Sentences with phrase «art exhibition director»

Several artworks from the collection including photographs of and a drawing by Hartley, as well as art he owned by fellow Maine - connected artists, are on view in the Portland Museum of Art exhibition Director's Cut: The Maine Art Museum Trail from May 21 — September 13.

Not exact matches

Geoff Leech, art and framing director at James Cropper Paper, said: «Culture and heritage play a huge role in the Turkish Tulips exhibition and, with these being key values of our own, we're honoured to play a part in its history.

From 1993 to 2009, he was Director of the Exhibition Program and Special Projects Director of the Lawrence Arts Center.

Also at 11 a.m., Sen. Tony Avella, Queensborough Community College President Dr Diane Call and QCC Art Gallery Executive Director Faustino Quintanilla host a sneak - peak press conference on the Gala's upcoming world - class events and exhibitions, 222 - 5 56th Ave., Oakland Gardens, Queens.

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

Senior Lecturer Steve Seidel, director of the Arts in Education Program, eagerly got on board to help make the exhibition a reality.

(Video)» «It's an astonishing collection of writers, starting with Ray Bradbury and going up to recent photographs of Mel Brooks and Carl Reiner,» said Steve Seidel, director of the Arts in Education Program at the Harvard Graduate School of Education, which is presenting the exhibition.»

Then, Lial Jones, Executive Director of the Crocker Art Museum, explains some of its more unusual exhibitions and programs, including one on art and pain managemeArt Museum, explains some of its more unusual exhibitions and programs, including one on art and pain managemeart and pain management.

For Laurie Ann Farrell, executive director of SCAD museums and exhibitions, this is a chance to flex some muscles in an expansive, flexible space, perfect for such upcoming shows as «Art x Fashion,» an examination of collaborations between designers and visual artists.

Lily Ackerman, director of Ackerman Studios, a London based art consultancy, has been the driving force behind our latest art exhibition, Emerging Artists 2018: An Edit.

At a recent 30th anniversary Final Fantasy art exhibition in Tokyo, Final Fantasy 7 remake director Tetsuya Nomura made a surprise appearance, and brought with him a bunch of new exclusive screenshots from the game itself.

Her games have been presented in festivals and exhibitions worldwide like the Game Developers Conference in San Francisco or the Tokyo Game Show and has been awarded several awards including the Red Dot Design Award and the Art Directors Club Award.

«I like the challenge of an artist who isn't very articulate,» says Elizabeth Armstrong, assistant director for programs and exhibitions and curator of contemporary art at the Minneapolis Institute of Arts.

For 2018, there's an esteemed group of expert judges to decide the finalists and Overall Winner, including Peter Brown NEAC (British Figurative Painter), Luci Noel (Director of the Affordable Art Fair Hampstead and Battersea, Autumn Collection), Jacqui McIntosh (Exhibition Manager, Drawing Room Gallery), Siska Lyssens (Freelance Arts Writer), Mark Roscoe (Portrait Artist and Winner of the Jackson's Open Painting Prize 2017) and Karl Bielik (Abstract Painter).

For his 2011 exhibition «Create,» Lawrence Rinder, director of the Berkeley Art Museum and Pacific Film Archive, collaborated with organizations that support disabled artists, such as San Francisco's Creativity Explored, Oakland's Creative Growth Art Center, and Richmond's NAID Art Center, home base for JTT artist Mullen.

Beginning in early 2000, Walter Hopps (a leading curator of 20th - century art and founding director of the Menil Collection in Houston) and art historian William C. Agee began kicking around ideas for a comprehensive exhibition of Abstract Expressionist work from... Read More

The paper reports that the deal — which LACMA director Michael Govan says will total in the «millions of dollars» but neither the museum nor the automaker will attach an exact amount — will, starting in 2018, put a focus on Korean art exhibitions in a city with the largest Korean population in the country.

Through dynamic spreads, you'll discover the Berlin - based studio Hort's transformative campaign for Nike; Base's responsive, flexible logo for Munich's Haus der Kunst museum; how design agency Bond worked with ArtRabbit, a website and app that catalogs contemporary art exhibitions, on a clever identity rollout; and how John Haslam, managing director of bespoke paper company G.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

The exhibition at EMMA is co-curated by Diana Baldon, Director of Malmö Konsthall, Sweden, and Päivi Talasmaa, Chief Curator of EMMA - Espoo Museum of Modern Art.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

Originally titled Picasso in Contemporary Art, the exhibition was first presented at the Deichtorhallen Hamburg on the occasion of its own 25th anniversary and curated by the institution's general director, Dirk Luckow.

Lora Urbanelli joined the Montclair Art Museum as Director in January 2009, assuming artistic direction at a moment of great excitement, as it celebrated its 95th year with the exhibition, Cezanne and American Modernism.

«Carrie Moyer: Pirate Jenny» was organized by Ian Berry, Dayton Director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, in collaboration with the artist, and was organized in - house by Tim Peterson, SCAD chief curator of exhibitions.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

The exhibition's development has been supported by a curatorial advisory committee which includes, Erika Balsom, Lecturer, Film and Liberal Arts, King's College London; Heather Corcoran, Former Executive Director, Rhizome; Ed Halter, Co-Director Light Industry, Assistant Professor, Bard College; and Sarah Perks, Artistic Director, Cornerhouse and HOME, and Professor at Manchester School of Art.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

This exhibition is made possible through generous contributions from Lawton W. Fitt, Ronald S. Lauder, David Teiger, the exhibition fund of the P.S. 1 Board of Directors, and the partners of New Enterprise Associates, with additional support from Scharff Weisberg Inc., Electronic Arts Intermix and Video Data Bank.

This show is a selection from a larger exhibition organized by Miami Art Museum and curated by Assistant Director for Programs / Senior Curator Peter Boswell.

«If the exhibition space has been the means to back up works of art it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directart it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directArt Sonje deputy director.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Kate McNamara is the Director of Galleries at Otis College of Art and Design, where she has organized solo exhibitions with Polly Apfelbaum and Anna Craycroft.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).

In this episode of Radio Art Center, the Des Moines Art Center's Director of Marketing and PR Christine Crawford sits down with Senior Curator Alison Ferris to discuss the upcoming exhibition Ruptures.

Exhibition co-organized by Patricia Maloney, founder of Art Practical and executive director of Southern Exposure; and Brooke Kellaway, associate curator at MCASB.

EXHIBITION First Lady Michelle Obama visits Museum of Contemporary Art, Chicago, and tours Kerry James Marshall «s «Mastry» exhibition with the artist, his wife and the museum'sEXHIBITION First Lady Michelle Obama visits Museum of Contemporary Art, Chicago, and tours Kerry James Marshall «s «Mastry» exhibition with the artist, his wife and the museum'sexhibition with the artist, his wife and the museum's director.

Co-curators: Stacy C. Hollander, Deputy Director for Curatorial Affairs, Chief Curator, and Director of Exhibitions, American Folk Art Museum, and Aimee E. Newell, Director of Collections, Scottish Rite Masonic Museum & Library.

DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.

Mark Mothersbaugh joins exhibition curator Adam Lerner, Director, Museum of Contemporary Art Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machinArt Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machinart, from his early, pre-DEVO decals to his recent music - making machines.

Group Exhibitions College of Marin — 1976 Mill Valley Art Guild, Group Show, Mill Valley, CA, 1976 San Francisco Art Institute Student Show, 1977 & 1978 Omnivore Restaurant, Berkeley, CA 1979 Rocklands Gallery, Monterey, CA, 1983 & 1984 Santa Cruz Art League — «California Landscape Juried Show,» Juror Terry Long, Curator — Oakland Museum, 1989 Santa Cruz Art League — «61st California Annual Juried Show,» Jurors Jo Hernandez & Marc D'Estout, Directors Monterey Museum of Art, Santa Cruz, CA, 1991 Perimeter Gallery — «Group Show,» Chicago, IL 1991 Hauk Fine Arts — Pacific Grove, CA.

The exhibition, organized by guest curator Fumio Nanjo, director of Tokyo's Mori Art Museum, and Asia Society's in - house curator Dominique Chan, presents works that explore the artist's burgeoning understanding of life's transience.

The Art Amnesty is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller, Curatorial Assistant.

Co-organized by Valerie Cassel Oliver and Dr. Andrea Barnwell - Brownlee, director of the Spelman College Museum of Fine Art, the exhibition featured the contributions of black women artists to the cinematic and visual arts arenas.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

The artist, Dan Colen discusses his new exhibition with Tim Marlow, Director of Artistic Programmes at London's Royal Academy of Arts.

Organized by Director and Chief Curator Claudia Schmuckli of the Blaffer Art Museum, University of Houston, the exhibition will seek to reveal the richness, complexity, and impact of Feher's investigations through a careful selection of 60 key works.

Prior to this, he was Associate Director for Art and Exhibitions and Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 to 1987.

In 1990, Dennis Barrie, the then director of the Cincinnati Contemporary Arts Center, was charged with obscenity by Hamilton County for mounting an exhibition of Robert Mapplethorpe photographs.