Sentences with phrase «art2art circulating exhibitions»

Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.

and followed a circulating exhibition also organized by The Museum of Modern Art in New York City:

Regina Five, the name given to the artists in the 1961 National Gallery of Canada's circulating exhibition «Five Painters from Regina,» presented the work of Kenneth Lochhead, Arthur McKay, Douglas Morton, Ted Godwin and Ronald Bloore.

Flint Institute of Arts, (circulating exhibition organized by Lucy Lippard and Flint Institute of Art), Flint MI

After one year in grad school, in 1959, McShine was hired in the Museum of Modern Art (MoMA)'s public information department, then moved to its department of circulating exhibitions, organizing a traveling exhibit of work by Robert Motherwell.

The core touring elements of Crossroads: The Art of Gordon Parks are organized by art2art Circulating Exhibitions, courtesy of the Gordon Parks Foundation and the Howard Greenberg Gallery.

Live and Life Will Give You Pictures was organized by the Barnes Foundation in conjunction with Art2Art Circulating Exhibitions.

In 1968, the museum published a critically acclaimed guidebook, «Architecture in Virginia» by William B. O'Neal (now out of print), and organized and circulated the exhibition «Architectural Drawing in Virginia 1819 - 1969,» also assembled by O'Neal.

the complete drawings, 1944 - 1969, [a circulating exhibition through Baltimore, Detroit, Chicago, New York, Amsterdam, Paris, Cologne, Basel]

Exhibitions at Karsh - Masson and City Hall art galleries feature the work of professional artists working in visual art, media art and fine craft and include solo, two - person and group exhibitions; curated exhibitions; exhibitions from the diplomatic sector, and circulating exhibitions from other institutions.

The exhibition is organized by art2art Circulating Exhibitions.

In 1980, three years after his death at the age of 68, the Arts Council of Great Britain circulated an exhibition of 87 works to venues in London, Edinburgh and Birmingham.

The catalogue, which accompanies the circulating exhibition curated by Michael A. Quigley, includes essays by Sarah McFadden and Carter Ratcliff commenting on the historical perspective of textile - based art and features artists who sought projects outside the restrictions of the commercial fabric industry.

[circulating exhibition held at] Art gallery of Ontario, Toronto, 5 November - 31 December 1977, Shimin art gallery museum, Iwaki City, Fukushima, 21 January - 12 February 1978, Prefectural museum, Kanazawa City, Ishikawa, 18 February - 26 March 1978, Kumamoto municipal museum, Kumamoto, 1 April - 23 April 1978... [et al..]

© Danny Lyon, New York & Magnum Photos, New York Exhibition is organized by art2art Circulating Exhibitions.

From there he went to the museum's department of circulating exhibitions.

Not exact matches

He spent 10 painstaking years working out how our blood really circulates: 17th - century physician William Harvey deserves his own London exhibition

Visionary currents circulate around «The Ocular Bowl,» a beautifully curated exhibition of paintings by Agnes Pelton, Linda Stark and Alex Olson.

In the present moment of virtual like, love, and swipe, when all aspects of public and private life circulate in seemingly endless supply on the Internet, the exhibition takes a step back to look at the formidable history of this subject from photography's early days to the present.

Thin Skin: The Fickle Nature of Bubbles, Spheres and Inflatable Structures is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York.

The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).

at Chelsea Space — This exhibition traces the development of the Experiment in Design Appreciation scheme, showcasing examples of «good design'that were circulating in secondary London schools between 1951 and 1977.

1954 Arte Contemporanea, Museu de Arte Moderna, Sao Paulo, Brazil 25th Anniversary Exhibition, Museum of Modern Art, New York, NY 61st Annual Exhibition Paintings and Sculpture, Art Institute of Chicago, IL 12th National Exhibition of Prints, Library of Congress, Washington, DC 14 Painters - Printmakers, Kraushaar Gallery circulated by American Federation of Arts Annual Exhibition Contemporary Watercolors and Drawings, Whitney Museum of American Art, New York, NY 8th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY Graphic Arts - USA, University of Illinois, Champaign, IL 2nd Invitational Print Exhibition, University of Minnesota, MN Exchange Exhibition of Prints, National Academies of Rome, Bologna, Carrara, Venice, Milan and Turin

2011 Circulate, Exchange: Nugget & Gravy, exhibition catalogue, September 22 — October 6, 2013.

According to the guidelines in the exhibition, «while the dancer performs, visitors become bystanders and etiquette decrees that during that time, no one except the performer can set foot in the space», and the way the visitors are guided to circulate is reminiscent of Bronstein's earlier work, Concept for a Public Square (2005) where visitors could not step across, but had to skirt around a low wall demarcating an area of dead space.

The multi-part exhibition project Publishing as an Artistic Toolbox: 1989 — 2017 explores the potentials of publishing — in the form of books, magazines, journals, artistic interventions, websites — as a particular medium and context both to circulate information, knowledge — and to produce art.

Even prior to the Kunsthalle Fredericanium exhibition, Vo's copper skin had begun to circulate and appear in exhibitions.

This exhibition linked two key trends: the use of photography to document performances or projects, and the use of other media — including newspapers, magazines, and film — to circulate work.

Her work is often exhibited in Canada and abroad, and major solo exhibitions include «Voyage dans le monde des choses», organized by the Musée d'art contemporain de Montréal in 1986, «Les Fleuves invisibles», produced by the Musée d'art de Joliette in 1997 and circulated in Canada and France until 2000, and «Tout embrasser», presented at the Leonard and Bina Ellen Art Gallery of Concordia University as part of Le Mois de la photo à Montréal 2001.

Against this backdrop, the group exhibition «Digital Archives» assembles works that deal in a multifaceted way with the networked world and the seemingly limitless possibilities for circulating, archiving, and processing digital information.

These iconic works of 19th - century landscape painting are traveling on a national tour for the first time and are circulating to four museums around the country as part of the Historical Society's traveling exhibitions program Sharing a National Treasure.

Though individual works are very seldom loaned, these iconic works of 19th - century landscape painting are traveling on a national tour for the first time and are circulating to four museums around the country as part of the Historical Society's traveling exhibitions program Sharing a National Treasure.

Bringing together a selection of rubbings, drawings, paintings, sculptures, and installations, this part of the exhibition explores how materials themselves are imbued with charged histories as a result of their making, their use, and the economies in which they circulate.

1954 - 1955 Five paintings included in «American Primitive Paintings from the 17th Century to the Present,» exhibition circulated in Europe by the Smithsonian Institution for the U.S. Information Agency (Lucerne, Vienna, Munich, Dortmund, Stockholm, Oslo, Manchester, London, Trier).

The New York Public Library offers free major exhibitions and special displays at three of its research library locations — the Stephen A. Schwarzman Building, Library for Performing Arts, and Schomburg Center for Research in Black Culture — and community showcases at many of its circulating branch locations throughout the Bronx, Manhattan, and Staten Island.

Each artist invited then invites ten other artists whom they admire, and so on, circulating for thirty days, at the end of which, all exhibitions, real and virtual, open on the 16th of July 2011.

Beginning in 2017 the touring exhibition was organized and circulated by the Art Museum with the support of the Leonard and Bina Ellen Art Gallery.

The exhibition aims to explore the modalities through which information circulate in the digital era.

From 1908 the Telfair also exhibited shows circulated by the American Federation of Arts (AFA), an exhibition service in New York.

For this exhibition, Rirkrit Tiravanija invited artists from Asia and Europe, as well as from the San Francisco Bay Area, to contribute works related to the circulation and anthropology of food and kitchen culture that have circulated across regions and time.

Jess: To and From the Printed Page is a traveling exhibition organized and circulated by iCI (Independent Curators International), New York.

The Madison Museum of Contemporary Art has a distinguished tradition of organizing traveling exhibitions, here working with the Jordan Schnitzer Family Foundation in circulating Frank Stella Prints: A Retrospective.

This exhibition is the first stop in a national touring exhibition circulated by Prefix and Contact.

«Corporate Video Decisions» is the title of similar exhibitions he presented at Michael Lett gallery in Auckland, New Zealand, and now at Friedrich Petzel in New York — but also that of a trade magazine from the late 1980s, circulated to corporations to help them boost consumer confidence using video after a market meltdown.

The exhibition was co-organized by The Drawing Center, New York, and ICI, and circulated by ICI.

The 20th century California artist, whose name has is circulating once again after being included in the debut exhibition at Hauser Wirth & Schimmel, is now the subject of her own retrospective, tracking her entire career, from the 1930s to the»90s.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AExhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

Impositions upon the body also exist for viewers to the exhibition as they walk around the space and encounter artworks that have their own autonomous movements (Eva Fabregas's floor - based works, Self - Organising System, and Alan Butler's Orphan Transposition series of spinning laser - etched acrylic panels, featuring out - of - copyright images of Yosemite National Park, freely circulating online).

The exhibition's introductory text panel explains, «As images are rendered into objects, and objects are circulated as images, the boundaries between the physical and the virtual are blurred, challenging us to rethink how we see the world around us.»