Sentences with phrase «art public film»

In the spirit of multimedia editions of the past such as Andy Warhol's Index and the mid-sixties journal Aspen, The Sleepwalkers Box is designed to encourage audiences to create their own multisensory experiences as they explore a kaleidoscopic universe of printed images, motion pictures, and audio recordings drawn from Doug Aitken's groundbreaking 2007 Museum of Modern Art public film installation.

Not exact matches

While unpaid postcollege internships have long existed in the film and nonprofit worlds, they have recently spread to fashion houses, book and magazine publishers, marketing companies, public relations firms, art galleries, talent agencies — even to some law firms.

the program would afford an unparalleled opportunity to dramatize the interest of the Christian Church in the creative process in the arts, would encourage the production of films and programs of the highest standards, would give public support to those individuals in the film and broadcast industries who are striving to lift the general level of production, would present the Church in a positive rather than a negative stance in relation to these media, and would provide the opportunity for the Church in general and the B.F.C. and its members in particular to enter into significant conversations with the entertainment industry on standards, values, and goals.

She argued the case for continued public funding requires a «two - way street» in which the contributions of film, music, art and TV makers provide «healthy dividends» for the government's «investment».

Going In Style would be an example of the latter, remaking the 1979 Martin Brest film starring George Burns, Art Carney, and Lee Strasberg, which was a minor hit in its day but has faded from the public awareness in the decades since.

Born out of an innovative public - private partnership between Stony Brook Graduate Arts and Killer Films, our MFA in Film turns the traditional film school on its head with a project - driven and arts incubator approArts and Killer Films, our MFA in Film turns the traditional film school on its head with a project - driven and arts incubator approarts incubator approach.

At about three hours long, Gallery is only a medium length Wiseman film, a look at the venerable British art gallery, the paintings within it, the people that run it and the public that visits it.

The eccentricities that have often characterised his public persona are on full display in this film, whether it be his unique art collection or peculiar choice of food and household beverages.

The 85 year old filmmaker is probably more well - known for his examinations of public institutions in films like Welfare (1975), Titicut Follies (1967), At Berkeley (2013) or High School (1968, followed by a sequel in 1994), but he's also one of cinema's great chroniclers of art as work.

Our philosophy of cinema remains the same: to stay outside the mainstream system of distribution and promotion that rules public film culture, and to champion what is innovative, challenging, personal and under - recognised in the art of cinema.

Houston - based SWAMP is committed to the production, promotion and presentation of film, video and new media as art forms of a multicultural public.

Yet it also goes deeper: as in Ann Hui's equally compelling The Golden Era, the film respects the mystery of the creative process, the obscure correspondences between life and art, whether or not it is important to like a writer to appreciate his / her work — but, ultimately, why it matters for public freedom that writers should be allowed to misbehave in peace.

As an expert on the arts and geek culture, Gilsdorf frequently appears on TV, radio and Internet media, including PBS Off Book, WGBH, The Discovery Channel, the French TV network Arte, and several nationally - syndicated National Public Radio programs and in documentary films.

Our goal is to champion the cause of film literacy, foster public discussion of the place of movies in society, and promote the serious, sometimes delirious cause of film as art.

Faces Places is quite a moving film, and speaks to a particular cultural mindset that knits art into the fabric of public life.

In the film, Bateman stars as Baxter Fang who, with his sister Annie (Nicole Kidman), took part as children in their parents» performance art projects that mostly found them making awkward public spectacles of themselves.

I'm sure there are issues with how public arts funding is doled out in the UK, but I love the fact that small films from proven talent can get some public money to help them along.

Ahead of the auction's catalog being made public this coming Monday, we've got our hands on several pieces of Kurtzman's creature concept art, some of it depicting blood - sucking creatures that never actually ended up making it into the film — at least not as originally designed.

The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.

While doing the promotional rounds for her latest film, Wonder Wheel, Kate Winslet's been giving the public lessons on separating art from the artist.

His work includes illustration, painting, music, film, public art and emerging media.

In 2002, a group of Seattle film professionals, enthusiasts, teachers, and critics formed Parallax View, a small film society whose goal was to champion the cause of film literacy, foster public discussion of the place of movies in society, and promote the serious, sometimes delirious cause of film as art.

The program promotes individual achievement while supporting the academic agenda in the Savannah - Chatham County Public Schools with 22 - week project - learning programs in four subject areas: the performing arts, film, music production, and information technology.

I know there are people who write in their attics, but for me culture is public, and literature is no different from music, fine art, film.

With two Tony ® Award - winning theatres, museums, historic sites and monuments, music, public art, dance, film, galleries, missions and a multitude of other cultural offerings, San Diego is truly a world - class international cultural destination.

On Wednesday, July 31, the Golden Gate National Parks Conservancy will showcase its proposal for the Presidio Exchange (PX)-- an open - platform cultural center in this world - class location that will maintain the prime views of the Golden Gate Bridge, forge a new pedestrian link between the Presidio Main Post and the waterfront, and engage the public in a dynamic and ever - evolving series of public programs — from art installations to «hackathons», film festivals to green - tech expositions, dance performances to history lectures.

The «work of art» will be filmed throughout the operation, and then be posted on the Internet and available in the hotel lobby to share this artistic experiment with the public.

Though time will tell how the general public will respond to the upcoming release of The Rise of the Cobra in August, publisher Electronic Arts ensures fans and gamers that its video game adaptation of the film definitely won't disappoint when it hits the market in July.

The Audio Guide features an introduction to MIT's public art collection by actor, film director, and photographer Leonard Nimoy.

The Flood Gallery Fine Art Center fulfills its mission by designing and providing art exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and desiArt Center fulfills its mission by designing and providing art exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and desiart exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and desiart, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and desiart, architecture, dance, film, and design.

Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

The South London Gallery (SLG) is an internationally renowned public institution with an established reputation for its programme of contemporary art exhibitions, film and performance events, with integrated education projects for children, young people and adults.

Since then, art has found a broader public but nowhere near the public for music or film, placing it more and more in an uneasy spot between high and popular culture.

Craycroft's residency also includes a series of public programs: a panel discussion exploring the legal and ethical implications of expanded definitions of personhood, a choreographic response by artist Will Rawls, and the premiere of Craycroft's film followed by a conversation with art historian Gloria Sutton.

Their past work has, after all, depicted the art exhibition as an empty classroom and the art public as the zombie audience for a zombie film.

Visiting Artists Open Studios February 20, 6:30 - 9:30 pm Join us February 20 as four of our visiting artists, working in the fields of conceptual art, film, music and drawing, will be opening their studios to the public for one night.

Many of his short experimental films have shown in festivals internationally and are in the permanent collections of the Museum of Modern Art, the Whitney, the Guggenheim Museum and the New York Public Library.

A film by Hito Steyerl, Abstract (2012), has been acquired by the Contemporary Art Society for GoMA, becoming the first work by the artist to enter a public collection in the UK.

From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.

During the 2015 Reykjavik Arts Festival, the Guerrilla Girls displayed National Film Quiz, a billboard criticizing the fact that 87 % of national funding for films goes to men, despite women playing an important part of Iceland's public and private sectors.

The exhibition at the University Museum of Contemporary Art will be the context for which a program of panel discussions, public talks, film screenings, readings, and an outreach school program is being organized.

Ballroom Marfa and The Washington Spectator, in collaboration with The Big Bend Sentinel, Marfa Public Radio and Marfa Book Company, will present Marfa Dialogues: Politics and Culture of the Border, three days of art, film, music, and literature.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

The Fulcrum Fund is expressly interested in visual art including: public art projects / site specific installations, the publication of writing directly related to the visual arts including printed matter and online publications, artist residencies, film screenings, curatorial projects and exhibitions that highlight unconventional artistic practice, workshops, multimedia, video and photo projects.

In addition, Bradford has created two new works related to Mithra, his monumental, ark - like public art project installed in the Lower Ninth Ward of New Orleans for the Prospect.1 exhibition in 2008: a major new sculpture (titled Detail), which incorporates elements from Mithra, and a film titled Across Canal, which examines the conception, production, and reception of that work.

His writings on the legacies of avant - garde strategies, art activism, digital media and new social formations, film and labor, and other topics have appeared in Art Journal, Afterimage, BOMB, The Brooklyn Rail, Communications, and PUBLIC, as well as several anthologiart activism, digital media and new social formations, film and labor, and other topics have appeared in Art Journal, Afterimage, BOMB, The Brooklyn Rail, Communications, and PUBLIC, as well as several anthologiArt Journal, Afterimage, BOMB, The Brooklyn Rail, Communications, and PUBLIC, as well as several anthologies.

Additionally, two new works related to Mithra, his monumental, ark - like public art project installed in the Lower Ninth Ward of New Orleans for the Prospect.1 exhibition in 2008, will be featured: a major new sculpture titled Detail, which incorporates elements from Mithra, and a film titled Across Canal, which examines the conception, production, and reception of that work.

Working closely with our 2015 Visiting Artists Carolyn Swiszcz and Lisa Sanditz, Erica Mohan created, filmed and edited the following videos showing a glimpse of their public art talks at Girls» Club.

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