Not exact matches
Creative and dynamic
religious forces are finding their expression not
in the
context of the organized church, but
in film, literature, and the
arts, and also
in some aspects of science and industry, where people are seeking ways to give institutional expression to their basic
religious concerns while at the same time rejecting alliances with institutional religion.
Monographs on Chagoya, however, have devoted surprisingly little space to his editioned work (exceptions are Patricia Hickson
in Enrique Chagoya: Borderlandia and Shifra Goldman
in Locked
in Paradise).3 Chagoya's 2003 codex The Misadventures of the Romantic Cannibals (Figs. 9a, 9b) made headlines when it was destroyed by a
religious zealot
in Loveland, Colorado last year, but while Eleanor Heartney and Faye Hirsch wrote analytical pieces placing it
in context, the Loveland event has tended to overshadow critical discussion of Chagoya's
art itself.4 A thorough assessment of his printed work is long overdue.
In this
context,
art making itself becomes an act of ritual; or as Gerhard Richter, whose thickly textured paintings draw the viewer into unexpected depths, once described it — the pure realization of
religious feeling.
«Religion
in the
Context of
Art,» Dempsey, Terrence, E. «Analogy, Meaning, and
Religious Experiences
in Contemporary Abstract
Art,» Soltes, Ori Z. «Transformation: Jews, Christians, Religion and
Art,» «Like a Prayer: A Jewish and Christian Presence
in Contemporary
Art,» exhibition catalogue, Tryon Center for Visual
Art,» Charlotte, NC, pp. 6, 15, 25, 40, 54, 63, January 31st - June 1st, 2001.
The height of the ceiling is close to 20 feet, so visitors often don't see or feel constrained by any notion of a ceiling — for them the
art on view exists
in a solemn, almost
religious context.
Taking its cue from the resurgence of figurative sculpture
in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related
art works, mostly from the 1960s onwards, with objects from disparate cultural
contexts that engender a similar sense of unease
in the viewer: medical dolls, anatomical waxworks,
religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.