Sentences with phrase «art photographic print»

Crosby Street Gallery is your new source of collectible, Fine Art Photographic Prints.

Not exact matches

Buy «Sunset Large Photographed Framed Print Wall Art» products like Elementem Photography 3 - Panel 28 - Inch x 28 - Inch Photographic Wall Art of Sunset Pier, Elementem Photography 3 - Panel 24 - Inch x 24 - Inch Photographic Wall Art of Venice Sunset, Elementem Photography 3 - Panel 28 - Inch x 28 - Inch Photographic Wall Art of NYC at Sunset Vertical
Hang photographic prints of birds instead of art prints, and I bet you can almost hear sweet chirping as you sit back and relax.
Handmade gifts, crafts, and art include sculptures, soaps, candles, woodworks, jewelry, antiques, pottery, photographic prints, stained glass, and so much more.
I offer a range of prints: large photographic glossy prints, fine art matte prints, and even canvas prints, with several mounting options.
Run an art exhibition - showing paintings and framed photographic prints — with no wall space available to us.
-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.
A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.
A recent series of photographic inkjet prints in the exhibition contests ideas of how art mediums are understood to function.
A short stack of catalogs for the Hammer Museum exhibition «Leap Before You Look: Black Mountain College, 1933 - 1957,» San Francisco Museum of Modern Art's upcoming photographic show «Anthony Hernandez,» and «Three Centuries of American Prints,» from the National Gallery of Art in Washington, D.C., weighs in at more than 15 pounds — about the equivalent of a bowling ball.
The archival collection consists of photographic material and documentation of Draper's career as a fine arts photographer, teacher and photojournalist and comprises approximately 20 linear feet of material and includes 1,791 prints, 36,216 negatives, 557 proof sheets, about 2,477 color slides, 16 transparencies and computer art.
He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.
She uses photographic prints, video, metals, cloth, magazines and other materials to create pictures, collage and other works of art.
September 19 — December 7, 2008 Best known for his exploration of the interstices between art, science and photographic illusion, Barcelona - based artist Fontcuberta created these 40 large - scale prints using computer software that transformed well - known paintings and photographs into virtual landscapes.
© Timothy H. O'Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, July 4, 1863, from Gardner's Photographic Sketch Book of the War, Volume I, albumen print, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, museum purchase, Collection Care and Enhancement Fund.
The definition of collage is as complex as the range of print, paint, photographic, or sculptural media that artists integrate into works of art.
LUMAS was set up in 1996 with the aim of making contemporary photographic art accessible and affordable, selling prints in hand - signed limited editions of 75 - 150 as well as open editions, both online and in galleries across the world.
Often, the final compositions are exhibited as art objects — such as photographic prints and video installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013) which will be featured at the fair.
This exhibition of Andy Warhol's photographs is culled from over 100 Polaroids and black and white silver gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.
In the sculptures and photographic pigment prints of the late Brian Gaman currently on display at the Parrish Art Museum, the artist offers a type of abstraction that is distinctive in its evocation of powerfully atmospheric emotional echoes.
Featuring over 40 original prints, each made by Brancusi himself, this exhibition reveals Brancusi's visionary dedication to the photographic medium as means of personal expression — an art form that the artist explored parallel to his sculpture.
In other news, a private art dealer has filed a libel and slander suit against actress Claire Forlani for allegedly falsely claiming that he sold her a fake photographic print and had sold other fakes to other customers, according to Courthouse News.
While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.
DAN ESTABROOK has been making contemporary art for over twenty years using a variety of 19th - century photographic techniques, including calotype negatives, salt prints, gum bichromate and carbon.
An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.
Often, the final compositions are exhibited as art objects — such as photographic prints and video installations — while others exist in a real - time software context.
As a participant in the Andy Warhol Photographic Legacy Program since 2008, Hofstra's museum has received donations of 153 photographs, including Polaroids and gelatin silver prints, and nine screenprints from the Andy Warhol Foundation for the Visual Arts, Inc..
Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.
On view currently as part of the Giorgio Morandi exhibition at the Center for Italian Modern Art are six photographic prints by the artist Tacita Dean, taken in Giorgio Morandi's studio in Bologna, Italy, in 2009.
The exhibit is organized in more or less a chronological order, which is perfect for an artist who went through various stages — there was fascination with photographic prints, silk screening, extensive collaboration with Merce Cunningham, sometimes with works created in real time as Cunningham's dancers trouped around, an idea of interactive art, in which the viewers were encouraged to tune a radio embedded in a painting to any station they wanted (needless to say, you should not try that now), and so on.
Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.
Returning as the fair's Artistic Director will be Sasha Wolf, of Sasha Wolf Gallery in New York, joined by James Stround of Boston's Center Street Studio, together curating Art on Paper's photographic and print program with ten of the country's top publishers.
Kasper Bosmans, WDW25 + Mural: Migration (Gibraltar), 2016, gouache on wall; photographs from Asger Jorn's 10,000 Years of Nordic Folk Art, photographic prints, installation view Witte de With Center for Contemporary Art, photo by Aad Hoogendoorn
The exhibited works are reproduced and presented in ways to question and problematise conventions relating to photography as art, the value of the photographic print and the perceived value of its index as communicated through the physical qualities of said print.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
Inspired by Pop Art era and Abstract Expressionist artists, Goldberg modernizes processes by employing specialized primers that allow him to digitally print directly to painted surfaces, where the underpaintings interact with the photographic layers.
Collotype printing was the state of the art for photographic reproduction at the turn of the twentieth century, but it was quickly replaced by faster, cheaper and more mechanized printing techniques.
William Wegman, Galleria Cardi & Co, Milan, Italy William Wegman, VB - valokuvakeskus photographic centre, Kuopio, Finland William Wegman, Recent Polaroids, Grant Selwyn Fine Art, Los Angeles, CA William Wegman, New Pigment Prints, Adamson Gallery, Washington DC William Wegman, Paintings, Sperone Westwater, New York William Wegman, Reading Two Books, Pace / Macgill Gallery, New York
1966 Benefit for E.A.T. — Experiments in Art and Technology, Leo Castelli Gallery, New York, USA Primary Structures, Jewish Museum, New York, USA From Arp to Artschwager — Annual Sculpture Show, Noah Goldowsky Gallery, New York, USA 1966 Whitney Annual Exhibition, Whitney Museum of American Art, New York, USA Sound, Light, Silence: Art that Performs, William Rockhill Nelson Gallery & Atkins Museum of Fine Arts, Kansas City, USA Contemporary American Sculpture and Prints, Whitney Museum of American Art, New York, USA The Photographic Image, Solomon R. Guggenheim Museum, New York, USA
I bought from usa artist Ellie Ga 3 silver gellatin photographic prints and an artists book referencing her journey to the arctic with perhaps a certain homage being paid to Ernest Shackleton — a bargain at 50 swiss francs and a far cry from the prices at the main basel art fair arena.
The New York Center for Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, photographic process (print, image transfer, emulsion transfer, encaustic, black and white, color etc.).
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
They all engage images — photographs, news images, or book illustrations — to leverage photographic reproducibility against the logic of the art market's limited edition print.
Images from Asger Jorn's photographic archive 10,000 Years of Nordic Folk Art selected by Kasper Bosmans, photographic prints, installation view Witte de With Center for Contemporary Art, photo by Aad Hoogendoorn
The photographic images published in her first book are processed from gelatin silver prints, in a square format, which without a surprise is ideal for fine art photography because elements in this space frame become stronger.
Kasper Bosmans, WDW25 + Mural: Vermiculated Rustication, 2016, gouache on wall; photographs from Asger Jorn's 10,000 Years of Nordic Folk Art, photographic prints, installation view Witte de With Center for Contemporary Art, photo by Aad Hoogendoorn
Horizon (Mother), 2015 Lambda photographic prints, frame (diptych) 49 x 49 x 8 inches (124.5 x 124.5 x 20.3 cm)(each) collection of the Portland Art Museum
Metropolitan Museum of Art, New York The Met's department of photographic art contains 20,000 photographs, prints and daguerreotypes, organized around the Alfred Stieglitz, Edward Steichen, Walker Evans, and Ford Motor Company collectioArt, New York The Met's department of photographic art contains 20,000 photographs, prints and daguerreotypes, organized around the Alfred Stieglitz, Edward Steichen, Walker Evans, and Ford Motor Company collectioart contains 20,000 photographs, prints and daguerreotypes, organized around the Alfred Stieglitz, Edward Steichen, Walker Evans, and Ford Motor Company collections.
colour photographic print mounted on aluminum, 40» x 72» (collection of the Confederation Centre Art Gallery, Charlottetown, gift of the artist)
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