, an essay by Halloween historian Stef Hutchinson and specially commissioned cover art by Jay Shaw.

Features commentary by film noir historian Alan K. Rode, who hosts the track and provides most of the production comments, and critic / noir maven (and fellow MSN writer) Kim Morgan, who chimes in for color commentary (and an obsessive appreciation of the pickle that J. Carrol Naish chomps in an early scene; Kim, sometimes a pickle is just a pickle) plus a gallery of stills and advertising art.

It feels like production has gone on as long as World War II itself for The Monuments Men, George Clooney's film about a platoon of soldiers comprised of art historians and experts tasked with the job of saving irreplaceable and priceless artwork from getting destroyed by the Nazis.

English landscape painter JMW Turner, commonly exalted as «the painter of light», was one of the great artists of the 19th century, his work considered by art historians something of a precursor to the impressionist movement.

Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.

Edsel's historical source material chronicles the efforts of the «Monuments Men»: a group of American and British art historians / museum curators who rally to recover art stolen by the Third Reich before it is destroyed — as members of Hitler's regime rush to cover their tracks during the final days of WWII.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

So undefined and eccentricity - free are these men and women that their pre-film status as art historian and university lecturers is implausible, even unthinkable: When Blanchett's curator offers Damon the mother lode of archival keys, a little journal with index numbers matched to stolen artifacts, he seems surprised by the very idea of librarianship.

The group known as «The Monuments Men» consists of various architects, art historians, and curators who are not fit for war by any means.

, Rediscovering French Film, New York, Museum of Modem Art, 1983 (an anthology of important articles by film historians, critics and filmmakers; has a substantial bibliography)

On the other hand, the treasure hunters are portrayed by an all - star international cast: married art expert James Granger (Matt Damon), the youngest of the lot, architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), French art dealer Jean Claude Clermont (Jean Dujardin), art historian Preston Savitz (Bob Balaban) and alcoholic British art expert Donald Jeffries (Hugh Bonneville).

Much of the history of Khmer society is known through bas - relief carvings of the Angkor temples (that are studied by the character and real life art historian Victor Goloubew in Samuel Ferrer's The Last Gods of Indochine) and the writings of the visiting 13th century Chinese diplomat Zhou Daguan.

Arranged chronologically, the masterpieces are accompanied by seven comprehensive essays by art historian Ross King, as well as shorter discussions by art history professor Anja Grebe of the University of Freiburg in Germany.

Similarly, art historian Erich Gombrich intended his «Story of Art» to be read by high school studenart historian Erich Gombrich intended his «Story of Art» to be read by high school studenArt» to be read by high school students.

With your art historian guide, you'll also see part of the museum's blockbuster exhibition of Dutch Masters collected by Catherine the Great, an extraordinary show available only through May 2018.

Greco Deco is a term coined by Washington, DC based art historian James M. Goode to describe a style of art and architecture popularized in the late 1920s and 1930s.

A panel discussion titled The Abstract Image, moderated by art historian and critic Jennifer Samet, was held at the gallery on February 28, 2016.

Then in the face of these facts, accepted by artists at least, she concludes: «Of course, no serious contemporary art historian ever takes such obvious fairy tales at their face value.»

But one would like to find out more about similar precocious qualifiers for art academies who then went on to achieve nothing but mediocrity or failure — in whom, of course, art historians are uninterested — or to study in greater detail the role played by Picasso's art - professor father in the pictorial precocity of his son.

Nochlin was beloved by many artists, and many painted her, including Alice Neel (a work that also includes the art historian with Daisy, her daughter with Pommer), Deborah Kass, and Kathleen Gilje.

The foundation was established by art historian William Arnett and his sons, and once they have dispersed their own collection to institutions, will focus on education and other artist support initiatives.

The title is a clever updating of «Painting as Model,» the name of a famous 1993 book by art historian Yve - Alain Bois, sped up to the pace of the 21st century.

Founded in 2004 by renowned historian and curator, RoseLee Goldberg, Performa influenced the direction of museums and biennials by incorporating historical and newly commissioned live art within a network of public and private venues.

Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.

The nonpainting trends of those years have been relentlessly celebrated and valorized by museums, art historians and biennials.

The publication will include new scholarship on Judd by noted art historian Richard Shiff, in addition to archival material and re-printed interviews with the artist.

A full color catalog will accompany the exhibition with essays by Alison Ferris and Art Historian Caterina Albano who wrote Fear and Art in the Contemporary World.

Examples from Rythm Master were featured in light - box displays in «Mastry,» the artist's retrospective (2015 - 2017); the series inspired «Above the Line,» a hand - painted mural installed along the High Line, the elevated park in New York City (2015 - 2016); and was the subject of an academic paper by art historian and curator Ellen Tani, delivered in 2016 at the Black Portraiture [s] III conference in Johannesburg.

Artist Isabelle Cornaro is joined in conversation by Briony Fer, art historian, curator, writer and professor of History of Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2art historian, curator, writer and professor of History of Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2015

A fully illustrated hardcover catalogue will accompany California Landscapes: Richard Diebenkorn — Wayne Thiebaud and will include a critical essay by the distinguished curator and art historian John Yau.

MCA Monographs offer an ongoing visual record of today's freshest and most influential work, in all its far - ranging variety, in conjunction with thought - provoking essays by leading art historians and critics.

An accompanying monographic catalogue was published in 2018 by David Zwirner Books, including new scholarship on Asawa's groundbreaking body of work by art historian Tiffany Bell, as well as an essay by Robert Storr, and an illustrated chronology.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art, West Bend, WI

The winner is selected by the independent advisory committee made up of renowned curators and art historians.