Sentences with phrase «art exhibition label»

EUCALYPTUS LEAVES / BOLINAS (with Denver Museum of Art Exhibition Label, along with University of Texas Museum of Art and Fischbach Gallery labels), 1971

Not exact matches

Exhibited: The Southern New England Invitiational Art Exhibition, Fairfield University, Fairfield, CT, 1978; National Midyear Show, Butler Institute of American Art, Youngstown, OH, summer, 1979; Barkley L. Hendricks, The Studio Museum in Harlem, New York, January 20 - March 30, 1980; Black Male - Representations of Masculinity in Contemporary American Art, the Whitney Museum of American Art, New York, NY, November 10, 1994 - March 5, 1995, the Hammer Museum of Art, Los Angeles, CA, April 25 - June 18, 1995; Barkley L. Hendricks: Birth of the Cool, Nasher Museum of Art at Duke University, Durham, NC, February 7 - July 13, 2008, Santa Monica Museum of Art, Santa Monica, CA, May 9 - August 15, 2009, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, September 18 - December 20, 2009, Contemporary Arts Museum, Houston, TX, January 23, 2010 - April 18, 2010, with museum labels on the painting back.

Label copy for the exhibition «Naum Gabo: Sixty Years of Constructivism,» September 29 - November 17, 1985, held at the Dallas Museum of Art.

Liang & Liang Remember: Do not speak their names, 2009 catalogue for Exhibitions of Mexico City (Arts Council, 1953), sticky label and printer ink

The exhibition labeled it a Vermeer without question — but then the Met's commitment to public art education rarely includes admitting to its curators» fallibility or doubts.

Label copy for the exhibition «ART / Artifact,» November 23, 1988 - January 15, 1989 held at the Dallas Museum of AART / Artifact,» November 23, 1988 - January 15, 1989 held at the Dallas Museum of ArtArt.

Plus: British Museum apologises for curator's comment on exhibition labels Crystal Bridges founder announces new Art Bridges foundation 2017 Chicago Artadia award winners announced and the Met outlines job description for new director

Exhibitions such as Paint Things (January 27 — April 21, 2013) at deCordova Sculpture Park and Museum and Phantom Limb: Approaches to Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily labeled.

Initial labels for Minimalism — none of which became popular — were «ABC Art» and «Primary Structures» (the latter was the title of one of the first organized exhibitions of Minimalist works).

When Edward Kienholz» The Back Seat Dodge»38 was first exhibited at the Los Angeles County Museum of Art in 1966, it was labeled «revolting, pornographic and blasphemous» by a number of Los Angeles County Supervisors who publicly requested the closing of the exhibition (L.A. Times, March 24, 1966).

Were one to stroll through The Frick Collection, bedazzled by its many masterpieces and paying only nominal attention to the requisite wall labels, one might mistake the twelve paintings included in the exhibition Masterpieces of European Painting from the Toledo Museum of Art as part of the Frick's permanent collection.

Assist with object research, label preparation and manufacture, and organizational tasks relating to upcoming exhibitions and gallery displays of European art

Riedel has been making art — collaboratively and individually — for the last 14 years, and one won't get a more succinct example of his mantra of «Record — Label — Playback» than in this exhibition.

1960 Whitney Museum of American Art Annual exhibition label affixed en...

Label text from the exhibition, «Cotton Textiles from Two Hemispheres,» December 27, 1953 — February 14, 1954, held at the Dallas Museum of Fine Arts.

This is signed and dated in the lower right corner, and additionally signed, dated and titled on the verso with an Oakland, California exhibit label from a 1969 Institute of Creative Arts traveling exhibition arranged through The University of California.

An acclaimed conceptual artist, Wilson is known for his «institutional interventions,» specifically the ways in which he creates new exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objects.

The exhibition reveals him as both artist and human being who was beyond what seemed on the surface to be a post war rebel pushing boundaries for the sake of art, someone who deeply reflected upon society and his time, and desperately yearned for freedom both as an artist and human being, breaking out of historical, artistic, and political constraints, condemning any form of conformism, and refusing to be labelled, branded or marketed.

Label text for objects in the exhibition Ancient and Medieval Art from a Dallas Private Collection, July 19 — August 23, 1981 at the Dallas Museum of Fine Arts.

Label copy for the exhibition «Rodin's Masterwork: «The Gates of Hell,»» June 1 - October 28, 1984, held at the Dallas Museum of Art.

Text used for the labels in the Shibui Exhibition, January 28 — February 11, 1962, at the Dallas Museum of Fine Arts

«Part of the curatorial process — from designing exhibitions to writing the labels that accompany art — is deciding how to present art and which stories to tell about the work,» said Catherine L. Futter, the Nelson - Atkins Director of Curatorial Affairs.

Contextual label information from the exhibition Japanese Woodblock Prints, March 19 — April 27, 1980 at the Dallas Museum of Fine Arts.

Drawing from the signature elements found in Virgil's Off - White ™ label and Murakami's iconic art career, the launch of the exhibition is highly anticipated.

Wilson will give public talks in Atlanta at 7 p.m., Feb. 22 at SCAD Atlanta, fourth floor, Building C, 1600 Peachtree St.; and in Savannah at 7 p.m., Feb. 23, Trustees Theater, 216 E. Broughton St.. A Whitney Museum of American Art board of trustees member and a MacArthur Foundation «genius grant» awardee, Wilson is known for his «institutional interventions» in which he creates new exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objecArt board of trustees member and a MacArthur Foundation «genius grant» awardee, Wilson is known for his «institutional interventions» in which he creates new exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objecart and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objects.

(National Religious Art Exhibition) ill., Alcyone, 1963 (incorrectly labeled Giedi).

In celebration of the 30 - year anniversary of his eponymous label, Tommy Hilfiger has teamed up with art dealer and curator Jeffrey Deitch for a new exhibition, titled «Rock Style», which will run fro...

site offers much more: zoomable images of all 130 works in the exhibition, accompanied by the text that appeared on the Hammer's wall labels; eight essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and documentation of the exhibition, including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the show — the Hammer, MoMA PS1, and Williams College Museum of Art.

In celebration of the 30 - year anniversary of his eponymous label, Tommy Hilfiger has teamed up with art dealer and curator Jeffrey Deitch for a new exhibition, titled «Rock Style», which will run from September 22 to October 30, 2015, at Sotheby's View Project

The polite name for «graffiti art» is «street art», under which label it has enjoyed a number of exhibitions in some of the world's best art museums, including: The Tate Gallery London (2008) and the Grand Palais in Paris (2009).

Roman Road is always a sure bet when you are in search of something new and different.For his first solo exhibition Cuban artist Victor Payares, who is currently finishing an MFA at the Royal College of Art, is going to present new works and a site - specific installation that narrates elements of a memory from his youth during the Cuban «Special Period»: «Payares» artistry is further inspired by elements of the everyday; he collects disregarded objects such as cables, clothing labels and trampled glasses found lying in the streets and repurposes them in his paintings.

In that exhibition, Anwander presented My Most Favourite Art, her collection of museum wall labels that she had stolen from museums around the world, while Rasgado presented walls that he constructed from painted drywall fragments which he salvaged from the museum's exhibitions during the previous year.

Edward Dugmore Blue - Black 1958 Oil on canvas Signed, titled, and dated canvas verso Canvas: 76 ″ x 48 ″; Frame: 77.625 ″ x 49.625 ″ Together with Holland - Goldowsky Gallery label and Art Institute of Chicago exhibition label Estimate: $ 40,000 - 60,000 June 10, 2018 Modern Art & Design Auction

As Richard Vine wrote in the catalogue for Hod's survey exhibition at the Tel Aviv Museum of Art, «From the beginning of his career, Nir Hod has opposed the ideology that labels sumptuousness an esthetic sin.

Signed and dated «F. Hammersley 1966» lower left; retains a Gary Snyder Fine Art Gallery label verso; retains a Gary Snyder Fine Art Gallery exhibition label verso

Retains Leo Castelli Gallery label verso; retains partial Los Angeles County Museum of Art exhibition loan label verso

Retains a Contemporary Arts Museum Houston exhibition label, an artist's studio label, an Oakland Museum label, and two James Corcoran Gallery labels verso

Last Friday was the opening of «Don't have a Hashtag Yet» at PlasticMurs gallery, an exhibition with Emak, Miedo12 and Pro176 that intends to avoid labels within the art world, specially when it comes to contemporary expressions of «urban art».

This exhibition, to be shown at Museo Picasso Málaga until 17 September 2017, brings together Francis Bacon's powerful solitude, Lucian Freud's carnal angst, Michael Andrews» encapsulated ego, Frank Auerbach's three - dimensional painting, David Bomberg's emotional force, William Coldstream's rigorous measure, Ronald B. Kitaj's multiplicity, Leon Kossoff's visceral quality, Paula Rego's subversion and Euan Uglow's proportion, all of them artists associated with what has come to be referred to as the School of London, a label that has not, however, been accepted by art historians or by the artists themselves.

Judy Dater (American, b. 1941) Deer Unsigned, identified on label affixed to the reverse, stamped «For reproduc Unsigned, identified on a label affixed to the reverse, stamped «For reproduction only in connection with the project «PHOTOGRAPHY IN THE FINE ARTS» and for exhibition reviews.

Label copy for the exhibition «Beni Montresor's Set Designs for Dallas Ballet's «Swan Lake,»» September 6 - October 26, 1986, held at the Dallas Museum of Art.

Labels and wall text from the exhibition Through the Looking Glass, December 20, 1981 — February 19, 1982 at the Dallas Museum of Fine Arts.

The independent UK art label and curatorial platform brings Bonneviot for their first digital exhibition, showing her 2014 interactive archive both online and physically at Rogue Project Space, where they are resident curators.

Also in the UK capital, are new exhibition openings at Jupiter Woods, Project Native Informant, Grove House and Vilma Gold, while Eloïse Bonneviot is contributing to art label Caustic Coastal «s first digital commission and the Pale Journal Issue 1 is launching at Space with performances and readings from artists including Sophie Jung and Anna Zett.

At the Walker Art Center in Minneapolis, curators Eric Crosby and Bartholomew Ryan have organized «Painter Painter,» an exhibition comprising work by fifteen artists, some of whom are working with painting materials in ways that are often labeled «painting» but may be more firmly rooted in Minimalism and Process Art than with the formidable history of painting and abstraction.

During the last days of the exhibition UniAddDumThs by Mark Leckey, Kunsthalle Basel, HeK (House of Electronic Arts Basel) and the Berlin based label PAN celebrate the release of the der LP Hecker Leckey Sound Voice Chimera.

It seems to me that, whether it's institutions like the Venice Biennale or galleries like Marlborough Chelsea or even Michele Maccarone, who is doing an exhibition of Eugene Von Bruenchenhein, people are just recognizing great art as great art and the labels attached to it become less important.

Born and raised in the UK, Higgs sought to expand the scope of canonized British artists beyond the label «Young British Artists,» successfully doing so with «British Art Show 5» in 2000, a major touring exhibition that articulated a new British aesthetic.

Label copy for the exhibition «Robert Rauschenberg Prints: Selections from Dallas and Fort Worth Collections,» December 21, 1986 - March 15, 1987 held at the Dallas Museum of Art.

Jack Welpott (American, b. 1923) The Gift Unsigned, identified on label affixed to the reverse, stamped «For reproduc Unsigned, identified on label affixed to the reverse, stamped «For reproduction only in connection with the project «PHOTOGRAPHY IN THE FINE ARTS» and for exhibition reviews.