Sentences with phrase «art in general through»

Not exact matches

In collaboration with well - known artists, entrepreneurs, policy makers and the general public, Adopt the Arts is dedicated to improving the academic performance of every child, through the gift of making music and art.

I discovered Miro's work through her sister, Mimi Chun, a brilliant artist and designer who let me work for her several years ago when she was the Art Director at General Assembly in N.Y.C..

David Grissmer and his colleagues are producing a series of studies that suggest how much later success in math, reading, and science depend on early acquisition of the kind of «general knowledge» and fine - motor skills learned through art and other subjects.

Through this move into technology education — the study of industry and technology — the industrial - arts profession signaled an attempt to realign itself with the general - education program, and, at the same time, to strengthen its vocational and prevocational posture in the schools.

The narrowing curriculum is particularly alarming because, as Jay P. Greene has noted, recent research has found that «later success in math, reading, and science depends on early acquisition of the kind of «general knowledge» and fine - motor skills learned through art and other subjects.»

Through our partnerships with leaders in our Collaborating States Initiative we've developed resources to integrate SEL with English Language Arts, Math, Social Studies, and general teaching approaches.

Students in First through Fifth Grade are taught Language Arts, Mathematics, and Social Studies from the classroom teacher, and attend classes in Art, General Music, Science, PE and Library, taught by specialist teachers.

Just as it has taken Thami many years to perfect his art, we at Auto & General have used our 32 years of experience in the insurance industry to perfect our product offerings and the journey that all clients go through when they need our help the most.

Through seven generations of America's most iconic sports car, General Motors engineers and workers have continually refined the state of the art in the manufacturing and assembly plants that build and test the Corvette's engine and transmission, constantly finding new ways to make the Corvette more powerful, reliable and efficient.

Through our Art in the Parks program, this Portal takes it a step further by connecting people in our park to people in other nations,» said Acting General Superintendent of Golden Gate National Recreation Area Cicely Muldoon.

Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.

Through the opinions formed, a thoughtful consensus is given on the many struggles and controversies that the game industry has faced, including the games as art debate, gaming and it's alleged violent and addictive tendencies, and it's legitimacy as a creative medium in the general public eye.

Percussivo Mundo Novo is formed by musicians from Bahia's artists new generation, that believe that through the music and art in general, they can build a new world, without losing the roots.»

We're trying to convey a message about the art scene and the struggle of creative work in general, and we believe this is best done through satire.»

Throughout the day, The Broad's Visitor Services Associates offer pop - up art talks in the third floor galleries and Jasper Johns: «Something Resembling Truth», as well as lead public gallery tours Tuesday through Sunday at 1:15 and 3:15 p.m. Tours meet on the third floor and are accessible with free general admission tickets.

Through light - hearted humour and sarcasm Lavier has reworked the notion of the canvas and moreover of the art work in general via juxtapositions and hybridizations, creations that are generated by his thoughts on consumerism and authorship, which are rooted in his first handed experience of the tumultuous riots in Paris in 1968.

Of course, there were organizations like Exit Art and Art in General, Artists Space, and White Columns that kept going through that period.

During that period — the mid-1960s through the 1970s advanced American art and contemporary art in general was at a crossroad, shattering in several directions.

Celebrated as a sculptor, she aws nevertheless influencial on the work of a number of painters, and, through her commitment to close contacts with contemporary European artists, she influenced the course of art in general in Britain.

Art in General currently supports the production of new work by local and international artists through its New Commissions Program and its International Collaborations program with numerous arts organizations around the world.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

In addition to encouraging the circulation of artworks through a gift economy that challenged the art world's dominant economic model, LeWitt's exchanges with friends and strangers have the same qualities of generosity and risk that characterized his work in generaIn addition to encouraging the circulation of artworks through a gift economy that challenged the art world's dominant economic model, LeWitt's exchanges with friends and strangers have the same qualities of generosity and risk that characterized his work in generain general.

With your support, Art in General can continue to offer cutting - edge programs at no cost to the public, enabling them to engage with critical and timely issues through the exploration of different artistic and curatorial practices.

Through ongoing support from donors, it has become a valuable community resource, assuming a vital role in fulfilling the museum's mission to preserve and interpret visual art for the enrichment and enjoyment of the general public.

First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18

Art in General was founded in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

This program is supported in part by Georgia Council for the Arts through the appropriations of the Georgia General Assembly.

The artists will be presented to the Czech audience through a series of snapshots of the most important milestones in their carriers and in the history of art in general.

Storefront's programming is made possible through general support from Arup; DS+R; F.J. Sciame Construction Co., Inc.; Knippers Helbig; KPF; MADWORKSHOP; ODA; Rockwell Group; Roger Ferris + Partners; Tishman Speyer; the Foundation for Contemporary Arts; The Greenwich Collection Ltd.; the Lily Auchincloss Foundation; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; The Peter T. Joseph Foundation; and by Storefront's Board of Directors, members, and individual donors.

Painters and art in general thrive from this, it is through comparisons and differences that sense and meaning, but also criticism, are established.

Exploring the light and dark through art, the group exhibition at Gladstone Gallery raises questions regarding the dichotomy as a concept in general.

Rodman's project Gradually / We Became Aware / Of A Hum in the Room is on view through August 2015 at High Desert Test Sites with a second phase opening at Art In General, New York, September 201in the Room is on view through August 2015 at High Desert Test Sites with a second phase opening at Art In General, New York, September 201In General, New York, September 2015.

According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational prograArt shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational prograart focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational prograart and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational prograart through lecture programs, symposia, publications, and other educational programs.

What / Why: «The artist's style remains both realist and surrealist in its general theme, though the means to the end has been a long walk - about through the mediums of raw physical media, such as oils, watercolors, and pencils, to the more technically - oriented media of computer - based art.

Art in General was founded in Lower Manhattan in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

His eccentric style, both in art and general aesthetic, has transcended through the years to secure his place as one of the most recognised artists of all time.

Its through these nuanced arguments that Marc Spiegler, director of Art Basel Hong Kong, the most important fair in Asia featuring 231 galleries, framed the general outlook during the first days of the event.

Each of them, through distinct approaches and practices, encapsulate the belief that our communities and our lives are made richer by the experience of art,» said Laurel Ptak, Art in General's Executive Directart,» said Laurel Ptak, Art in General's Executive DirectArt in General's Executive Director.

Berenice Abbott, Rockefeller Center, Collegiate Church of St. Nicholas in Foreground, 1936, gelatin silver print, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.16

The Visionary Awards Gala and silent auction will also support Art in General's program, including the New Commissions program, which each year provides in - depth support for eight to ten artists to create major new work, and the International Collaborations initiative, which through a range of international partnerships creates collaborative exhibitions and programs in New York and abroad.

Storefront's programming is made possible through general support from Arup; DS+R; F.J. Sciame Construction Co., Inc.; Knippers Helbig; KPF; MADWORKSHOP; ODA; Rockwell Group; Tishman Speyer; the Foundation for Contemporary Arts; The Greenwich Collection Ltd.; the Lily Auchincloss Foundation; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; The Peter T. Joseph Foundation; and by Storefront's Board of Directors, members, and individual donors.

The purpose of the monthly event is to bring kids and parents together through art by encouraging artistic talents and appreciation of art in general.

In addition to encouraging the circulation of artworks through a gift economy that challenged the art world's dominant economic model, LeWitt's exchanges with strangers have the same qualities of generosity, and risk, that characterized his work in generaIn addition to encouraging the circulation of artworks through a gift economy that challenged the art world's dominant economic model, LeWitt's exchanges with strangers have the same qualities of generosity, and risk, that characterized his work in generain general.

Commissioned through the Art in Architecture Program Fine Arts Collection U.S. General Services Administration

As artistic director and general secretary of the Werkleitz Gesellschaft from 2003 to 2006 she reinforced the local significance of the Werkleitz Gesellschaft as an institution of contemporary art in the course of the society's relocation from the rural district of Tornitz / Werkleitz to the city of Halle, as well as through extensive collaborations with regional institutions and artists.

Funding for this program is provided in part by the Georgia Council for the Arts through the appropriations of the General Assembly, as administered by the Fulton County Arts Council, the GCA - designated Grassroots agency.

【 Exhibition Details 】 Exhibition title: Art Scope 2012 - 2014 - Remains of Their Journeys Dates: July 12 (Saturday)- October 13 (Monday, national holiday), 2014 Place: Hara Museum of Contemporary Art, 4-7-25 Kitashinagawa, Shinagawa - ku, Tokyo 140 - 0001 Organized by: Hara Museum of Contemporary Art and Daimler Foundation Japan Under the auspices of: Embassy of the Federal Republic of Germany in Japan Supported by: Mercedes - Benz Japan Co., Ltd., Mercedes - Benz Finance Co., Ltd. and Mitsubishi Fuso Truck and Bus Corporation Cooperation provided by: Arts Initiative Tokyo [AIT] Participating artists: Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer Hours: 11:00 am - 5:00 pm, Wednesday until 8:00 pm (last entry 30 minutes before closing) Closed: Mondays (except July 21, September 15 and October 13), July 22 and September 16 Admission: General 1,100 yen; Students 700 yen (high school and university) or 500 yen (elementary and junior high); Free for Hara Museum members, students through high school every Saturday during the school term; 100 yen discount per person for groups of 20 or more 【 Related Event 】 Artist Talk July 12 (Saturday), 2014, 2:30 - 4:30 pm Place: The Hall at the Hara Museum of Contemporary Art Speakers (scheduled): Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer, Atsuo Yasuda (Hara Museum of Contemporary Art) Fee: Regular 2,000 yen (includes museum admission), Museum members and up to 2 guests 1,000 yen Reservations are required (requests accepted from June 24).

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, BolognIn a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

In 2010, he was invited to live and work in Zagreb, Croatia through Art in General's Eastern European Residency Exchange Program with the Croatian Council of Artists (HDLUIn 2010, he was invited to live and work in Zagreb, Croatia through Art in General's Eastern European Residency Exchange Program with the Croatian Council of Artists (HDLUin Zagreb, Croatia through Art in General's Eastern European Residency Exchange Program with the Croatian Council of Artists (HDLUin General's Eastern European Residency Exchange Program with the Croatian Council of Artists (HDLU).

In economics, via the growth of the world economy in general and the American economy in particular; in science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art markeIn economics, via the growth of the world economy in general and the American economy in particular; in science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art markein general and the American economy in particular; in science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art markein particular; in science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art markein science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art markein contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art market.