Sentences with phrase «art loan exhibition»

Not exact matches

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

Chalk & Vermilion Fine Arts has loaned two oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.

Geffen, a noted collector of postwar art, has loaned many paintings to MoMA for various exhibitions over the last 25 years.

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

The exhibition at the Denver Art Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collectoArt Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collectoart as well as loans from local collectors.

The touring «ARTIST ROOMS» exhibition devoted to Hirst, shown in the city in which he grew up, comprised fourteen important works, taken predominantly from the d'Offay collection, with loans from the Arts Council and the artist.

Two for the Metropolitan Museum of Art, one for a private collector, one for Colby College Museum of Art, and one on loan to Museum of Modern Art for this exhibition.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspapart collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art NewspapArt Newspaper.

Works included in the exhibition include those on loan from SFMOMA, the Whitney Museum of American Art and the Smithsonian American Art Museum, and span De Forest's entire career.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

American British Art Center, New York, presents «Anna Mary Robertson Moses: Loan Exhibition of Paintings» (December 7 — 22).

From May 1 to the 18th, ALVR will hold their inaugural exhibition in the new digs: an array of rarities recently on loan for the Royal Fabergé show that closed in February at the Sainsbury Centre for Visual Arts in Norwich, England.

Evening Storm, Schoodic, Maine, 1942, oil on masonite, 30» X 40» Framed by Gill & Lagodich for the Museum of Modern Art exhibition loan.

Framed by Gill & Lagodich for the Museum of Modern Art exhibition loan.

This major loan exhibition celebrates the transformation of the art of drawing by Andrea del Sarto (1486 — 1530), one of the great Florentine Renaissance artists.

The exhibition presents works from the Daimler Art Collection as well as loans from German and international collections.

1960 Neue Malerei: Form, Struktur, Bedeutung, Städtische Galerie in Lenbachpalais, Munich (June 10 — August 28) 16 Salon de Mai, Musée d'Art Moderne de la Ville de Paris (May 8 — 20) Sixty American Painters, 1960: Abstract Expressionist Painting of the Fifties, Walker Art Center, Minneapolis, Minnesota (April 3 — May 8) Business Buys American Art: Third Loan Exhibition by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art, New York (March 17 — April 24) Some Younger American Artists, Southern Illinois University, Carbondale, Illinois (February 1 - 28, 1960).

Corresp with F. Babbott re Anderson Galleries, Indian panels; E. Moffatt re spike chair; F. Trautz re J. leCoq; H. Greenley re wig, belt loan; Nixon re National Merchandise Buyers Fair; L. deForest re Hamza - nama pictures; Jessen re Japanese color prints; E. Goan re blanket, doll, mask loan; M.D.C. Crawford re National Merchandise Buyers Fair American Indian exhibition, Culin memoirs; with C.F. Lummis; M. Rorke (Textile Color Card Association) re programs; N. Tsuda re Momoyama panel; J. Trask (Milwaukee Art Institute) to A. Culin re request for drawings.

The Mead Art Museum holds an important collection of Mazur's work, and this exhibition combines the Mead's collection with generous alumni loans to illustrate the sweeping range of Mazur's oeuvre.

Bronx Museum of the Arts forced to postpone exhibition after Cuba halts loans The Bronx Museum has had to postpone an exhibition of contemporary art from Cuba after the country delayed arrangements to allow loans to the US.

As well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britain.

Drawn primarily from the Grunwald Center for the Graphic Art's Frank Lloyd Wright Japanese Print Collection, the exhibition will also include rare loans from the Norton Simon Museum, the Art Institute of Chicago, the Getty Research Institute, and the Beverly Hills Public Library.

The gallery collaborates regularly with international institutions for the loan of works for temporary exhibitions, including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

Press release from the exhibition, «The Loan Collection for the Vice President's Residence [April 1978 — April 1979],» March 7 — March 19, 1978, held at the Dallas Museum of Fine Arts.

Inspired by Stanford faculty member Jeff Chang's much lauded book «Who We Be: A Cultural History of Race in Post-Civil Rights America,» the exhibition features art from the Cantor collection, selections from the Stanford Institute for Diversity in the Arts, as well as loaned works.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart across generations and traditional stylistic confines.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

Several museums and private collectors have loaned works to the exhibition, including the Museum of Modern Art, the Whitney Museum of American Art, and the Metropolitan Museum of Art in New York; the Tate in London; and Moderna Museet in Stockholm.

Grants support the International Residency program of Artpace, CHRISpark, the public exhibition of Pace's contemporary art collection, and the work of contemporary artists.The Linda Pace Foundation publicly exhibits its collection through loans to museums and SPACE, its public exhibition gallery opened in April 2014.

Marianne Boesky Gallery and Marlborough Chelsea would like to express their gratitude to the many individuals and institutions whose generous loans made this exhibition possible, including Cranbrook Academy of Art, Detroit Historical Society, Detroit Institute of Arts, The Henry Ford Museum, Mike Kelley Foundation for the Arts, New York Historical Society, Pewabic Society, and Wayne State University.

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

A special exhibition of new photographs by acclaimed photographer Vera Lutter, Painting on Paper: Vera Lutter's Old Master Photographs, is on loan from the Los Angeles County Museum of Art (LACMA) and forms the centerpiece of the cultural programme at TEFAF New York Fall.

This exhibition features a variety of the artist's works from the formative years 1956 - 1978 in the UB Art Galleries permanent collection along with significant loans from Michael Rosenfeld Gallery LLC, New York, NY.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

The Hall Art Foundation collaborates with other public institutions around the world to organize exhibitions and facilitate loans from its own collection and that of the Halls.

The Noguchi Museum has loaned artworks to the Philadelphia Museum of Art for the inaugural exhibition in its new landscaped sculpture garden overlooking Boathouse Row on the Schuylkyll River.

The exhibition will include three of Höfer's most notable large - scale pieces — Musée du Louvre Paris XXI 2005, Hermitage St. Petersburg VIII 2014 and Trinity College Library Dublin I 2004 - which are on loan from Ben Brown Fine Arts, London.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

No. 4 Marlborough Fine Art, Henry Moore: Stone & Wood Carvings (loan exhibition in aid of the RAF Benevolent Fund), 1961, no. 31, illustrated.

Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.

This exhibition is organized by the Fine Arts Museums of San Francisco with gratitude for exceptional loans from the collection of the Mauritshuis, The Hague.

A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collectioArt's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collectioart, while also featuring a selection of important works from national and international museums and private collections.

Although she achieved some success in her lifetime, her work is not widely known and so this exhibition, which includes loans from Derby Museum and Art Gallery, hopes to contribute to a history of her work.

KÖR — Kunst im Offentlichen Raum (Wien) Kunststiftung NRW — Arts Foundation of North Rhine - Westphalia KW Institute — Kunst - Werke Institute for Contemporary Art (Berlin) LACMA — Los Angeles County Museum of Art LAF — Loan agreement form (for lending / borrowing artworks for exhibitions) LIAF — Lofoten International Art Festival LE — Limited edition LEF Journal — Left Front of the Arts (a publication in 1920s Soviet Russia) L.H.O.O.Q. — Marcel Duchamp's 1919 readymade of a Mona Lisa postcard; pronounced in French, it means, «She has a hot ass»

Rauschenberg is currently the subject of a major retrospective exhibition at London's Tate Modern (until April 2017, later travelling to the Museum of Modern Art, New York), where a key room is dedicated to the «Silkscreen Paintings» — many of them on loan from major museum collections.

Celebrating the Asian Art Museum's 50th anniversary before travelling to the Museum of Fine Arts, Houston (until 29 January 2017), this major loan exhibition brought together over 150 objects from one of the richest collections of Chinese aArt Museum's 50th anniversary before travelling to the Museum of Fine Arts, Houston (until 29 January 2017), this major loan exhibition brought together over 150 objects from one of the richest collections of Chinese artart.

The exhibition includes loans from the Museum of Modern Art, Dallas Museum of Art, Albright - Knox Art Gallery, Walker Art Center, Johnson Museum at Cornell University, and several private collections along with key works from the artist's estate.

The range and frequency of these loan exhibitions have grown enormously since that time, making the Royal Academy a leading art exhibition institution of international importance.

The foundation may be best known for its support of Artpace, downtown's artist - in - residency, exhibition and education space, but it also houses Pace's private art collection in what was her SoFlo (South Flores Street) apartment, loans work to museums worldwide, and maintains CHRISpark.